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Wilhelm Friedemann Bach - Freiburger Barockorchester - Concerti (2002)

Posted By: luckburz
Wilhelm Friedemann Bach - Freiburger Barockorchester - Concerti (2002)

Wilhelm Friedemann Bach - Freiburger Barockorchester - Concerti
EAC+LOG+CUE | WV: 366 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Carus # 83.304 | Country/Year: Germany 2002
Genre: Classical | Style: Baroque, Early Classical Period

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

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Wilhelm Friedemann Bach - Freiburger Barockorchester - Concerti (2002)


Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 18. March 2012, 2:14

Freiburger Barockorchester / Wilhelm Friedemann Bach - Concerti

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 7:38.73 | 0 | 34422
2 | 7:38.73 | 9:21.28 | 34423 | 76525
3 | 17:00.26 | 5:06.70 | 76526 | 99545
4 | 22:07.21 | 3:27.07 | 99546 | 115077
5 | 25:34.28 | 4:54.32 | 115078 | 137159
6 | 30:28.60 | 9:25.33 | 137160 | 179567
7 | 39:54.18 | 8:38.44 | 179568 | 218461
8 | 48:32.62 | 5:14.36 | 218462 | 242047
9 | 53:47.23 | 10:55.69 | 242048 | 291241
10 | 64:43.17 | 3:10.44 | 291242 | 305535
11 | 67:53.61 | 7:10.49 | 305536 | 337834


Range status and errors

Selected range

Filename Z:\NetLab\W.F. Bach - Concerti (Freiburger Barockorchester) (2002) {Carus 83.304}\Wilhelm Friedemann Bach - Concerti.wav

Peak level 90.7 %
Extraction speed 8.3 X
Range quality 100.0 %
Test CRC 79062F4F
Copy CRC 79062F4F
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 7) [1FA6897D] (AR v1)
Track 2 accurately ripped (confidence 7) [908F1EE0] (AR v1)
Track 3 accurately ripped (confidence 7) [DA89D3F5] (AR v1)
Track 4 accurately ripped (confidence 7) [3994F3BA] (AR v1)
Track 5 accurately ripped (confidence 7) [FB83F0B2] (AR v1)
Track 6 accurately ripped (confidence 7) [CFED085C] (AR v1)
Track 7 accurately ripped (confidence 7) [618F0468] (AR v1)
Track 8 accurately ripped (confidence 7) [9A064DE6] (AR v1)
Track 9 accurately ripped (confidence 7) [88FC525C] (AR v1)
Track 10 accurately ripped (confidence 7) [6B916594] (AR v1)
Track 11 accurately ripped (confidence 7) [D3BCDC6D] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 9FDD4CDE8E08A0DA91DE1115D54052B4E18137F5360101DF7BD101ABCC61624E ====

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)


––––––––––––––––––––––––––––––
[Freiburger Barockorchester - Wilhelm Friedemann Bach - Concerti.wav]
Detected average hi-boundary frequency: 2.028449e+004 Hz
Detected average lo-boundary frequency: 1.340572e+004 Hz
Detected average hi-cut frequency: 2.160944e+004 Hz
Detected average lo-cut frequency: 1.409186e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 4.646766e-001
First order smothness: 2.806236e-001
Second order smothness: 7.949146e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-05-14 22:23:44

––––––––––––––––––––––––––––––––––––––––
Analyzed: Freiburger Barockorchester / Wilhelm Friedemann Bach - Concerti
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -4.19 dB -21.74 dB 7:39 01-Concerto per il Flauto traverso in D; I. Un poco allegro
DR13 -7.03 dB -24.05 dB 9:21 02-II. Largo
DR13 -3.58 dB -21.38 dB 5:07 03-III. Vivace
DR10 -12.06 dB -25.63 dB 3:27 04-Sinfonia in d; I. Adagio
DR12 -2.23 dB -21.80 dB 4:54 05-II. Allegro e forte (Fuga)
DR14 -3.59 dB -22.24 dB 9:25 06-Concerto per il Cembalo in e; I. Allegretto
DR16 -2.27 dB -22.83 dB 8:39 07-II. Adagio
DR14 -1.63 dB -18.89 dB 5:14 08-III. Allegro assai
DR15 -0.84 dB -20.72 dB 10:56 09-Concerto a due Cembali in Es; I. Un poco allegro
DR12 -16.96 dB -33.02 dB 3:11 10-II. Cantabile
DR14 -1.40 dB -21.15 dB 7:11 11-III. Vivace
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 649 kbps
Codec: WavPack
================================================================================



