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Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)

Posted By: Designol
Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)

Anton Webern: Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)
Pierre Boulez, conductor; Ensemble Intercontemporain; BBC Singers
Françoise Pollet, soprano; Christiane Oelze, soprano

EAC | FLAC | Tracks (Cue&Log) ~ 227 Mb | Mp3 (CBR320) ~ 159 Mb | Scans ~ 78 Mb
Genre: Classical | Label: Deutsche Grammophon | # 437 786-2 | Time: 01:09:25

It is almost exactly a quarter of a century since Pierre Boulez recorded his complete Webern survey. This new collection, apart from being useful for anyone who doesn't want to buy three whole CDs of Webern, offers an interesting insight into how Boulez's way with a composer probably more central to him than any other has changed.

For a start he gives him a little more time: most of the pieces here are slightly but significantly slower than they were in 1970. This allows lines to be more subtly moulded, phrases to acquire a touch more poise. This is not to say that Boulez has softened and now phrases Webern as though he were Chopin, but grace and even wit (the second movement of the Quartet) are now noticeable alongside his customary precision. The Ensemble InterContemporain have been playing these pieces constantly since they were first founded, and it shows in the absolute assurance of their performances. The instrumental and choral works are very beautifully played and sung indeed, and anyone grappling with these pieces for the first time (or returning for another attempt) could hardly choose better.

The songs are good, too, but here a comparison with the 1970 set makes me grateful that I still have a copy of it. Francoise Pollet sings the three earlier groups with precision and an intelligent realization that they often repay quietness, but the distinct break between the two registers of her voice and her not very characterful way with words make her no real rival to Heather Harper, her voice at its most beautiful and her musicianship at its most subtle in the 1970 recordings. The later songs are a real problem: they demand a soprano with an extended range, especially at the top, fearless negotiation of awkward intervals and absolute accuracy of pitch. A sort of 'Webern soprano' developed in response to this, chalk-white and rather antiseptic, and the great benefit of Halina Lukomska in 1970 was that she added verbal responsiveness and even a degree of vocal allure to these necessary but rather chilly qualities. Christiane Oelze has an agreeably child-like quality at times, which helps with the naive folk-texts of some of these songs, but the voice is otherwise pallid and thin. So in all I would buy this disc for the choruses (the BBC Singers: excellent) and the instrumental works; all three are masterpieces, in performances that leave no doubt of that. For the songs Boulez's earlier recordings are much to be preferred.

Review by Michael Oliver, Gramophone

It is 25 years since Boulez recorded the complete works of Webern for CBS – a pioneering three-disc set still available from Sony. Its starting point was Webern’s first published score, an orchestral passacaglia; but this new disc begins a few months before that official Op. 1, with a gently Expressionist single-movement Piano Quintet which, at 13 minutes, is by far the most expansive item included. Schoenberg once likened Webern’s achievement to that of expressing a novel in a single gesture; and of the forty-odd remaining individual pieces here, the longest barely exceeds three minutes, while the most condensed – the fourth of the Five Orchestral Pieces, Op. 10 – consists of no more than a half-dozen highly charged bars. Boulez and the Ensemble InterContemporain have been steeped in this repertoire for decades, and their experience shows in the fluency of these performances. Françoise Pollet’s warm and intense singing is an invaluable asset – I prefer her even to the admirable Heather Harper on the old CBS set – but Christiane Oelze, although she negotiates Webern’s uncompromisingly angular vocal lines with commendable accuracy is, unfortunately, a shade pale and colourless. Somebody, incidentally, ought to have spotted the serious lapse of ensemble between bars 55 and 60 in the second movement of the Op. 22 Quartet.

Review by Misha Donat, BBC Music Magazine

Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)



Tracklist:

01. Piano Quintet (1907) (13:15)

02. Entflieht auf leichten Kähnen op.2 (02:48)

2 Lieder op.8
03. I. Du, der ichs nicht sage (01:05)
04. II. Du machst mich allein (01:16)

5 Pieces for Orchestra, op.10
05. I. Sehr ruhig und zart (00:44)
06. II. Lebhaft und zart bewegt (00:39)
07. III. Sehr langsam und äußerst ruhig (01:48)
08. IV. Fließend, äußerst zart (00:29)
09. V. Sehr fließend (01:01)

4 Lieder op.13
10. I. Wiese im Park (02:14)
11. II. Die Einsame (01:30)
12. III. In der Fremde (01:03)
13. IV. Ein Winterabend (02:17)

6 Lieder op.14
14. I. Die Sonne: 'Täglich kommt die gelbe Sonne (01:42)
15. II. Abendland I (01:27)
16. III. Abendland II (01:16)
17. IV. Abendland III (01:35)
18. V. Nachts (00:51)
19. VI. Gesang einer gefangenen Amsel (01:25)

