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Bach - Kirkby - Wedding Cantatas [Decca 455 972-2] {UK 1999}

Posted By: luckburz

Date: 18 Jun 2012 06:30:23

Bach - Kirkby - Wedding Cantatas [Decca 455 972-2] {UK 1999}

Johann Sebastian Bach - Wedding Cantatas
Emma Kirkby / Academy Of Ancient Music / Christopher Hogwood
EAC+LOG+CUE | FLAC: 457 MB | MP3 CBR 320: 159 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Decca 455 972-2 | Country/Year: UK 1999
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

webfind [] selfrip [X]

EAC

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 29. May 2012, 20:44

Kirkby/Academy Of Ancient Music/Hogwood / Bach - Wedding Cantatas

Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:37.40 | 0 | 29814
2 | 6:37.40 | 0:22.66 | 29815 | 31530
3 | 7:00.31 | 3:00.59 | 31531 | 45089
4 | 10:01.15 | 0:32.67 | 45090 | 47556
5 | 10:34.07 | 2:29.29 | 47557 | 58760
6 | 13:03.36 | 0:35.44 | 58761 | 61429
7 | 13:39.05 | 3:56.11 | 61430 | 79140
8 | 17:35.16 | 0:21.42 | 79141 | 80757
9 | 17:56.58 | 1:51.17 | 80758 | 89099
10 | 19:48.00 | 2:23.05 | 89100 | 99829
11 | 22:11.05 | 1:07.51 | 99830 | 104905
12 | 23:18.56 | 0:57.17 | 104906 | 109197
13 | 24:15.73 | 7:40.33 | 109198 | 143730
14 | 31:56.31 | 0:49.65 | 143731 | 147470
15 | 32:46.21 | 6:05.66 | 147471 | 174911
16 | 38:52.12 | 0:59.54 | 174912 | 179390
17 | 39:51.66 | 7:01.18 | 179391 | 210983
18 | 46:53.09 | 1:44.20 | 210984 | 218803
19 | 48:37.29 | 4:17.08 | 218804 | 238086
20 | 52:54.37 | 1:23.09 | 238087 | 244320
21 | 54:17.46 | 3:10.20 | 244321 | 258590
22 | 57:27.66 | 1:15.55 | 258591 | 264270
23 | 58:43.46 | 5:13.29 | 264271 | 287774

Range status and errors

Selected range

Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bach - Kirkb - Wedding Cantatas.wav

Peak level 99.6 %
Extraction speed 7.7 X
Range quality 100.0 %
Test CRC 09434E68
Copy CRC 09434E68
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 3) [CBBAC3EB] (AR v2)
Track 2 accurately ripped (confidence 3) [15DE86CA] (AR v2)
Track 3 accurately ripped (confidence 3) [3410011A] (AR v2)
Track 4 accurately ripped (confidence 3) [0290F004] (AR v2)
Track 5 accurately ripped (confidence 3) [9D1F5572] (AR v2)
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Track 10 accurately ripped (confidence 3) [4C622216] (AR v2)
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Track 12 accurately ripped (confidence 3) [5EC8FDD9] (AR v2)
Track 13 accurately ripped (confidence 3) [8508D7F3] (AR v2)
Track 14 accurately ripped (confidence 3) [51831930] (AR v2)
Track 15 accurately ripped (confidence 3) [9E41ABBB] (AR v2)
Track 16 accurately ripped (confidence 3) [A34770EF] (AR v2)
Track 17 accurately ripped (confidence 3) [55D8CBF6] (AR v2)
Track 18 accurately ripped (confidence 3) [8E3343BF] (AR v2)
Track 19 accurately ripped (confidence 3) [A7F1126A] (AR v2)
Track 20 accurately ripped (confidence 3) [731AB0F0] (AR v2)
Track 21 accurately ripped (confidence 3) [A9AE93D2] (AR v2)
Track 22 accurately ripped (confidence 3) [6187E92D] (AR v2)
Track 23 accurately ripped (confidence 3) [C4F4651A] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum E0AD17D57B9EAB314AD5D1E04E4266A58E986EC203B7FF957A0470E052F3B702 ====

Dynamic

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-05-31 20:29:39

––––––––––––––––––––––––––––––––––––––––
Analyzed: Kirkby/Academy Of Ancient Music/Hogwood / Bach - Wedding Cantatas
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.78 dB -23.37 dB 6:38 01-Arie - Weichet nur, betrübte Schatten
DR14 -10.16 dB -27.49 dB 0:23 02-Rezitativ - Die Welt wird wieder neu
DR14 -4.50 dB -24.08 dB 3:01 03-Arie - Phoebus eilt mit schnellen Pferden
DR11 -4.18 dB -23.34 dB 0:33 04-Rezitativ - Drum sucht auch Armor sein Vergnügen
DR14 -5.68 dB -25.82 dB 2:29 05-Arie - Wenn die Frühlingslüfte streichen
DR11 -6.36 dB -24.02 dB 0:36 06-Rezitativ - Und dieses ist das Glücke
DR16 -6.37 dB -26.76 dB 3:56 07-Arie - Sich üben im Lieben
DR11 -9.39 dB -27.18 dB 0:22 08-Rezitativ - So sei das Band der keuschen Liebe
DR14 -3.96 dB -24.42 dB 1:51 09-Gavotte - Sehet in Zufriedenheit
DR14 -6.13 dB -23.98 dB 2:23 10-Bist Du bei mir (Stolzen)
DR13 -8.38 dB -26.12 dB 1:08 11-Gedenke doch, mein Geist (anon)
DR13 -6.18 dB -24.67 dB 0:57 12-Nr. 2 - Rezitativ: Ich habe genug
DR14 -7.05 dB -25.49 dB 7:40 13-Nr. 3 - Arie: Schlummert ein, ihr matten Augen
DR12 -4.25 dB -22.81 dB 0:50 14-Rezitativ - O holder Tag, erwünschte Zeit
DR14 -1.40 dB -22.41 dB 6:06 15-Arie - Spielet, ihr beseelten Lieder
DR14 -7.28 dB -27.40 dB 1:00 16-Rezitativ - Doch, haltet ein, ihr muntern Saiten
DR13 -3.98 dB -23.80 dB 7:01 17-Arie - Ruhet hie, matte Töne
DR14 -4.66 dB -24.51 dB 1:44 18-Rezitativ - So glaubt man denn, daß die Musik verführe
DR15 -5.14 dB -26.83 dB 4:17 19-Arie - Schweigt, ihr Flöten, schweigt ihr Töne
DR15 -4.75 dB -23.91 dB 1:23 20-Rezitativ - Was Luft? was Grab?
DR13 -4.83 dB -24.52 dB 3:10 21-Arie - Großer Gönner, dein Vergnügen
DR12 -3.85 dB -21.99 dB 1:16 22-Rezitativ - Hochteurer Mann, so fahre ferner fort
DR14 -0.03 dB -21.04 dB 5:13 23-Arie - Seid beglückt
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 23
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 577 kbps
Codec: FLAC
================================================================================