CD Info:

Wilhelm Friedemann Bach - Freiburger Barockorchester - Concerti (The Sons of J.S. Bach Vol.1)

Label: Carus
Catalog#: 83.304
Format: CD, Album
Country: Germany
Released: 2002
Genre: Classical

Tracklist:

Concerto per il Flauto traverso in D
1. Un poco Allegro
2. Largo
3. Vivace

Sinfonia in d
4. Adagio
5. Allegro e forte (Fuga)

Concerto per il Cembalo in e
6. Allegretto
7. Adagio
8. Allegro assai

Concerto a due Cembali in Es BR Ñ 11
9. Un poco Allegro
10. Cantabile
11. Vivace

Ensemble: Freiburger Barockorchester
Solist(in) - Violine: Gottfried von der Goltz
Solist(in) - Cembalo: Robert Hill (9, 10, 11)
Solist(in) - Cembalo: Michael Behringer (1, 2, 3, 6, 7, 8, 9, 10, 11)
Solist(in) - Flauto traverso: Karl Kaiser (1, 2, 3, 4, 5)
Solist(in) - Klavier: Michael Behringer (1, 2, 3, 6, 7, 8, 9, 10, 11)

Wilhelm Friedemann Bach - Freiburger Barockorchester - Concerti (2002)


Wilhelm Friedemann Bach (22 November 1710 – 1 July 1784), the second child and eldest son of Johann Sebastian Bach and Maria Barbara Bach, was a German composer and performer. Despite his acknowledged genius as an organist, improviser and composer, his income and employment were unstable and he died in poverty.

He has opened the Bach dance! The Freiburg Baroque Orchestra and the Carus-Verlag Stuttgart pay in a series of albums compositionally the sons of acting, great maestro 'attention - a commendable act. Because - be honest - who are the sons of Bach's actually a term? - No question: it starts with Carl Philipp Emanuel, may go further with Wilhelm Friedemann … at the latest but probably shrug his shoulders the most. Not without good reason, because in fact were and are still the sons of Johann Sebastian Bach - it was the way four composing of them - in the shadow of himself to this state for some time of musicological side and on the part of the record companies counteracted.
A truly great result of this effort is worth listening to us this recording, for the Freiburg Baroque Orchestra, Karl Kaiser (transverse flute), Michael Behringer (fortepiano, harpsichord) and have Robert Hill (harpsichord) resorted to the instruments. A special feature of this CD is the world premiere recording of the concerto for flute in D major, long time erroneously Quantz had been attributed. The concert comes from the music archives of the Academy of Music in Berlin, which was itself since the war as lost. With the rediscovery of the music archive of the Bach scholar Christoph Wolff in 1999, the music of the concert is only recently become accessible again.
Wilhelm Friedemann Bach (1710-1784), eldest son of Johann Sebastian Bach and Maria Barbara, was an outstanding virtuoso of his time, which in addition to his job as organist of the composition, of course, but also - devoted to the mathematics - the same father. His compositional ambitions, but not necessarily followed, as one would perhaps expect, where his father, although he harbored great admiration for his music, his music has a mix of conservative and progressive elements.

Four of his works - the aforementioned Concerto for flute in D major, a Sinfonia in D minor, a concerto for harpsichord in E minor and a concerto for two harpsichords in E flat major - be presented to us on the CD of the Freiburg Baroque Orchestra . Surprisingly, striking at first is very clear and brilliant sound of the recording and the melodious sound great in all registers. Also the fact that all instrumentalists playing music on period instruments - a self-understanding of the Freiburg Baroque Orchestra - contributes significantly to the sound during the recording. The interpretations of the works are characterized by rhythmically precise playing of the orchestra, which in turn precludes the artistic freedom means. Orchestra and soloists delight not only in their distinctly audible joy of playing, but they seem very convincing with the dynamic nuances that are just so very evident in the Baroque music. The Freiburg Baroque Orchestra, the (unfortunately rather rare) ability - and proof is not only this recording - to carry the / accompanying the soloists, and yet because of the playful vibrancy not to come to the fore. Thus, only results in a balanced tonal relationship between orchestra and soloist (s). In short: an all around enjoyable and highly recommended CD!

Interpretation: *****
Sound Quality: *****
Repertoire of value: ***** klassik.com

More from the "Sons of J.S. Bach"-series:
Carl Philipp Emanuel Bach - Freiburger Barockorchester - Concerti

Thanks to pr3ss!

Wilhelm Friedemann Bach - Freiburger Barockorchester - Concerti (2002)


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