5 Sacred Songs op.15
20. I. Das Kreuz, das mußt' er tragen (00:59)
21. II. Morgenlied (00:52)
22. III. In Gottes Namen aufstehn (00:59)
23. IV. Mein Weg geht jetzt vorüber (00:59)
24. V. Fahr hin, o Seel', zu deinem Gott (01:38)

5 Canons op.16
25. I. Christus factus est (00:31)
26. II. Dormi Jesu, mater ridet (01:05)
27. III. Crux fidelis (00:50)
28. IV. Asperges me, Domine (00:37)
29. V. Crucem tuam adoramus, Domine (00:31)

3 Traditional Rhymes op.17
30. I. Armer Sünder, du (00:45)
31. II. Liebste Jungfrau, wir sind dein (01:03)
32. III. Heiland, unsre Missetate (00:53)

3 Lieder op.18
33. I. Schatzerl klein (00:56)
34. II. Erlösung (01:11)
35. III. Ave, Regina coelorum (01:29)

2 Lieder op.19
36. I. Weiß wie Lilien (01:23)
37. II. Ziehn die Schafe (01:13)

Quartet op.22
38. I. Sehr mäßig (03:09)
39. II. Sehr schwungvoll (03:20)

Concerto op.24
40. I. Etwas lebhaft (02:38)
41. II. Sehr langsam (02:35)
42. III. Sehr rasch (01:24)


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 13. January 2016, 0:14

Webern, Anton / Orchestral, Vocal & Chamber Works - Ensemble InterContemporain, Pierre Boulez

Used drive : TSSTcorpCDDVDW SH-216BB Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "PERFORMER=%albuminterpret%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -6" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 13:15.00 | 33 | 59657
2 | 13:15.33 | 2:48.00 | 59658 | 72257
3 | 16:03.33 | 1:05.00 | 72258 | 77132
4 | 17:08.33 | 1:16.00 | 77133 | 82832
5 | 18:24.33 | 0:44.00 | 82833 | 86132
6 | 19:08.33 | 0:39.00 | 86133 | 89057
7 | 19:47.33 | 1:48.00 | 89058 | 97157
8 | 21:35.33 | 0:29.00 | 97158 | 99332
9 | 22:04.33 | 1:01.00 | 99333 | 103907
10 | 23:05.33 | 2:14.00 | 103908 | 113957
11 | 25:19.33 | 1:30.00 | 113958 | 120707
12 | 26:49.33 | 1:03.00 | 120708 | 125432
13 | 27:52.33 | 2:17.00 | 125433 | 135707
14 | 30:09.33 | 1:42.00 | 135708 | 143357
15 | 31:51.33 | 1:27.00 | 143358 | 149882
16 | 33:18.33 | 1:16.00 | 149883 | 155582
17 | 34:34.33 | 1:35.00 | 155583 | 162707
18 | 36:09.33 | 0:51.00 | 162708 | 166532
19 | 37:00.33 | 1:25.00 | 166533 | 172907
20 | 38:25.33 | 0:59.00 | 172908 | 177332
21 | 39:24.33 | 0:52.00 | 177333 | 181232
22 | 40:16.33 | 0:59.00 | 181233 | 185657
23 | 41:15.33 | 0:59.00 | 185658 | 190082
24 | 42:14.33 | 1:38.00 | 190083 | 197432
25 | 43:52.33 | 0:31.00 | 197433 | 199757
26 | 44:23.33 | 1:05.00 | 199758 | 204632
27 | 45:28.33 | 0:50.00 | 204633 | 208382
28 | 46:18.33 | 0:37.00 | 208383 | 211157
29 | 46:55.33 | 0:31.00 | 211158 | 213482
30 | 47:26.33 | 0:45.00 | 213483 | 216857
31 | 48:11.33 | 1:03.00 | 216858 | 221582
32 | 49:14.33 | 0:53.00 | 221583 | 225557
33 | 50:07.33 | 0:56.00 | 225558 | 229757
34 | 51:03.33 | 1:11.00 | 229758 | 235082
35 | 52:14.33 | 1:29.00 | 235083 | 241757
36 | 53:43.33 | 1:23.00 | 241758 | 247982
37 | 55:06.33 | 1:13.00 | 247983 | 253457
38 | 56:19.33 | 3:09.00 | 253458 | 267632
39 | 59:28.33 | 3:20.00 | 267633 | 282632
40 | 62:48.33 | 2:38.00 | 282633 | 294482
41 | 65:26.33 | 2:35.00 | 294483 | 306107
42 | 68:01.33 | 1:24.00 | 306108 | 312407


