Shannon Curfman - What You're Getting Into (2010)
Shannon Curfman - What You're Getting Into (2010)
EAC Rip | FLAC (Image) + CUE + LOG | Covers | 310 MB
Genre: Blues/Pop/Rock | Label: CC Entertainment | Release Date: February 9, 2010 | Catalog Number: 9188
Hoster: Uploaded + DepositFiles | RAR 5% Rec.
EAC Rip | FLAC (Image) + CUE + LOG | Covers | 310 MB
Genre: Blues/Pop/Rock | Label: CC Entertainment | Release Date: February 9, 2010 | Catalog Number: 9188
Hoster: Uploaded + DepositFiles | RAR 5% Rec.
Shannon Curfman burst onto the Blues scene at the age of 15 with her debut "Loud Guitars, Big Suspicions", which rose to #3 on the Billboard Blues Chart. She has shared the stage with guitar legends B.B. King and Carlos Santana and recorded with Billy Preston. Her sound has matured since her debut over 10 years ago, mixing the blues with rock and roll. Now you can listen to her newest release, "What You're Getting Into" and hear this former child prodigy as a fullgrown guitar playing sensation.– by Amazon
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Tracklist
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1. What You're Getting Into 3:27
2. Free Your Mind 3:06
3. The Core 6:23
4. Heaven is in Your Mind 3:30
5. All I Have 3:56
6. Curious 3:38
7. Oh Well 5:12
8. What Would Mama Say 3:28
9. Dragon Attack 3:39
10. Strange 4:54
Personnel:
Shannon Curfman - Vocals,Guitars
Wade Thompson - Bass
Justin Kesterson,Anthony Krizan,Paul Mayasich - Guitars
Paul Thompson - Drums,Percussion
Lucy Curfman,Nes Urtel - Background Vocals
Jason Miller - Guitar,Percussion
Shannon Curfman - What You're Getting Into (2010)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 7. June 2013, 15:23
Shannon Curfman / What You're Getting Into
Used drive : ASUS BC-12B1ST Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 702
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:25.15 | 0 | 15389
2 | 3:25.15 | 3:04.62 | 15390 | 29251
3 | 6:30.02 | 6:21.01 | 29252 | 57827
4 | 12:51.03 | 3:28.27 | 57828 | 73454
5 | 16:19.30 | 3:54.28 | 73455 | 91032
6 | 20:13.58 | 3:36.54 | 91033 | 107286
7 | 23:50.37 | 5:10.40 | 107287 | 130576
8 | 29:01.02 | 3:26.14 | 130577 | 146040
9 | 32:27.16 | 3:37.55 | 146041 | 162370
10 | 36:04.71 | 4:53.58 | 162371 | 184403
Range status and errors
Selected range
Filename D:\MUSIK\BLUES\Shannon Curfman - What You're Getting Into [FLAC] (2010)\Shannon Curfman - What You're Getting Into.wav
Peak level 97.7 %
Extraction speed 7.0 X
Range quality 100.0 %
Copy CRC AA72D760
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 2) [B1A199A8], AccurateRip returned [EE4AED75] (AR v2)
Track 2 cannot be verified as accurate (confidence 2) [DBFCA59E], AccurateRip returned [0BA2EF6C] (AR v2)
Track 3 cannot be verified as accurate (confidence 2) [68FA6873], AccurateRip returned [F9B2E7DF] (AR v2)
Track 4 cannot be verified as accurate (confidence 2) [8324D68F], AccurateRip returned [B2090D72] (AR v2)
Track 5 cannot be verified as accurate (confidence 2) [33CE4639], AccurateRip returned [7103951D] (AR v2)
Track 6 cannot be verified as accurate (confidence 2) [A3CCF48E], AccurateRip returned [70D3B026] (AR v2)
Track 7 cannot be verified as accurate (confidence 2) [08E70DDC], AccurateRip returned [57545341] (AR v2)
Track 8 cannot be verified as accurate (confidence 2) [7A3F749C], AccurateRip returned [8276862D] (AR v2)
Track 9 cannot be verified as accurate (confidence 2) [D1060A4A], AccurateRip returned [080BA574] (AR v2)
Track 10 cannot be verified as accurate (confidence 2) [3942BE4D], AccurateRip returned [B303E935] (AR v2)
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
==== Log checksum 222FE465909AA74D3DDFD84D2658154CD9DB78A4639A4143D3C9371324F90A2B ====
EAC extraction logfile from 7. June 2013, 15:23
Shannon Curfman / What You're Getting Into
Used drive : ASUS BC-12B1ST Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 702
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:25.15 | 0 | 15389
2 | 3:25.15 | 3:04.62 | 15390 | 29251
3 | 6:30.02 | 6:21.01 | 29252 | 57827
4 | 12:51.03 | 3:28.27 | 57828 | 73454
5 | 16:19.30 | 3:54.28 | 73455 | 91032
6 | 20:13.58 | 3:36.54 | 91033 | 107286
7 | 23:50.37 | 5:10.40 | 107287 | 130576
8 | 29:01.02 | 3:26.14 | 130577 | 146040
9 | 32:27.16 | 3:37.55 | 146041 | 162370
10 | 36:04.71 | 4:53.58 | 162371 | 184403
Range status and errors
Selected range
Filename D:\MUSIK\BLUES\Shannon Curfman - What You're Getting Into [FLAC] (2010)\Shannon Curfman - What You're Getting Into.wav
Peak level 97.7 %
Extraction speed 7.0 X
Range quality 100.0 %
Copy CRC AA72D760
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 2) [B1A199A8], AccurateRip returned [EE4AED75] (AR v2)
Track 2 cannot be verified as accurate (confidence 2) [DBFCA59E], AccurateRip returned [0BA2EF6C] (AR v2)
Track 3 cannot be verified as accurate (confidence 2) [68FA6873], AccurateRip returned [F9B2E7DF] (AR v2)
Track 4 cannot be verified as accurate (confidence 2) [8324D68F], AccurateRip returned [B2090D72] (AR v2)
Track 5 cannot be verified as accurate (confidence 2) [33CE4639], AccurateRip returned [7103951D] (AR v2)
