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Bach - Andreas Staier - Goldberg Variations BWV 988 [CD + DVD] {2010} (Repost)

Posted By: luckburz
Bach - Andreas Staier - Goldberg Variations BWV 988 [CD + DVD] {2010} (Repost)

Johann Sebastian Bach - Andreas Staier - Goldberg Variations, BWV 988
EAC+LOG+CUE | FLAC: 512 MB | DVD (untouched): 1,10 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMC 902058 | Country/Year: Europe 2010
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

Bach - Andreas Staier - Goldberg Variations BWV 988 [CD + DVD] {2010} (Repost)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 20. September 2012, 13:18

Andreas Staier / Bach: Goldberg Variations, BWV 988

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:06.23 | 0 | 18472
2 | 4:06.23 | 1:58.71 | 18473 | 27393
3 | 6:05.19 | 1:42.23 | 27394 | 35066
4 | 7:47.42 | 2:32.60 | 35067 | 46526
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6 | 11:19.35 | 1:32.29 | 50960 | 57888
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8 | 14:02.04 | 1:48.41 | 63154 | 71294
9 | 15:50.45 | 2:16.43 | 71295 | 81537
10 | 18:07.13 | 2:35.07 | 81538 | 93169
11 | 20:42.20 | 1:34.30 | 93170 | 100249
12 | 22:16.50 | 2:16.25 | 100250 | 110474
13 | 24:33.00 | 2:27.16 | 110475 | 121515
14 | 27:00.16 | 4:19.06 | 121516 | 140946
15 | 31:19.22 | 2:27.05 | 140947 | 151976
16 | 33:46.27 | 4:37.12 | 151977 | 172763
17 | 38:23.39 | 2:43.13 | 172764 | 185001
18 | 41:06.52 | 1:42.38 | 185002 | 192689
19 | 42:49.15 | 1:31.17 | 192690 | 199531
20 | 44:20.32 | 1:12.74 | 199532 | 205005
21 | 45:33.31 | 2:28.66 | 205006 | 216171
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23 | 50:59.60 | 1:31.12 | 229485 | 236321
24 | 52:30.72 | 2:17.60 | 236322 | 246656
25 | 54:48.57 | 2:32.10 | 246657 | 258066
26 | 57:20.67 | 8:05.61 | 258067 | 294502
27 | 65:26.53 | 2:02.51 | 294503 | 303703
28 | 67:29.29 | 1:42.44 | 303704 | 311397
29 | 69:11.73 | 2:16.39 | 311398 | 321636
30 | 71:28.37 | 2:24.11 | 321637 | 332447
31 | 73:52.48 | 2:13.11 | 332448 | 342433
32 | 76:05.59 | 4:38.28 | 342434 | 363311


Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bach- Andreas Staier - Goldberg Variations, BWV 988.wav

Peak level 98.8 %
Extraction speed 8.3 X
Range quality 100.0 %
Copy CRC DA95065D
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 5) [8D28B0BA] (AR v2)
Track 2 accurately ripped (confidence 5) [FE65644F] (AR v2)
Track 3 accurately ripped (confidence 5) [81119B0E] (AR v2)
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Track 14 accurately ripped (confidence 5) [E3B888D0] (AR v2)
Track 15 accurately ripped (confidence 5) [74CAC992] (AR v2)
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Track 31 accurately ripped (confidence 5) [16441431] (AR v2)
Track 32 accurately ripped (confidence 5) [58A8EC56] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: UofFJA3EVv1Dx9q_ZRSpVdhx0p4-] found, Submit result: UofFJA3EVv1Dx9q_ZRSpVdhx0p4- has been confirmed
[88154167] (7/7) Accurately ripped


==== Log checksum B81BF9AB26F4366CA8D6482EEADE4204E1291CB91D0A3E135502EC35E108059C ====

