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  3. Bach - Montreal Baroque - "For the feast of St.John the baptist", Cantates BWV 30, 7, 167 (2005) {Hybrid-SACD // EAC Rip}

Bach - Montreal Baroque - "For the feast of St.John the baptist", Cantates BWV 30, 7, 167 (2005) {Hybrid-SACD // EAC Rip}

Posted By: luckburz
Date: 15 Oct 2013 14:54:48
Bach - Montreal Baroque - "For the feast of St.John the baptist", Cantates BWV 30, 7, 167 (2005) {Hybrid-SACD // EAC Rip}

Johann Sebastian Bach - "For the feast of St.John the baptist", Cantates BWV 30, 7, 167
Montreal Baroque - Eric Milnes
EAC+LOG+CUE | APE: 346 MB | Artwork | 5% Recovery Info
Label/Cat#: Atma # SACD2 2400 | Country/Year: Canada 2005
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

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Bach - Montreal Baroque - "For the feast of St.John the baptist", Cantates BWV 30, 7, 167 (2005) {Hybrid-SACD // EAC Rip}


Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 9. May 2011, 6:51

Montreal Baroque\Eric Milnes\LeBlanc, Taylor, Daniels, MacLeod / Cantatas for the Feast of St John the Baptist

Used drive : Optiarc DVD RW AD-7243S Adapter: 3 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:01.48 | 0 | 18122
2 | 4:01.48 | 0:53.29 | 18123 | 22126
3 | 4:55.02 | 4:16.27 | 22127 | 41353
4 | 9:11.29 | 0:43.29 | 41354 | 44607
5 | 9:54.58 | 5:37.13 | 44608 | 69895
6 | 15:31.71 | 1:09.51 | 69896 | 75121
7 | 16:41.47 | 0:58.17 | 75122 | 79488
8 | 17:39.64 | 5:46.35 | 79489 | 105473
9 | 23:26.24 | 0:51.74 | 105474 | 109372
10 | 24:18.23 | 4:52.19 | 109373 | 131291
11 | 29:10.42 | 0:58.11 | 131292 | 135652
12 | 30:08.53 | 4:06.02 | 135653 | 154104
13 | 34:14.55 | 7:28.24 | 154105 | 187728
14 | 41:43.04 | 4:32.60 | 187729 | 208188
15 | 46:15.64 | 1:10.23 | 208189 | 213461
16 | 47:26.12 | 4:02.12 | 213462 | 231623
17 | 51:28.24 | 1:07.39 | 231624 | 236687
18 | 52:35.63 | 3:46.33 | 236688 | 253670
19 | 56:22.21 | 1:09.35 | 253671 | 258880
20 | 57:31.56 | 3:30.16 | 258881 | 274646
21 | 61:01.72 | 2:06.67 | 274647 | 284163
22 | 63:08.64 | 7:11.11 | 284164 | 316499
23 | 70:20.00 | 1:08.62 | 316500 | 321661
24 | 71:28.62 | 2:07.07 | 321662 | 331193


Range status and errors

Selected range

Filename D:\âðåìåííàÿ ïàïêà Lossless\Montreal Baroque Eric Milnes LeBlanc, Taylor, Daniels, MacLeod - Cantatas for the Feast of St John the Baptist.wav

Peak level 86.4 %
Range quality 100.0 %
Test CRC 76E471E5
Copy CRC 76E471E5
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 5) [482FEF7A]
Track 2 accurately ripped (confidence 5) [0CD7198E]
Track 3 accurately ripped (confidence 5) [1DBC296B]
Track 4 accurately ripped (confidence 5) [01AEE70D]
Track 5 accurately ripped (confidence 5) [5072ED21]
Track 6 accurately ripped (confidence 5) [65A9584D]
Track 7 accurately ripped (confidence 5) [3546601D]
Track 8 accurately ripped (confidence 5) [FDFAC860]
Track 9 accurately ripped (confidence 5) [7B3935E3]
Track 10 accurately ripped (confidence 5) [C9FB88B3]
Track 11 accurately ripped (confidence 5) [497C6897]
Track 12 accurately ripped (confidence 5) [28916FEE]
Track 13 accurately ripped (confidence 5) [683D4311]
Track 14 accurately ripped (confidence 5) [6F1C1B3B]
Track 15 accurately ripped (confidence 5) [D8CE3A2A]
Track 16 accurately ripped (confidence 5) [EAFFBFC2]
Track 17 accurately ripped (confidence 5) [5FDB2F9C]
Track 18 accurately ripped (confidence 5) [1A2C0728]
Track 19 accurately ripped (confidence 5) [B621E7DB]
Track 20 accurately ripped (confidence 5) [C7714314]
Track 21 accurately ripped (confidence 5) [04B0687C]
Track 22 accurately ripped (confidence 5) [43B2F5EC]
Track 23 accurately ripped (confidence 5) [2A71810E]
Track 24 accurately ripped (confidence 5) [EA905158]

