Manuel de Falla - The Three Cornered Hat (El Sombrero de tres picos) & El Amor Brujo
Manuel de Falla - The Three Cornered Hat (El Sombrero de tres picos) & El Amor Brujo
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 335 Mb
Label: Deutsche Grammophon - Date: 1978
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 335 Mb
Label: Deutsche Grammophon - Date: 1978
Part Impressionist, and part neo-Classicist, Manuel de Falla is difficult to peg, but he is widely regarded as the most distinguished Spanish composer of the early twentieth century. His output is small but choice, and revolves largely around music for the stage. Falla's reputation is based primarily on two lavishly Iberian ballet scores: El amor brujo (Love, the Magician), from which is drawn the Ritual Fire Dance (a pops favorite, often heard in piano or guitar transcriptions), and the splashy El Sombrero de tres picos (The Three-Cornered Hat). He also gained a permanent place in the concert repertory with his evocative piano concerto, Nights in the Gardens of Spain.
Born in 1876,Falla first took piano lessons from his mother in Cádiz, and later moved to Madrid to continue the piano and to study composition with Felipe Pedrell, the musical scholar who had earlier pointed Isaac Albéniz toward Spanish folk music as a source for his compositions. Pedrell interested Falla in Renaissance Spanish church music, folk music, and native opera. The latter two influences are strongly felt in La Vida breve (Life Is Short), an opera (a sort of Spanish Cavalleria rusticana) for which Falla won a prize in 1905, although the work was not premiered until 1913.
A second significant aesthetic influence resulted from Falla's 1907 move to Paris, where he met and fell under the Impressionist spell of Claude Debussy, Paul Dukas, and Maurice Ravel. It was in Paris that he published his first piano pieces and songs. In 1914 Falla was back in Madrid, working on the application of a quasi-Impressionistic idiom to intensely Spanish subjects; El amor brujo drew on Andalusian folk music. Falla wrote another ballet in 1917, El Corregidor y la molinera (The Magistrate and the Miller Girl). Diaghilev persuaded him to expand the score for a ballet by Léonide Massine to be called El sombrero de tres picos, and excerpts from the full score have become a staple of the concert repertory. In between the two ballets came Nights in the Gardens of Spain, a suite of three richly scored impressions for piano and orchestra, again evoking Andalusia.
In the 1920s, Falla altered his stylistic direction, coming under the influence of Stravinsky's Neo-Classicism. Works from this period include the puppet opera El retablo de Maese Pedro (The Altarpiece of Maese Pedro), based on an episode from Don Quixtote, and a harpsichord concerto, with the folk inspiration now Castilian rather than Andalusian. After 1926 he essentially retired, living first in Mallorca and, from 1939, in Argentina. He was essentially apolitical, but the rise of fascism in Spain contributed to his decision to remain in Latin America after traveling there for a conducting engagement. He spent his final years in the Argentine desert, at work on a giant cantata, Atlántida, which remained unfinished at his death in 1946.
From Allmusic
Tracks:
01. The Three Cornered Hat: Introduction [0:01:23.40]
02. The Three Cornered Hat: Afternoon [0:05:31.33]
03. The Three Cornered Hat: Dance of the Miller's Wife [0:03:35.27]
04. The Three Cornered Hat: the Grapes [0:04:08.00]
05. The Three Cornered Hat: Dance of the Neighbours [0:03:40.13]
06. The Three Cornered Hat: Dance of the Miller [0:07:51.02]
07. The Three Cornered Hat: Danza del Corregidor [0:06:58.25]
08. The Three Cornered Hat: Danza Final (Jota) [0:06:13.73]
09. El Amor Brujo: Introduction [0:00:30.52]
10. El Amor Brujo: With the Gypsies in the Evening [0:02:26.63]
11. El Amor Brujo: Song of Suffering Love [0:01:34.22]
12. El Amor Brujo: the Apparition [0:00:13.38]
13. El Amor Brujo: Dance of Terror [0:01:58.62]
14. El Amor Brujo: the Magic Circle, Song of the Fishermen [0:02:35.15]
15. El Amor Brujo: Midnight, the Spells [0:00:23.58]
16. El Amor Brujo: Ritual Fire Dance [0:04:06.55]
17. El Amor Brujo: Escena [0:01:03.47]
18. El Amor Brujo: Song of the Will-O'-Wisp [0:01:36.33]
19. El Amor Brujo: Pantomime [0:04:28.40]
20. El Amor Brujo: Dance of the Game of Loves [0:02:51.65]
21. El Amor Brujo: Finale, the Bells of Dawn [0:01:25.25]
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 6. December 2011, 11:30
Manuel de Falla / The Three Cornered Hat/ el Amor Brujo
Used drive : TSSTcorpCDDVDW SH-S223C Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 697
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -0 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
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1 | 0:00.32 | 1:23.40 | 32 | 6296
2 | 1:23.72 | 5:31.33 | 6297 | 31154
3 | 6:55.30 | 3:35.27 | 31155 | 47306
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11 | 42:19.60 | 1:34.22 | 190485 | 197556
12 | 43:54.07 | 0:13.38 | 197557 | 198569
13 | 44:07.45 | 1:58.62 | 198570 | 207481
14 | 46:06.32 | 2:35.15 | 207482 | 219121
15 | 48:41.47 | 0:23.58 | 219122 | 220904
16 | 49:05.30 | 4:06.55 | 220905 | 239409
17 | 53:12.10 | 1:03.47 | 239410 | 244181
18 | 54:15.57 | 1:36.33 | 244182 | 251414
19 | 55:52.15 | 4:28.40 | 251415 | 271554
20 | 60:20.55 | 2:51.65 | 271555 | 284444
21 | 63:12.45 | 1:25.25 | 284445 | 290844
Range status and errors
Selected range
Filename F:\Musique\Falla\Manuel de Falla - The Three Cornered Hat, el Amor Brujo.wav
Peak level 99.1 %
Extraction speed 0.3 X
Range quality 100.0 %
Test CRC 353C288A
Copy CRC 353C288A
Copy OK
No errors occurred
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All tracks accurately ripped
End of status report
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See my classical digital download posts in the Vinyl & HR section or check out My Avax blog
See my classical digital download posts in the Vinyl & HR section or check out My Avax blog