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Vivaldi - La Serenissima, Chandler - The French Connection 1 (2009)

Posted By: luckburz

Date: 10 May 2013 09:39:14

Vivaldi - La Serenissima, Chandler - The French Connection 1 (2009)

Antonio Vivaldi - The French Connection Vol. 1
La Serenissima / Adrian Chandler
EAC+LOG+CUE | WV: 382 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Avie # AV2178 | Country/Year: UK 2009
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [] not my rip [X]

EAC

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 7. June 2011, 19:44

La Serenissima, Adrian Chandler / Antonio Vivaldi - The French Connection

Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:41.56 | 0 | 12130
2 | 2:41.56 | 0:24.34 | 12131 | 13964
3 | 3:06.15 | 3:09.29 | 13965 | 28168
4 | 6:15.44 | 3:11.32 | 28169 | 42525
5 | 9:27.01 | 2:57.69 | 42526 | 55869
6 | 12:24.70 | 2:19.07 | 55870 | 66301
7 | 14:44.02 | 1:56.68 | 66302 | 75069
8 | 16:40.70 | 2:13.02 | 75070 | 85046
9 | 18:53.72 | 1:32.20 | 85047 | 91966
10 | 20:26.17 | 2:22.06 | 91967 | 102622
11 | 22:48.23 | 3:52.06 | 102623 | 120028
12 | 26:40.29 | 3:26.29 | 120029 | 135507
13 | 30:06.58 | 3:25.54 | 135508 | 150936
14 | 33:32.37 | 2:14.21 | 150937 | 161007
15 | 35:46.58 | 1:38.14 | 161008 | 168371
16 | 37:24.72 | 2:25.11 | 168372 | 179257
17 | 39:50.08 | 2:35.03 | 179258 | 190885
18 | 42:25.11 | 1:44.38 | 190886 | 198723
19 | 44:09.49 | 3:05.18 | 198724 | 212616
20 | 47:14.67 | 2:40.60 | 212617 | 224676
21 | 49:55.52 | 2:31.71 | 224677 | 236072
22 | 52:27.48 | 2:39.26 | 236073 | 248023
23 | 55:06.74 | 2:47.03 | 248024 | 260551
24 | 57:54.02 | 1:33.39 | 260552 | 267565
25 | 59:27.41 | 1:36.13 | 267566 | 274778
26 | 61:03.54 | 6:03.74 | 274779 | 302077
27 | 67:07.53 | 3:52.10 | 302078 | 319487
28 | 70:59.63 | 5:52.22 | 319488 | 345909

Range status and errors

Selected range

Filename Z:\NetLab\Antonio Vivaldi - The French Connection (La Serenissima, Adrian Chandler) (2009)\Antonio Vivaldi - The French Connection.wav

Peak level 95.5 %
Extraction speed 0.1 X
Range quality 100.0 %
Test CRC 33FC3CA7
Copy CRC 33FC3CA7
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 3) [ED4A5FDA]
Track 2 accurately ripped (confidence 3) [5E33B63F]
Track 3 accurately ripped (confidence 3) [A02565AD]
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Track 27 accurately ripped (confidence 3) [52AD8B1B]
Track 28 accurately ripped (confidence 3) [64C79D83]

All tracks accurately ripped

End of status report

==== Log checksum C2B4616A267D4B3C832E92680B13AD735991385DCBCDC34ADAB67AABD69C2BF9 ====

auCDtect

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)

––––––––––––––––––––––––––––––
[La Serenissima, Adrian Chandler - Antonio Vivaldi - The French Connection.wav]
Detected average hi-boundary frequency: 2.064388e+004 Hz
Detected average lo-boundary frequency: 1.562940e+004 Hz
Detected average hi-cut frequency: 2.158543e+004 Hz
Detected average lo-cut frequency: 1.762308e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.597193e-001
First order smothness: 3.598622e-001
Second order smothness: 8.404641e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-03-06 18:06:40