Track 1

Filename D:\EAC extraction\01 - Piano Quintet (1907).wav

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Accurately ripped (confidence 27) [8B51A909] (AR v2)
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Track 2

Filename D:\EAC extraction\02 - Entflieht auf leichten Kaehnen op.2.wav

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Accurately ripped (confidence 27) [D92C28AD] (AR v2)
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Track 3

Filename D:\EAC extraction\03 - 2 Lieder op.8 - I. Du, der ichs nicht sage.wav

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Accurately ripped (confidence 27) [09D1324C] (AR v2)
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Track 4

Filename D:\EAC extraction\04 - II. Du machst mich allein.wav

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Accurately ripped (confidence 27) [10A25EEE] (AR v2)
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Track 5

Filename D:\EAC extraction\05 - 5 Pieces for Orchestra, op.10 - I. Sehr ruhig und zart.wav

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Track 6

Filename D:\EAC extraction\06 - II. Lebhaft und zart bewegt.wav

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Track 7

Filename D:\EAC extraction\07 - III. Sehr langsam und aeusserst ruhig.wav

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Track 8

Filename D:\EAC extraction\08 - IV. Fliessend, aeusserst zart.wav

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Track 9

Filename D:\EAC extraction\09 - V. Sehr fliessend.wav

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Track 10

Filename D:\EAC extraction\10 - 4 Lieder op.13 - I. Wiese im Park.wav

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Track 11

Filename D:\EAC extraction\11 - II. Die Einsame.wav

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Track 12

Filename D:\EAC extraction\12 - III. In der Fremde.wav

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Track 13

Filename D:\EAC extraction\13 - IV. Ein Winterabend.wav

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Accurately ripped (confidence 27) [70E295F2] (AR v2)
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Track 14

Filename D:\EAC extraction\14 - 6 Lieder op.14 - I. Die Sonne; ''Taeglich kommt die gelbe Sonne.wav

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Accurately ripped (confidence 27) [A711AD90] (AR v2)
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Track 15

Filename D:\EAC extraction\15 - II. Abendland I.wav

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Track 16

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Track 17

Filename D:\EAC extraction\17 - IV. Abendland III.wav

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Track 18

Filename D:\EAC extraction\18 - V. Nachts.wav

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Track 19

Filename D:\EAC extraction\19 - VI. Gesang einer gefangenen Amsel.wav

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Track 20

Filename D:\EAC extraction\20 - 5 Sacred Songs op.15 - I. Das Kreuz, das musst' er tragen.wav

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Track 21

Filename D:\EAC extraction\21 - II. Morgenlied.wav

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Track 22

Filename D:\EAC extraction\22 - III. In Gottes Namen aufstehn.wav

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Track 23

Filename D:\EAC extraction\23 - IV. Mein Weg geht jetzt vorueber.wav

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Track 24

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Track 25

Filename D:\EAC extraction\25 - 5 Canons op.16 - I. Christus factus est.wav

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Track 26

Filename D:\EAC extraction\26 - II. Dormi Jesu, mater ridet.wav

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Track 27

Filename D:\EAC extraction\27 - III. Crux fidelis.wav

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Track 28

Filename D:\EAC extraction\28 - IV. Asperges me, Domine.wav

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Track 29

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Track 30

Filename D:\EAC extraction\30 - 3 Traditional Rhymes op.17 - I. Armer Suender, du.wav

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Track 31

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Track 32

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Track 33

Filename D:\EAC extraction\33 - 3 Lieder op.18 - I. Schatzerl klein.wav

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Track 34

Filename D:\EAC extraction\34 - II. Erloesung.wav

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Track 35

Filename D:\EAC extraction\35 - III. Ave, Regina coelorum.wav

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Track 36

Filename D:\EAC extraction\36 - 2 Lieder op.19 - I. Weiss wie Lilien.wav

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Track 37

Filename D:\EAC extraction\37 - II. Ziehn die Schafe.wav

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Track 38

Filename D:\EAC extraction\38 - Quartet op.22 - I. Sehr maessig.wav

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Track 39

Filename D:\EAC extraction\39 - II. Sehr schwungvoll.wav

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Track 40

Filename D:\EAC extraction\40 - Concerto op.24 - I. Etwas lebhaft.wav

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Track 41

Filename D:\EAC extraction\41 - II. Sehr langsam.wav

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Track 42

Filename D:\EAC extraction\42 - III. Sehr rasch.wav

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All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum A62C64BBABAAA8A2F1075440DD8A8E55F9B55163D82129DC572F99AF5A89ECB2 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-02-04 20:18:51