All tracks accurately ripped

End of status report

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)


––––––––––––––––––––––––––––––
[Montreal Baroque-Eric Milnes-LeBlanc, Taylor, Daniels, MacLeod - Cantatas for the Feast of St John the Baptist.wav]
Detected average hi-boundary frequency: 2.034980e+004 Hz
Detected average lo-boundary frequency: 1.315131e+004 Hz
Detected average hi-cut frequency: 1.977473e+004 Hz
Detected average lo-cut frequency: 1.019977e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.316009e+000
First order smothness: 3.445012e-001
Second order smothness: 7.253454e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 42%.

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-08-20 11:58:01

––––––––––––––––––––––––––––––––––––––––
Analyzed: Montreal Baroque\Eric Milnes\LeBlanc, Taylor, Daniels, MacLeod / Cantatas for the Feast of St John the Baptist
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -6.26 dB -21.83 dB 4:02 01-BWV 30 - Freue dich, erloste Schar
DR12 -6.71 dB -23.84 dB 0:53 02-BWV 30 - Wir haben Rast
DR14 -1.47 dB -19.11 dB 4:16 03-BWV 30 - Gelobet sei Gott, gelobet sein Name
DR11 -12.09 dB -26.49 dB 0:43 04-BWV 30 - Der Herold kommt und meldt den Konig an
DR13 -6.64 dB -24.94 dB 5:37 05-BWV 30 - Kommt, ihr angefochtnen Sunder
DR12 -5.61 dB -22.04 dB 1:10 06-BWV 30 - Eine Stimme lasst sich horen
DR12 -9.14 dB -24.63 dB 0:58 07-BWV 30 - So bist du denn, mein Heil, bedacht
DR16 -1.62 dB -20.89 dB 5:46 08-BWV 30 - Ich will nun hassen
DR12 -8.53 dB -25.77 dB 0:52 09-BWV 30 - Und obwohl sonst der Unbestand
DR15 -6.23 dB -25.39 dB 4:52 10-BWV 30 - Eilt, ihr Stunden, kommt herbei
DR12 -4.88 dB -22.94 dB 0:58 11-BWV 30 - Geduld, der angenehme Tag
DR13 -6.44 dB -22.89 dB 4:06 12-BWV 30 - Freude dich, geheiligte Schar
DR14 -3.56 dB -21.51 dB 7:28 13-BWV 7 - Christ unser Herr zum Jordan kam
DR15 -3.15 dB -21.82 dB 4:33 14-BWV 7 - Merkt und hort, ihr Menschenkinder
DR12 -3.75 dB -21.19 dB 1:10 15-BWV 7 - Dies hat Gott klar
DR14 -1.83 dB -19.91 dB 4:02 16-BWV 7 - Des Vaters Stimme liess sich horen
DR15 -5.36 dB -24.39 dB 1:08 17-BWV 7 - Als Jesus dort nach seinen Leiden
DR12 -6.15 dB -22.52 dB 3:46 18-BWV 7 - Menschen, glaubt doch dieser Gnade
DR12 -1.26 dB -17.91 dB 1:09 19-BWV 7 - Das Aug allein das Wasser sieht
DR15 -3.82 dB -22.53 dB 3:30 20-BWV 167 - Ihr Menschen, ruhmet Gottes Liebe
DR13 -9.77 dB -27.51 dB 2:07 21-BWV 167 - Gelobet sei der Herr Gott Israel
DR17 -2.78 dB -24.38 dB 7:11 22-BWV 167 - Gottes Wort, das truget nicht
DR13 -5.36 dB -23.38 dB 1:09 23-BWV 167 - Des Weibes Samen kam
DR12 -4.66 dB -19.64 dB 2:07 24-BWV 167 - Sei Lob und Preis mit Ehren
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 24
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 626 kbps
Codec: Monkey's Audio
================================================================================