––––––––––––––––––––––––––––––––––––––––
Analyzed: La Serenissima, Adrian Chandler / Antonio Vivaldi - The French Connection
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.11 dB -20.23 dB 2:42 01-'Paris' Concerto 5 for strings & continuo in C, RV 114; I. Allegro
DR11 -11.77 dB -26.11 dB 0:24 02-II. Adagio
DR14 -3.16 dB -21.70 dB 3:09 03-III. Ciacona
DR12 -3.83 dB -19.41 dB 3:11 04-Concerto for bassoon, strings & continuo in F, RV 488; I. Allegro non molto
DR10 -6.64 dB -21.21 dB 2:58 05-II. Largo
DR13 -1.57 dB -18.89 dB 2:19 06-III. Allegro
DR11 -6.01 dB -22.72 dB 1:57 07-Concerto for violin, strings & continuo in C, RV 185, Op. 4 No. 7; I. Largo
DR13 -3.63 dB -20.21 dB 2:13 08-II. Allegro
DR14 -3.90 dB -23.42 dB 1:32 09-III. Largo
DR14 -1.69 dB -21.67 dB 2:22 10-IV. Allegro
DR13 -2.66 dB -19.18 dB 3:52 11-Concerto for flute, strings, bassoon & continuo in G, RV 438 (late version); …
DR11 -6.81 dB -21.43 dB 3:26 12-II. Andante
DR13 -2.09 dB -18.69 dB 3:26 13-III. Allegro
DR13 -1.66 dB -20.19 dB 2:14 14-'Paris' Concerto 1 for strings & continuo in G minor, RV 157; I. Allegro
DR11 -7.54 dB -24.05 dB 1:38 15-II. Largo
DR15 -1.27 dB -19.23 dB 2:25 16-III. Allegro
DR13 -3.73 dB -20.33 dB 2:35 17-Concerto fragment for bassoon, strings & continuo in C, RV 468; I. Allegro
DR10 -6.48 dB -21.10 dB 1:45 18-II. Andante
DR15 -0.40 dB -19.61 dB 3:05 19-Concerto fragment for flute, strings & continuo in E minor, RV 432; I. Allegro
DR13 -5.67 dB -22.12 dB 2:41 20-Concerto for flute, violin, bassoon & continuo in F, RV 100; I. Allegro
DR11 -8.38 dB -23.81 dB 2:32 21-II. Largo
DR13 -5.69 dB -22.71 dB 2:39 22-III. Allegro
DR13 -1.71 dB -19.57 dB 2:47 23-'Paris' Concerto 3 for strings & continuo in C minor, RV 119; I. Allegro
DR13 -4.90 dB -24.94 dB 1:34 24-II. Largo
DR12 -1.50 dB -18.96 dB 1:36 25-III. Allegro
DR14 -1.65 dB -21.44 dB 6:04 26-Concerto for violin, strings, continuo in D, RV 211; I. Allegro non molto
DR12 -8.00 dB -25.56 dB 3:52 27-II. Larghetto
DR14 -2.31 dB -20.73 dB 5:52 28-III. Allegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 28
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 695 kbps
Codec: WavPack
================================================================================

CD Info:

Antonio Vivaldi - The French Connection Vol. 1

La Serenissima / Adrian Chandler

Label: AVIE
Catalog#: AV2178
Format: CD, Album
Country: UK
Released: 2009
Genre: Classical
Style: Baroque

Tracklist:

‘Paris’ Concerto 5 for strings & continuo in C, RV 114 (6:09)
1. Allegro (2:41)
2. Adagio (0:25)
3. Ciacona (3:03)
Concerto for bassoon, strings and continuo in F, RV 488 (8:24)
4. Allegro non molto (3:12)
5. Largo (2:57)
6. Allegro (2:15)
Concerto for violin, strings, & continuo in C, RV 185, Op. 4, No. 7 (8:00)
7. Largo (1:56)
8. Allegro (2:13)
9. Largo (1:33)
10. Allegro (2:18)
Concerto for flute, strings, bassoon & continuo in G, RV 438 (10:39)
11. Allegro (3:52)
12. Andante (3:26)
13. Allegro (3:21)
‘Paris’ Concerto 1 for strings & continuo in g minor, RV 157 (6:10)
14. Allegro (2:14)
15. Largo (1:38)
16. Allegro (2:18)
Concerto fragment for bassoon, strings & continuo in C, RV 468 (4:12)
17. Allegro (2:35)
18. Andante (1:37)
Concerto fragment for flute, strings & continuo in e, RV 432
19. Allegro (3:05)
Concerto for flute, violin, bassoon & continuo in F, RV 100 (7:40)
20. Allegro (2:41)
21. Largo (2:31)
22. Allegro (2:28)
‘Paris’ Concerto 3 for strings & continuo in c minor, RV 119 (5:43)
23. Allegro (2:47)
24. Largo (1:33)
25. Allegro (1:23)
Concerto for violin, strings & continuo in D, RV 211 (15:34)
26. Allegro non molto (6:03)
27. Larghetto (3:52)
28. Allegro (5:39)

