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Anthony Bailes - Une Douceur Violente: 17th-century French Lute Music (2011)

Posted By: luckburz
Anthony Bailes - Une Douceur Violente: 17th-century French Lute Music (2011)

Anthony Bailes - Une Douceur Violente
17th-century french lute music by Jacques de Gallot (1625-1690), Pierre Gallot (1660-1715) & Charles Mouton (1617-1699)
EAC+LOG+CUE | WV: 298 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Ramee # RAM 1104 | Country/Year: France 2011
Genre: Classical | Style: Baroque, Lute Music

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

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Anthony Bailes - Une Douceur Violente: 17th-century French Lute Music (2011)


Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 16. August 2012, 22:22

Anthony Bailes / Jacques de Gallot, Charles Mouton - Une Douceur violente

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:41.25 | 0 | 7599
2 | 1:41.25 | 3:32.66 | 7600 | 23565
3 | 5:14.16 | 2:14.13 | 23566 | 33628
4 | 7:28.29 | 2:02.10 | 33629 | 42788
5 | 9:30.39 | 2:39.56 | 42789 | 54769
6 | 12:10.20 | 1:45.60 | 54770 | 62704
7 | 13:56.05 | 1:19.33 | 62705 | 68662
8 | 15:15.38 | 5:03.73 | 68663 | 91460
9 | 20:19.36 | 0:26.40 | 91461 | 93450
10 | 20:46.01 | 2:52.12 | 93451 | 106362
11 | 23:38.13 | 1:21.45 | 106363 | 112482
12 | 24:59.58 | 1:46.71 | 112483 | 120503
13 | 26:46.54 | 2:18.62 | 120504 | 130915
14 | 29:05.41 | 1:21.50 | 130916 | 137040
15 | 30:27.16 | 1:00.69 | 137041 | 141609
16 | 31:28.10 | 2:29.45 | 141610 | 152829
17 | 33:57.55 | 1:00.38 | 152830 | 157367
18 | 34:58.18 | 1:34.73 | 157368 | 164490
19 | 36:33.16 | 6:05.70 | 164491 | 191935
20 | 42:39.11 | 6:04.41 | 191936 | 219276
21 | 48:43.52 | 1:54.33 | 219277 | 227859
22 | 50:38.10 | 1:16.35 | 227860 | 233594
23 | 51:54.45 | 3:48.62 | 233595 | 250756
24 | 55:43.32 | 3:08.03 | 250757 | 264859
25 | 58:51.35 | 1:59.14 | 264860 | 273798
26 | 60:50.49 | 2:14.19 | 273799 | 283867
27 | 63:04.68 | 4:58.74 | 283868 | 306291


Range status and errors

Selected range

Filename Z:\NetLab\Jacques de Gallot, Charles Mouton - Une Douceur violente (Anthony Bailes) (2011) {Ramee, RAM 1104}\Jacques de Gallot, Charles Mouton - Une Douceur violente.wav

Peak level 56.6 %
Extraction speed 6.7 X
Range quality 100.0 %
Test CRC 081462AD
Copy CRC 081462AD
Copy OK

No errors occurred


AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
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Track 8 not present in database
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Track 11 not present in database
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Track 14 not present in database
Track 15 not present in database
Track 16 not present in database
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Track 18 not present in database
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Track 20 not present in database
Track 21 not present in database
Track 22 not present in database
Track 23 not present in database
Track 24 not present in database
Track 25 not present in database
Track 26 not present in database
Track 27 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum A806FC64C364B97B66F7F1716E62983DF96F1F6B64CAEE09F59B85C35E53F988 ====

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)


––––––––––––––––––––––––––––––
[Anthony Bailes - Jacques de Gallot, Charles Mouton - Une Douceur violente.wav]
Detected average hi-boundary frequency: 2.033154e+004 Hz
Detected average lo-boundary frequency: 1.328780e+004 Hz
Detected average hi-cut frequency: 2.041018e+004 Hz
Detected average lo-cut frequency: 6.775438e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.970185e+000
First order smothness: 3.530495e-001
Second order smothness: 6.154318e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-05-14 10:58:20