CD Info:

Johann Sebastian Bach - "For the feast of St.John the baptist", Cantates BWV 30, 7, 167

Montreal Baroque - Eric Milnes

Label: ATMA
Catalog#: SACD2 2400
Format: Hybrid-SACD, Album
Country: Canada
Released: 2005
Genre: Classical
Style: Baroque

Tracklist:

Freue dich, erlöste schar, BWV 30

Erste partie
1. Freue dich, erlöste Schar - (4:02)
2. Wir haben Rast - (0:53)
3. Gelobet sei Gott, gelobet sein Name - (4:17)
4. Der Herold kömmt und meldt den König an - (0:43)
5. Kommt, ihr angefochtnen Sünder - (5:36)
6. Eine Stimme lässt sich hören - (1:10)
Zweite partie
7. So bist du denn, mein Heil, bedacht - (0:59)
8. Ich will nun hassen - (5:46)
9. Und obwohl sonst der Ubestand - (0:52)
10. Eilt, ihr Stunden, kommt herbei - (4:52)
11. Geduld, der angenehme Tag - (0:58)
12. Freude dich, geleiligte Schar - (3:59)

Christ unser Herr zum Jordan kam BWV 7

13. Christ unser Herr zum Jordan kam - (7:28)
14. Merkt und Hört, ihr Menschenkinder - (4:34)
15. Dies hat Gott klar - (1:10)
16. Des Vaters Stimme ließ sich hören - (4:02)
17. Ais Jesus dort nach seinen Leiben - (1:07)
18. Menschen, glaubt doch dieser Gnade - (3:47)
19. Das Aug allein das Wasser sieht - (1:04)

Ihr Menschen, rühmet Gottes Liebe BWV 167

20. Ihr Menschen, rühmet Gottes Liebe - (3:31)
21. Gelobet sei der Herr Gott Israel - (2:07)
22. Gottes Wort, das trüget nicht - (7:11)
23. Des Weibes Samen kam - (1:09)
24. Sei Lob und Preis mit Ehren - (2:06)

Suzie LeBlanc (soprano)
Daniel Taylor (alto)
Charles Daniels(tenor)
Stephan McLeod(bass)

Montreal Baroque
Eric Milnes (conductor)

Bach’s three cantatas for the feast of St. John the Baptist (June 24) are presented in reverse order of chronology and duration. Cantata 167, composed in 1723, consists of a tenor aria and a duet for soprano and alto, each followed by a recitative leading to a concluding elaborated chorale. A reference to “the horn of salvation” in the text is reflected in the galloping motion of the aria and the chorale, and it may have influenced Bach’s unusual choice of the oboe da caccia to accompany the duet, in which an extended melisma on “Jahren” illuminates the “hundreds of years” that have passed since our forefathers signed on to God’s covenant. Cantata 7, from 1724, is immersed in the waters of the Jordan, especially in the magnificent opening chorus, one of Bach’s finest.
One of Bach’s longer cantatas, BWV 30 was first performed in the years between 1738 and 1742, having been derived from an earlier secular cantata from which the trumpets and drums were excised. Another loser in the transformation was the tenor soloist, whose aria was eliminated (the bass has two). It has 12 movements, divided into two parts, with the music of the opening chorus reprised at the end. The end of part 1 is marked by a newly composed four-part chorale, which follows yet another of those arias (for alto and strings) that stick in the mind.
The performances, sung without a chorus but played with a string complement numbering 4-4-2-2-1, are, if not overwhelming, entirely convincing. The four soloists manage their roles admirably, and the recorded sound is excellent. The notes went into perhaps more detail about the oboe da caccia than its limited role on the disc seems to merit, but I noticed that the writer was Bruce Haynes, a prominent oboist during the early days of the period-instruments movement.
Incidentally, buried in the notes is an eye-popping statement that Montréal Baroque “has undertaken Bach’s complete cantatas in a pared-down version, with a one-per-part choir, as was the practice in Lutheran Germany of the time.” That would be a first, since all of the other complete and on-going series employ small choirs. There was no mention of boy sopranos.

FANFARE: George Chien

Thanks to Varesan!

Bach - Montreal Baroque - "For the feast of St.John the baptist", Cantates BWV 30, 7, 167 (2005) {Hybrid-SACD // EAC Rip}


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