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Bach - Concentus Musicus / Harnoncourt - Brandenburg Concertos (1964, reissue 1992, Teldec # 9031-77611-2)

Posted By: luckburz

Date: 5 May 2016 07:51:42

Bach - Concentus Musicus / Harnoncourt - Brandenburg Concertos (1964, reissue 1992, Teldec # 9031-77611-2)

Johann Sebastian Bach - Brandenburg Concertos 1-6
Concentus Musicus Wien / Nikolaus Harnoncourt
2xCD | EAC+LOG+CUE | WV: 556 MB | Full Artwork: 219 MB | 5% Recovery Info
Label/Cat#: Teldec # 9031-77611-2 | Country/Year: Germany 1992, 1964
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [ ] not my rip [X]

EAC_LOGs

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 11. July 2011, 14:20

Concentus Musicus Wien, Harnoncourt Nikolaus / J.S. Bach - Brandenburg Concertos (CD1)

Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:23.15 | 0 | 19739
2 | 4:23.15 | 4:31.37 | 19740 | 40101
3 | 8:54.52 | 4:40.23 | 40102 | 61124
4 | 13:35.00 | 9:20.07 | 61125 | 103131
5 | 22:55.07 | 6:25.03 | 103132 | 132009
6 | 29:20.10 | 3:47.15 | 132010 | 149049
7 | 33:07.25 | 3:42.12 | 149050 | 165711
8 | 36:49.37 | 6:18.68 | 165712 | 194129
9 | 43:08.30 | 0:29.42 | 194130 | 196346
10 | 43:37.72 | 4:57.28 | 196347 | 218649

Range status and errors

Selected range

Filename Z:\NetLab\J.S. Bach - Brandenburg Concertos (Concentus Musicus Wien, Harnoncourt Nikolaus) (1964) {2CDs Teldec}\CD 1\J.S. Bach - Brandenburg Concertos (CD1).wav

Peak level 99.4 %
Extraction speed 2.0 X
Range quality 99.9 %
Test CRC 3C35E3EA
Copy CRC 3C35E3EA
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 13) [7B43641C] (AR v1)
Track 2 accurately ripped (confidence 13) [F7C0562C] (AR v1)
Track 3 accurately ripped (confidence 13) [CF5EECC1] (AR v1)
Track 4 accurately ripped (confidence 13) [63585272] (AR v1)
Track 5 accurately ripped (confidence 13) [FA55B57B] (AR v1)
Track 6 accurately ripped (confidence 13) [AAF3AB52] (AR v1)
Track 7 accurately ripped (confidence 13) [BD1A0F6E] (AR v1)
Track 8 accurately ripped (confidence 13) [CFD30E91] (AR v1)
Track 9 accurately ripped (confidence 13) [361B756B] (AR v1)
Track 10 accurately ripped (confidence 13) [C5CA7B63] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 8D714BD603D58809BEA72B699000BEBDF6F0C80B65C90BA086E9461307685549 ====

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 11. July 2011, 17:26

Concentus Musicus Wien, Harnoncourt Nikolaus / J.S. Bach - Brandenburg Concertos (CD2)

Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 7:31.45 | 0 | 33869
2 | 7:31.45 | 4:08.47 | 33870 | 52516
3 | 11:40.17 | 5:10.03 | 52517 | 75769
4 | 16:50.20 | 11:07.60 | 75770 | 125854
5 | 27:58.05 | 6:04.12 | 125855 | 153166
6 | 34:02.17 | 5:55.58 | 153167 | 179849
7 | 39:58.00 | 5:52.15 | 179850 | 206264
8 | 45:50.15 | 4:47.30 | 206265 | 227819
9 | 50:37.45 | 6:05.10 | 227820 | 255204

Range status and errors

Selected range

Filename Z:\NetLab\J.S. Bach - Brandenburg Concertos (Concentus Musicus Wien, Harnoncourt Nikolaus) (1964) {2CDs Teldec}\CD 2\J.S. Bach - Brandenburg Concertos (CD2).wav

Peak level 96.6 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC 562813A1
Copy CRC 562813A1
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 10) [FB551344] (AR v1)
Track 2 accurately ripped (confidence 10) [CCDA05AF] (AR v1)
Track 3 accurately ripped (confidence 10) [3748F426] (AR v1)
Track 4 accurately ripped (confidence 10) [D7369B49] (AR v1)
Track 5 accurately ripped (confidence 10) [4D5A5F29] (AR v1)
Track 6 accurately ripped (confidence 10) [30F589EF] (AR v1)
Track 7 accurately ripped (confidence 10) [124B282C] (AR v1)
Track 8 accurately ripped (confidence 10) [5D2C167E] (AR v1)
Track 9 accurately ripped (confidence 10) [92E83B0E] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 90623BB50F2FDA364713CA58310DE27EEDBDABA2C7804DF4BCCE3B36FDAB7A7F ====