––––––––––––––––––––––––––––––––––––––––
Analyzed: Charles Mouton / Jacques de Gallot, Charles Mouton - Une Douceur violente
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -9.32 dB -25.53 dB 2:19 13-Pieces en do majeur; I. Allemande
DR12 -7.93 dB -23.19 dB 1:22 14-II. Courante
DR12 -8.12 dB -23.86 dB 1:01 15-III. Gavotte
DR14 -7.14 dB -24.68 dB 2:30 16-IV. Gavotte Vous savez l'amour extreme (from Ballet des Muses)
DR12 -6.54 dB -22.58 dB 1:01 17-V. Menuet (from Le Triomphe de l'Amour)
DR12 -8.85 dB -24.58 dB 1:35 18-VI. Menuet (from Andromede)
DR11 -10.95 dB -25.04 dB 1:16 22-Pieces en la mineur; I. Prelude
DR14 -6.89 dB -25.62 dB 3:49 23-II. Allemande Tombeau de Gogo
DR13 -7.70 dB -24.00 dB 3:08 24-III. Courante et Double
DR13 -7.14 dB -26.15 dB 1:59 25-IV. Sarabande La Princesse
DR13 -6.48 dB -24.27 dB 2:14 26-V. Chaconne
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 594 kbps
Codec: WavPack
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jacques de Gallot / Jacques de Gallot, Charles Mouton - Une Douceur violente
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -8.92 dB -25.05 dB 1:41 01-Pieces en La Mineur; I. Prelude
DR14 -8.08 dB -25.31 dB 3:33 02-II. Allemande Le bout de l'an de Mr. Gautier
DR12 -8.84 dB -23.26 dB 2:14 03-III. Courante La cigogne
DR12 -6.98 dB -22.35 dB 2:02 04-IV. Gigue Le dogue d'Angleterre
DR13 -8.90 dB -27.23 dB 2:40 05-V. Sarabande La Piece de huit heures
DR14 -4.94 dB -22.58 dB 1:46 06-VI. Prelude Canarie Les Castagnettes
DR13 -7.66 dB -24.13 dB 1:19 07-VII. Prelude Gavotte La Jalousee
DR12 -7.28 dB -23.78 dB 5:04 08-VIII. Prelude Folies d'Espagne
DR14 -6.03 dB -24.20 dB 6:06 19-Pieces en fa mineur et do majeur; I. Allemande Tombeau de Mr. le Prince de Conde
DR14 -6.51 dB -23.32 dB 6:05 20-II. Chaconne La Comete
DR14 -7.02 dB -23.42 dB 1:54 21-III. Gavotte La Quoquette
DR14 -8.43 dB -25.67 dB 4:59 27-Les Plaintes de Psyche
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 594 kbps
Codec: WavPack
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Pierre Gallot / Jacques de Gallot, Charles Mouton - Une Douceur violente
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -10.77 dB -27.85 dB 0:27 09-Pieces en sol mineur; I. Prelude
DR13 -8.18 dB -24.57 dB 2:52 10-II. Apollon (from Le Triomphe de l'amour)
DR14 -6.64 dB -22.78 dB 1:22 11-III. Chaconne Gloire d'Atys (from Atys)
DR13 -10.74 dB -26.66 dB 1:47 12-IV. Air Sommes-nous pas trop heureux, belle Iris (from Ballet de l'Impatience)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 4
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 594 kbps
Codec: WavPack
================================================================================



CD Info:

Anthony Bailes - Une Douceur Violente

17th-century french lute music by Jacques de Gallot (1625-1690), Pierre Gallot (1660-1715) & Charles Mouton (1617-1699)

Label: Ramee
Catalog#: RAM 1104
Format: CD, Album
Country: France
Released: 2011
Genre: Classical
Style: Baroque, Lute Music

Tracklist:

Jacques de Gallot (c. 1625 – c. 1690)
Pieces en la mineur
1. I. Prelude
2. II. Prelude Allemande Le Bout de l'An de Mr. Gautier
3. III. Prelude Courante La Cigogne
4. IV. Prelude Gigue Le Dogue d'Angleterre
5. V. Prelude Sarabande La Piece de huit heures
6. VI. Prelude Canarie Les Castagnettes
7. VII. Prelude Gavotte La Jalousee
8. VIII. Prelude Folies d'Espagne

Pierre Gallot (c. 1660 – after 1715)
Pieces en sol mineur
9. I. Prelude
10. II. Apollon (from Le Triomphe de l'amour)
11. III. Chaconne Gloire d'Atys (from Atys)
12. IV. Air Sommes-nous pas trop heureux, belle Iris (from Ballet de l'Impatience)

Charles Mouton (1617 – c. 1699)
Pieces en do majeur
13. I. Allemande
14. II. Courante
15. III. Gavotte
16. IV. Gavotte Vous savez l'amour extreme (from Ballet des Muses)
17. V. Menuet (from Le Triomphe de l'Amour)
18. VI. Menuet (from Andromede)

Jacques de Gallot
Pieces en fa mineur et do majeur
19. I. Allemande Tombeau de Mr. le Prince de Conde
20. II. Chaconne La Comete
21. III. Gavotte La Quoquette