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-11-05 21:19:28

––––––––––––––––––––––––––––––––––––––––
Analyzed: Andreas Staier / Bach: Goldberg Variations, BWV 988
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -9.60 dB -23.82 dB 4:06 01-Aria
DR12 -3.91 dB -17.27 dB 1:59 02-Variation 1 - a 1 clavier
DR11 -7.18 dB -20.12 dB 1:42 03-Variation 2 - a 1 clavier
DR11 -9.08 dB -22.69 dB 2:33 04-Variation 3 - canone all' unisono a 1 clavier
DR11 -2.18 dB -15.75 dB 0:59 05-Variation 4 - a 1 clavier
DR11 -4.15 dB -18.32 dB 1:32 06-Variation 5 - a 1 ovvero 2 claviere
DR11 -2.90 dB -16.06 dB 1:10 07-Variation 6 - canone alla seconda a 1 clavier
DR13 -7.17 dB -21.30 dB 1:49 08-Variation 7 - a 1 ovvero 2 claviere
DR11 -7.00 dB -20.31 dB 2:17 09-Variation 8 - a 2 claviere
DR12 -7.91 dB -22.00 dB 2:35 10-Variation 9 - canone alla terza a 1 clavier
DR12 -1.85 dB -15.72 dB 1:34 11-Variation 10 - fughetta a 1 clavier
DR11 -7.68 dB -20.31 dB 2:16 12-Variation 11 - a 2 claviere
DR11 -3.39 dB -16.24 dB 2:27 13-Variation 12 - canone alla quarta
DR12 -7.85 dB -22.29 dB 4:19 14-Variation 13 - a 2 claviere
DR11 -4.22 dB -18.62 dB 2:27 15-Variation 14 - a 2 claviere
DR13 -14.78 dB -30.82 dB 4:37 16-Variation 15 - canone alla quinta in moto contrario a 1 clavier
DR12 -0.10 dB -14.18 dB 2:43 17-Variation 16 - ouverture a 1 clavier
DR11 -4.82 dB -17.44 dB 1:43 18-Variation 17 - a 2 claviere
DR12 -8.81 dB -22.44 dB 1:31 19-Variation 18 - canone alla sesta a 1 clavier
DR11 -10.41 dB -23.14 dB 1:13 20-Variation 19 - a 1 clavier
DR11 -8.59 dB -21.90 dB 2:29 21-Variation 20 - a 2 claviere
DR12 -7.49 dB -20.55 dB 2:58 22-Variation 21 - canone alla settima
DR11 -2.71 dB -15.98 dB 1:31 23-Variation 22 - alla breve a 1 clavier
DR12 -4.70 dB -18.89 dB 2:18 24-Variation 23 - a 2 claviere
DR12 -4.51 dB -18.79 dB 2:32 25-Variation 24 - canone all'ottava a 1 clavier
DR12 -10.76 dB -26.51 dB 8:06 26-Variation 25 - a 2 claviere
DR11 -3.36 dB -17.38 dB 2:03 27-Variation 26 - a 2 claviere
DR11 -5.11 dB -18.50 dB 1:43 28-Variation 27 - canone alla nona
DR11 -7.08 dB -20.10 dB 2:17 29-Variation 28 - a 2 claviere
DR12 -0.30 dB -14.15 dB 2:24 30-Variation 29 - a 1 ovvero 2 claviere
DR13 -3.25 dB -18.63 dB 2:13 31-Variation 30 - quodlibet a 1 clavier
DR11 -10.09 dB -24.34 dB 4:38 32-Aria da capo
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 32
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 888 kbps
Codec: FLAC
================================================================================



CD Info:

PlaJohann Sebastian Bach - Goldberg-Variationen BWV 988

Andreas Staier (Anthony Sidey harpsichord after Hass)

Label: Harmonia Mundi S.A.
Catalog#: HMC 902058
Format: CD, Album, Bonus DVD
Country: Europe
Released: 2010
Genre: Classical
Style: Baroque