Dynamic_Range_LOG

foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2015-07-18 16:45:13

––––––––––––––––––––––––––––––––––––––––
Analyzed: Concentus Musicus Wien, Harnoncourt Nikolaus / J.S. Bach - Brandenburg Concertos (CD1)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.83 dB -13.64 dB 4:23 01-Brandenburg Concerto No. 1 in F major, BWV 1046; I. (Allegro)
DR11 -8.92 dB -23.19 dB 4:31 02-II. Adagio
DR11 -0.05 dB -15.72 dB 4:40 03-III. Allegro
DR12 -0.82 dB -16.87 dB 9:20 04-IV. Menuetto-Trio-Menuetto-Polacca-Trio-Menuetto
DR12 -1.25 dB -16.81 dB 6:25 05-Brandenburg Concerto No. 2 in F major, BWV 1047; I. (Allegro)
DR11 -6.78 dB -21.90 dB 3:47 06-II. Andante
DR11 -2.12 dB -17.07 dB 3:42 07-III. Allegro assai
DR12 -0.65 dB -15.24 dB 6:19 08-Brandenburg Concerto No. 3 in G major, BWV 1048; I. (Allegro)
DR11 -9.81 dB -24.46 dB 0:30 09-II. Adagio
DR13 -0.08 dB -16.42 dB 4:57 10-III. Allegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 748 kbps
Codec: WavPack
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Concentus Musicus Wien, Harnoncourt Nikolaus / J.S. Bach - Brandenburg Concertos (CD2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -3.79 dB -18.98 dB 7:32 01-Brandenburg Concerto No. 4 in G major, BWV 1049; I. Allegro
DR11 -3.15 dB -16.97 dB 4:09 02-II. Andante
DR11 -0.30 dB -15.81 dB 5:10 03-III. Presto
DR12 -1.42 dB -17.61 dB 11:08 04-Brandenburg Concerto No. 5 in D major, BWV 1050; I. Allegro
DR12 -4.61 dB -21.36 dB 6:04 05-II. Affettuoso
DR11 -1.92 dB -17.13 dB 5:56 06-III. Allegro
DR12 -3.16 dB -19.32 dB 5:52 07-Brandenburg Concerto No. 6 in B flat major, BWV 1051; I. (Allegro)
DR12 -5.33 dB -20.56 dB 4:47 08-II. Adagio, ma non tanto
DR13 -2.37 dB -19.68 dB 6:05 09-III. Allegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 754 kbps
Codec: WavPack
================================================================================

CD Info:

Johann Sebastian Bach - Brandenburg Concertos 1-6

Concentus Musicus Wien / Nikolaus Harnoncourt

Label: Teldec
Series: Das Alte Werk
Catalog#: 9031-77611-2
Format: 2xCD, Album, Reissue
Country: Germany
Released: 1992, 1964
Genre: Classical
Style: Baroque

Tracklist:

CD1:
1 Brandenburg Concerto No. 1 in F major, BWV 1046; I. (Allegro) 4:23
2 II. Adagio 4:31
3 III. Allegro 4:40
4 IV. Menuetto-Trio-Menuetto-Polacca-Trio-Menuetto 9:20
5 Brandenburg Concerto No. 2 in F major, BWV 1047; I. (Allegro) 6:25
6 II. Andante 3:47
7 III. Allegro assai 3:42
8 Brandenburg Concerto No. 3 in G major, BWV 1048; I. (Allegro) 6:19
9 II. Adagio 0:30
10 III. Allegro 4:57

CD2:
1 Brandenburg Concerto No. 4 in G major, BWV 1049; I. Allegro 7:32
2 II. Andante 4:09
3 III. Presto 5:10
4 Brandenburg Concerto No. 5 in D major, BWV 1050; I. Allegro 11:08
5 II. Affettuoso 6:04
6 III. Allegro 5:56
7 Brandenburg Concerto No. 6 in B flat major, BWV 1051; I. (Allegro) 5:52
8 II. Adagio, ma non tanto 4:47
9 III. Allegro 6:05

Made in Germany

Artist Biography by Timothy Dickey

Perhaps no single musician has ever achieved such high accomplishment across such a broad span of repertory as Nikolaus Harnoncourt. His first professional job was as cellist for the Vienna Symphony Orchestra. Almost immediately, however, Harnoncourt sought to specialize in performing music of the past upon historically correct instruments; he was one of the first professional musicians to do so. Over the course of a stunningly influential career, Harnoncourt has gradually worked forward into more modern repertories. His many awards include repeated top recording medals from at least six European countries, and a Grammophone Award for Special Achievement in 1990. His decades of recordings on the Teldec label fully encompass seven centuries of music history.

Harnoncourt considers his own life strongly influenced by an adolescence under the shadow of Nazism. He was born Nikolaus de la Fontaine und d'Harnoncourt in Berlin; his aristocratic family moved south to its ancestral mansion in Graz, Austria. After years of hardship under the Nazi regime, the Harnoncourt family fled to Salzburg in 1945. There he found his calling, and began studying the cello under Paul Grummer. No less a figure than Herbert von Karajan accepted Harnoncourt into the Vienna Symphony in 1952. However, his path was destined elsewhere. While in college, Harnoncourt became fascinated by the original Baroque instruments languishing in antique shops, and wondered why professional musicians didn't use these brilliant artifacts to produce the music of their time.

In 1953, Harnoncourt and his wife Alice founded the Concentus Musicus Wien, the first professional Baroque orchestra. They took players from the symphony, trained collaboratively for four years on early instruments, and exploded onto the European scene in 1957. Their first recording project was the Purcell Viol Fantasias, followed by a series of highly acclaimed recordings of the major works of Bach. In the 1970s, Harnoncourt and Gustav Leonhardt collaborated on a massive recording project of all Bach's cantatas. Meanwhile, Harnoncourt and Concentus Musicus romped through much of the Baroque literature, including Monteverdi's operas, Telemann, Rameau, and Fux. Later, he broadened his repertory to include Haydn and Mozart with Concentus Musicus, as well as masterworks from the nineteenth century operatic and symphonic repertory (including a million-selling cycle of Beethoven symphonies) with the Chamber Orchestra of Europe, the Berlin Philharmonic, and the Concertgebouw Orchestra. He taught as professor of performance practice at the Salzburg Mozarteum (1972-1993), and has written three full-length books on the subject closest to his heart. ~allmusicguide

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