Total Time: 01:16:54

Adrian Chandler (violin, director)
Katy Bircher (flute)
Peter Whelan (bassoon)
La Serenissima

Intriguing title? Well some, at least, of Vivaldi’s own French connections are known: the French ambassador to Venice was among his patrons, and he supplied 12 concertos without soloist to an unknown Parisian collector. Adrian Chandler has taken three of these last as a starting-point for a full disc of flute, bassoon and violin concertos in which, he reckons, references to the French style are apparent. But is a dotted rhythm here, a chaconne there and a sprinkling of Rameau-ish moments enough to make Vivaldi sound French? Wisely, Chandler does not claim so, though his concession that “Vivaldi’s style is rarely unrecognisable” puts it mildly; Vivaldi seldom sounds like anyone else, even in the grand overture-like first movement of the Violin Concerto RV211, by some margin the most French-drenched piece on this disc. The chaconnes and melodic frou‑frous found elsewhere may suggest Frenchness to one as sensitive to the composer’s style as Chandler, but to the average listener they will surely sound like Vivaldi from head to toe.

But if this disc works hard to justify its title, what care we when the results make such enjoyable listening? And who can blame Chandler for looking for a way to programme and market Vivaldi that avoids filling it with 10 works all of the same type? Here the three solo instruments come and go in various combinations, always pleasing us and never outstaying their welcome. They are played with skill and taste, lapsing only when the bassoon overpowers the flute in the slow movement of RV438. The orchestral sound, as always with La Serenissima, achieves bright attractiveness and vivacity without feeling the need to pursue the taut energy of some other groups. And that’s just fine.
Lindsay Kemp Grammophone

The title of this disc, ‘Vivaldi: The French Connection’, promises an interesting take on the red priest’s concerto output. This time the focus is on works with a direct relationship with France. But what we get is a rather mixed bag of works of varying quality and some very tenuous French connections.

The sleeve-notes are at pains to emphasise the ‘Frenchness’ of the concerti, even labelling three them for strings and continuo as ‘Paris’ without explaining why; these works are usually referred to only as ‘concerti ripieni’. In fact there is no evidence that they were specifically commissioned by French sources, and the claim of a distinct ‘French style’ of writing is not really borne out in the music.

That aside, there are some splendidly played gems in this collection. Adrian Chandler, who also directs the La Serenissima band, excels in the solo violin concerti. The gusto with which he attacks the tricky Allegro (track 8) and bouncy dance rhythms (track 10) in the C major concerto is impressive. The disc rounds off with a breathless account of the D major concerto (tracks 26-28). Here there is clear evidence of the French overture style, with its slow stately opening balanced by ‘Italian’ virtuosity, soaring passages for violin, and a hugely demanding cadenza put together by Chandler himself.

The concerti featuring flute are also worthy of close attention. Soloist Katy Bircher tackles the fluttering finger-work with ease, and there are noticeable traces of the French-style in the final Allegro (track 13), with its Rameau-esque flourishes and trills in the strings.

Less satisfying are some of the concerti fragments. The single Allegro movement from a flute concerto in E minor (track 19) is full of promise, but all too brief. The two-movement fragment from a C major bassoon concerto, meanwhile, is without much interest.

The bassoon concerti also fare less well than their flute counterparts. In the G major concerto for flute and bassoon (tracks 11-13) the bassoon does little more than hold the continuo line. The solo F major concerto (tracks 4-6) also lacks melodic inspiration and is instantly forgettable.

The sound recording on the disc is warm and clear, and it is especially pleasing to be able to pick out the hardworking guitar and theorbo supporting the bass lines throughout. Although there are some real highlights, one can’t help feeling disappointed and a little cheated by that elusive French connection.

John-Pierre Joyce musicweb-international

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