CD Info:

Johann Sebastian Back - Wedding Cantatas - Emma Kirkby / Academy Of Ancient Music / Christopher Hogwood

Label: Decca
Catalog#: 455 972-2
Format: CD, Album
Country: UK & Europe
Released: 1999
Genre: Classical
Style: Baroque

Tracklist:

01. Arie - Weichet nur, betrübte Schatten [0:06:37.40]
02. Rezitativ - Die Welt wird wieder neu [0:00:22.66]
03. Arie - Phoebus eilt mit schnellen Pferden [0:03:00.59]
04. Rezitativ - Drum sucht auch Armor sein Vergnügen [0:00:32.67]
05. Arie - Wenn die Frühlingslüfte streichen [0:02:29.29]
06. Rezitativ - Und dieses ist das Glücke [0:00:35.44]
07. Arie - Sich üben im Lieben [0:03:56.11]
08. Rezitativ - So sei das Band der keuschen Liebe [0:00:21.42]
09. Gavotte - Sehet in Zufriedenheit [0:01:51.17]
10. Bist Du bei mir (Stolzen) [0:02:23.05]
11. Gedenke doch, mein Geist (anon) [0:01:07.51]
12. Nr. 2 - Rezitativ: Ich habe genug [0:00:57.17]
13. Nr. 3 - Arie: Schlummert ein, ihr matten Augen [0:07:40.33]
14. Rezitativ - O holder Tag, erwünschte Zeit [0:00:49.65]
15. Arie - Spielet, ihr beseelten Lieder [0:06:05.66]
16. Rezitativ - Doch, haltet ein, ihr muntern Saiten [0:00:59.54]
17. Arie - Ruhet hie, matte Töne [0:07:01.18]
18. Rezitativ - So glaubt man denn, daß die Musik verführe [0:01:44.20]
19. Arie - Schweigt, ihr Flöten, schweigt ihr Töne [0:04:17.08]
20. Rezitativ - Was Luft? was Grab? [0:01:23.09]
21. Arie - Großer Gönner, dein Vergnügen [0:03:10.20]
22. Rezitativ - Hochteurer Mann, so fahre ferner fort [0:01:15.55]
23. Arie - Seid beglückt [0:05:13.29]

Notes:

Recording location: Henry Wood Hall, London, 9-13 July 1996 (BWV 202, 210), 19 February 1997 (BWV 82, 508, 509)

This recording was monitored on B & W loudspeakers

biography by Patsy Morita
When English soprano Emma Kirkby began her professional career in the mid-'70s, period performance practice was just beginning to make its way into the realm of vocal music. Kirkby, mentored by Jessica Cash, became a pioneer of period practice for Renaissance and Baroque vocal soloists. She studied classical literature at Oxford and took vocal lessons, but did not plan on becoming a singer. She joined the Taverner Choir in 1971, and a couple of years later, she began a long-lasting collaboration with the Consort of Musicke. She made her 1974 concert debut in London and her first tour of the United States in 1978. Tours to all of the major music capitals of the world have followed. Especially noteworthy was a tour of the Arabian states with lutenist Anthony Rooley, to whom she is married. In her collaborations with groups like those already mentioned, and others – such as the Academy of Ancient Music, London Baroque, Fretwork, L'Orfeo, and the Purcell Quartet – she increased the public awareness of correct Baroque performance practice while carefully avoiding pedantry. She brings a great deal of drama and musicianship to her performances. Besides the lute songs of the Renaissance era, Kirkby is well known for her performances of the cantatas and passions of Bach and the choral music of Monteverdi. Her voice is a very light, lyric soprano of unusual sweetness. She has excellent control of the voice and is able to sing without any vibrato, a quality that many practitioners of early music prefer.

Her hundreds of recordings give an excellent view of the range of her repertoire, at times even expanding on it, since she has recorded several operas that she has not sung on-stage, including Purcell's Dido and Aeneas, Monteverdi's Orfeo, Handel's Orlando, and Hasse's Cleofide. Once in a while, she'll try something unexpected, such as the songs of Amy Beach or cantatas by little-known Baroque composers. Her early recordings were part of the Florilegium series from Decca. Since then she's recorded on Hyperion, Carus, CPO, Harmonia Mundi, BIS, and other labels. Kirkby was made a Dame of the British Empire in 2007. allmusicguide

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