Track 6 cannot be verified as accurate (confidence 2) [A3CCF48E], AccurateRip returned [70D3B026] (AR v2)
Track 7 cannot be verified as accurate (confidence 2) [08E70DDC], AccurateRip returned [57545341] (AR v2)
Track 8 cannot be verified as accurate (confidence 2) [7A3F749C], AccurateRip returned [8276862D] (AR v2)
Track 9 cannot be verified as accurate (confidence 2) [D1060A4A], AccurateRip returned [080BA574] (AR v2)
Track 10 cannot be verified as accurate (confidence 2) [3942BE4D], AccurateRip returned [B303E935] (AR v2)
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
==== Log checksum 222FE465909AA74D3DDFD84D2658154CD9DB78A4639A4143D3C9371324F90A2B ====
foobar2000 1.2.6 / Dynamic Range Meter 1.1.1
log date: 2013-06-07 15:27:18
––––––––––––––––––––––––––––––––––––––––
Analyzed: Shannon Curfman / What You're Getting Into
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.20 dB -8.23 dB 3:25 01-What You're Getting Into
DR7 -0.20 dB -8.15 dB 3:05 02-Free Your Mind
DR6 -0.20 dB -7.60 dB 6:21 03-The Core
DR6 -0.20 dB -7.27 dB 3:28 04-Heaven Is In Your Mind
DR6 -0.20 dB -7.46 dB 3:54 05-All I Have
DR7 -0.20 dB -8.69 dB 3:37 06-Curious
DR8 -0.20 dB -8.85 dB 5:11 07-Oh Well
DR6 -0.20 dB -7.68 dB 3:26 08-What Would Mama Say
DR7 -0.20 dB -8.01 dB 3:38 09-Dragon Attack
DR6 -0.20 dB -8.21 dB 4:54 10-Strange
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR7
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 991 kbps
Codec: FLAC
================================================================================
log date: 2013-06-07 15:27:18
––––––––––––––––––––––––––––––––––––––––
Analyzed: Shannon Curfman / What You're Getting Into
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.20 dB -8.23 dB 3:25 01-What You're Getting Into
DR7 -0.20 dB -8.15 dB 3:05 02-Free Your Mind
DR6 -0.20 dB -7.60 dB 6:21 03-The Core
DR6 -0.20 dB -7.27 dB 3:28 04-Heaven Is In Your Mind
DR6 -0.20 dB -7.46 dB 3:54 05-All I Have
DR7 -0.20 dB -8.69 dB 3:37 06-Curious
DR8 -0.20 dB -8.85 dB 5:11 07-Oh Well
DR6 -0.20 dB -7.68 dB 3:26 08-What Would Mama Say
DR7 -0.20 dB -8.01 dB 3:38 09-Dragon Attack
DR6 -0.20 dB -8.21 dB 4:54 10-Strange
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR7
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 991 kbps
Codec: FLAC
================================================================================
BIO: Guitarist and singer/songwriter Shannon Curfman burst upon the blues and roots rock scene in 1999 with her major-label debut for Arista Records, Loud Guitars, Big Suspicions. Her exceptionally well-produced, well-sequenced debut album won her rave reviews all over the U.S. and Canada, aside from lots of airplay, even on commercial radio stations in the U.S. Curfman made several U.S. club tours in support of Loud Guitars, Big Suspicions, and garnered huge amounts of publicity, because she was only 14 at the time. Now in her late teens, Curfman may choose to take a break from the rigors of the blues and rock & roll lifestyle to instead attend college, as the young Curfman is as academically bright as she is a multifaceted guitarist and songwriter. Curfman, raised in Fargo, ND, and now based in Minneapolis, says her influences are broad-based: Stevie Wonder, Carlos Santana, Prince, Me'Shell NdegéOcello, Rory Block, Robert Johnson, Dwight Yoakam, John Prine, and Chaka Khan. At the time of her debut in 1999, Curfman said her goal was to be like Sheryl Crow: a person who writes, sings, plays a lot of instruments, and also produces her own records.The home-schooled Curfman co-wrote seven of the 11 songs on Loud Guitars, Big Suspicions, and several of the album's opening tracks were radio-ready, including the bluesy "True Friends" and "No Riders." She was also joined on her debut by fellow Fargo native Jonny Lang, who is four years her elder. Naturally, Curfman could not have made the splash she did without the support of her parents. Her dad is an engineer for the Burlington Northern Railroad and her mom works to oversee Curfman's home schooling and general progress as an up and coming musician. At the time her debut was released in 1999, in the midst of a tour and several television appearances in support of it, the 15-year old said, "This is what I want to do with my life. It's cool being young and knowing what you want in life. I still have time to go to college if I want. I love every part of this – traveling, meeting people, and playing music of course. Just as long as I'm playing music, I'm happy." Curfman, Lang, and several other rising stars are rejecting the teen group model for success these days, and instead are embracing the music of their parents, blues, classic R&B, and blues-rock. This is an encouraging trend and something many fans would like to see more of, because for the blues to survive, it has to continue to evolve. Curfman takes blues and blues-rock in many refreshing, different directions on Loud Guitars, Big Suspicions.– by Richard Skelly
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