Charles Mouton
Pieces en la mineur
22. I. Prelude
23. II. Allemande Tombeau de Gogo
24. III. Courante et Double
25. IV. Sarabande La Princesse
26. V. Chaconne

Jacques de Gallot
27. Les Plaintes de Psyche

Anthony Bailes - Une Douceur Violente: 17th-century French Lute Music (2011)


Despite being the two last important representatives of a school of lute playing dominated by Ennemond and Denis Gaultier (cf RAM 0904), neither Jacques de Gallot nor Charles Mouton can be accused of having simply "kept the flame alive". Though both publicly acknowledged their debt to the Gaultiers, their own music displays originality and cannot be considered a shallow imitation, despite adhering to principles laid down by this revered dynasty. Of the two, Mouton's music is nearest in style to that of the Gaultiers and nowhere is this more evident than in the doubles composed to some of their courantes. These fit so well that it is hard to believe that they are the work of a different hand. Jacques de Gallot's music in contrast represents a distinct departure from the earlier style. The perfection of his music is illustrated by his pupil Johann Armand von Uffenbach: "no harmony of any sort of music, be it as perfect as it may, can compare to that of this soloist". arkivmusic

The booklet of this disc includes a painting of Charles Mouton who looks like an aristocrat and "exudes an aura of self-assured ease", as Anthony Bailes writes in his liner-notes. This painting is a good expression of the position of lutenists in France in the 17th century. The lute was one of the most respected instruments and their players were at the top of the musical pyramid, so to speak. Music for the lute also has strong aristocratic traits. In the first half of the 17th century the members of the Gaultier (or Gautier) family had set the standard. Composers of later generations had to measure up to them.

Bailes explains why the music of this period often has a rather restrained character. He refers to the Burwell lute tutor from c1670 which documents lute playing in the style of the Gaultiers. Here it is characterised as "mediocrity", which, according to Bailes, should be interpreted as "moderation, in the sense of avoiding extremes. Deriving from the dictates of conformism and controlled ritual so typical of French culture under Louis XIV, Mouton's music adheres very much to these doctrines, exhibiting neither violent harmonic surprise nor tasteless shows of virtuosity". This same restraint often makes it hard for modern audiences readily to appreciate French music.

The programme of this disc juxtaposes Mouton's music to the oeuvre of the two Gallots. Jacques de Gallot, although of the same generation as Mouton, is quite different. He also wrote for three voices and includes more ornamentation. Harmonically his music is much more adventurous than Mouton's. Bailes explaines this with the Pieces in a minor which open the disc. This suite includes some remarkable effects which were quite unusual at the time. There are striking contrasts between the various movements, for instance the introverted sarabande La Pièce de huit heures which is followed by the sparkling canarie Les Castagnettes. Gallot's compositional style particularly appealed to non-French players. Bailes mentions here the famous German Bohemian-born lute player and composer Silvius Leopold Weiss. Gallot therefore can be considered an important link between the French and German lute schools.

Towards the end of the 17th century the position of the lute was undermined, especially due to the growing popularity of the guitar. This also had its effects on the writing of lute music. Composers started to arrange operatic pieces for the lute, especially from Lully's operas. Bailes quotes again the Burwell lute tutor which states that "it is a disgrace for the lute to play country tunes, songs or corants of violins" and "to make people dance to the lute is improper". The popularity of Lully's operas was such, though, that lute composers had to give in to modern fashion, and this explains that the Pieces in C by Mouton include three transcriptions of fragments from Lully operas. The Pieces in g minor by Pierre Gallot, Jacques' nephew, consist entirely of Lully transcriptions, except the opening prelude.

With the confrontation of music by Charles Mouton on the one hand and the two Gallots on the other Anthony Bailes has created a most compelling programme. It shows the pinnacle of the lute repertoire in the second half of the 17th century and limns the stylistic changes that in the end would lead to the lute's demise. It is a worthy sequel to Bailes' previous disc at the same label, devoted to the Gaultier family ("Apollon Orateur"; RAM 0904). Bailes' interpretation is also restrained and has something aristocratic about it. His playing is extremely transparent which makes all the voices clearly audible. The Burwell lute tutor states: "[On] other instruments we sing, but on the lute we speak". That is exactly what Bailes does, and in a very eloquent manner.

Johan van Veen musicweb-international

More Anthony Bailes:
Anthony Bailes - Apollon Orateu (2009)

Thanks to pr3ss!

Anthony Bailes - Une Douceur Violente: 17th-century French Lute Music (2011)


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