––––––––––––––––––––––––––––––––––––––––
Analyzed: Webern, Anton / Orchestral, Vocal & Chamber Works - Ensemble InterContemporain, Pierre Boulez
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.32 dB -20.99 dB 13:15 01-Piano Quintet (1907)
DR14 -3.13 dB -24.81 dB 2:48 02-Entflieht auf leichten Kähnen op.2
DR11 -2.45 dB -28.39 dB 1:05 03-2 Lieder op.8 - I. Du, der ichs nicht sage
DR16 -5.16 dB -27.89 dB 1:16 04-II. Du machst mich allein
DR7 -16.62 dB -36.09 dB 0:44 05-5 Pieces for Orchestra, op.10 - I. Sehr ruhig und zart
DR11 -2.56 dB -23.88 dB 0:39 06-II. Lebhaft und zart bewegt
DR10 -16.48 dB -37.66 dB 1:48 07-III. Sehr langsam und äußerst ruhig
DR12 -26.46 dB -43.86 dB 0:29 08-IV. Fließend, äußerst zart
DR15 -2.30 dB -29.37 dB 1:01 09-V. Sehr fließend
DR17 -1.57 dB -28.73 dB 2:14 10-4 Lieder op.13 - I. Wiese im Park
DR13 -5.99 dB -26.17 dB 1:30 11-II. Die Einsame
DR12 -6.51 dB -27.60 dB 1:03 12-III. In der Fremde
DR13 -7.32 dB -31.15 dB 2:17 13-IV. Ein Winterabend
DR14 -3.53 dB -24.57 dB 1:42 14-6 Lieder op.14 - I. Die Sonne: 'Täglich kommt die gelbe Sonne
DR13 -7.20 dB -25.98 dB 1:27 15-II. Abendland I
DR14 -2.51 dB -28.20 dB 1:16 16-III. Abendland II
DR15 -7.68 dB -29.35 dB 1:35 17-IV. Abendland III
DR11 -3.02 dB -21.64 dB 0:51 18-V. Nachts
DR16 -2.29 dB -27.33 dB 1:25 19-VI. Gesang einer gefangenen Amsel
DR12 -6.49 dB -27.67 dB 0:59 20-5 Sacred Songs op.15 - I. Das Kreuz, das mußt' er tragen
DR13 -4.49 dB -23.76 dB 0:52 21-II. Morgenlied
DR13 -8.66 dB -27.47 dB 0:59 22-III. In Gottes Namen aufstehn
DR11 -9.22 dB -28.75 dB 0:59 23-IV. Mein Weg geht jetzt vorüber
DR12 -8.08 dB -28.23 dB 1:38 24-V. Fahr hin, o Seel', zu deinem Gott
DR12 -6.59 dB -23.93 dB 0:31 25-5 Canons op.16 - I. Christus factus est
DR12 -10.93 dB -28.71 dB 1:05 26-II. Dormi Jesu, mater ridet
DR9 -7.02 dB -29.00 dB 0:50 27-III. Crux fidelis
DR12 -9.84 dB -29.31 dB 0:37 28-IV. Asperges me, Domine
DR10 -2.88 dB -22.81 dB 0:31 29-V. Crucem tuam adoramus, Domine
DR14 -4.09 dB -23.92 dB 0:45 30-3 Traditional Rhymes op.17 - I. Armer Sünder, du
DR14 -6.37 dB -24.80 dB 1:03 31-II. Liebste Jungfrau, wir sind dein
DR12 -7.16 dB -24.06 dB 0:53 32-III. Heiland, unsre Missetate
DR14 -2.74 dB -25.11 dB 0:56 33-3 Lieder op.18 - I. Schatzerl klein
DR13 -1.77 dB -22.48 dB 1:11 34-II. Erlösung
DR13 -5.75 dB -26.57 dB 1:29 35-III. Ave, Regina coelorum
DR14 -4.21 dB -25.24 dB 1:23 36-2 Lieder op.19 - I. Weiß wie Lilien
DR14 -6.28 dB -26.75 dB 1:13 37-II. Ziehn die Schafe
DR15 -12.98 dB -34.20 dB 3:09 38-Quartet op.22 - I. Sehr mäßig
DR16 -10.13 dB -30.45 dB 3:20 39-II. Sehr schwungvoll
DR16 -4.74 dB -27.44 dB 2:38 40-Concerto op.24 - I. Etwas lebhaft
DR14 -15.29 dB -35.49 dB 2:35 41-II. Sehr langsam
DR16 -5.96 dB -27.03 dB 1:24 42-III. Sehr rasch
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 42
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 506 kbps
Codec: FLAC
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Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)

Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)

All thanks to original releaser

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