Tracklist:

01. Aria 4:06
02. Variation 1 - a 1 clavier 1:58
03. Variation 2 - a 1 clavier 1:42
04. Variation 3 - canone all' unisono a 1 clavier 2:32
05. Variation 4 - a 1 clavier 0:59
06. Variation 5 - a 1 ovvero 2 claviere 1:32
07. Variation 6 - canone alla seconda a 1 clavier 1:10
08. Variation 7 - a 1 ovvero 2 claviere 1:48
09. Variation 8 - a 2 claviere 2:16
10. Variation 9 - canone alla terza a 1 clavier 2:35
11. Variation 10 - fughetta a 1 clavier 1:34
12. Variation 11 - a 2 claviere 2:16
13. Variation 12 - canone alla quarta 2:27
14. Variation 13 - a 2 claviere 4:19
15. Variation 14 - a 2 claviere 2:27
16. Variation 15 - canone alla quinta in moto contrario a 1 clavier 4:37
17. Variation 16 - ouverture a 1 clavier 2:43
18. Variation 17 - a 2 claviere 1:42
19. Variation 18 - canone alla sesta a 1 clavier 1:31
20. Variation 19 - a 1 clavier 1:12
21. Variation 20 - a 2 claviere 2:28
22. Variation 21 - canone alla settima 2:57
23. Variation 22 - alla breve a 1 clavier 1:31
24. Variation 23 - a 2 claviere 2:17
25. Variation 24 - canone all'ottava a 1 clavier 2:32
26. Variation 25 - a 2 claviere 8:05
27. Variation 26 - a 2 claviere 2:02
28. Variation 27 - canone alla nona 1:42
29. Variation 28 - a 2 claviere 2:16
30. Variation 29 - a 1 ovvero 2 claviere 2:24
31. Variation 30 - quodlibet a 1 clavier 2:13
32. Aria da capo 4:38

Andreas Staier, a name that has become synonymous with period-performance practice, has waited a very long time to play and record this monument of the literature. He explains, in his introduction, that the harpsichord builder Hieronymus Albrecht Hass (1689–1752) built his instruments in hopes of creating the same variety of timbre that the organs of his time could produce. This is, perhaps, one of the most interesting qualities of this particular recording. Staier is never afraid to use these registrations to his full advantage, which would be a great thing if the harpsichord hadn’t been so very closely positioned to the microphones. Even with this, there are moments of brilliance in this recording. Every time I listen to the fourth variation, it still surprises me. The quirky, bouncy way that Staier plays, using a brisk tempo, along with his simple but highly effective ornamentation, truly makes one want to physically get up and move. His performance of Variation 11 is also a lovely example of how to use a persuasive rubato, while also retaining a sprightly character and sense of meter. There are times, however, when the harpsichord on which he plays, along with his choices of registration, produces an unattractive sound; Variation 6, the canon at the second, is an example. There is so much emphasis put on the bass part that not only is it hard to hear what’s going on in the upper voices, but it feels bogged down. Variation 15, the slow G-Minor canon at the fifth, suffers similarly by an odd choice of registration alone; though the reasoning is obvious—the stark timbre that he chooses to use for this variation—the results are not as aurally successful as one might hope. The bass runs of the following variation, No. 16, the French overture, similarly sound muffled. A 20-some-odd-minute DVD accompanies this recording, basically explaining in further detail the performer’s view on the piece and showing him performing selections—something really of minor interest. Overall, Staier is persuasive in his choice of tempi, ornamentation, mechanical proficiency, and his basic characterization—one of the most important aspects to a successful performance of this piece. He has a way of treating these variations individually, much as Gould did in his first recording of the Goldbergs. Most importantly, he has…energy and life.
~Scott Noriega Fanfare
Bach - Andreas Staier - Goldberg Variations BWV 988 [CD + DVD] {2010} (Repost)

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