Ann Hampton Callaway - At Last (2009)

Ann Hampton Callaway came to jazz through a background in cabaret. The rich-voiced alto has a touch of vibrato which she uses effectively. With a fine rhythm section consisting of pianist Ted Rosenthal, bassist Jay Leonhart, and drummer Victor Lewis, she mines the treasures of the Great American Songbook with a personal touch, showing off with a bit of effective scatting in "What Is This Thing Called Love," and delivering a playful "Comes Love" that is complemented by Wycliffe Gordon's gritty, muted trombone, along with a suitably dreamy "Lazy Afternoon." Callaway has a few surprises in store as well. She masters Chick Corea's demanding "Spain" with ease while she uncovers "On My Way to You," a forgotten gem by Michel Legrand with lyrics by Marilyn & Alan Bergman. She proves herself to be a talented songwriter with the soft bossa nova "Save a Place for Me" and the heartfelt "Finding Beauty," both of which add guitarist Rodney Jones and Latin percussionist Emedin Rivera. There are some misfires. Joni Mitchell's quirky "Carey" is an ill fit with the rest of the album, while the dull, narrow range of rocker Stevie Nicks' "Landslide" simply doesn't suit Callaway's rich voice. But these tracks are minor glitches in an otherwise outstanding release. Review AMG.


It takes a certain degree of nerve to take on "At Last," Mack Gordon and Harry Warren's classic ballad. Etta James' definitive recording is the standard by which most—if not all—renderings are judged. Singer Ann Hampton Callaway has that nerve, and then some.

Callaway, a performer in the Broadway musical Swing!, composed and sang the theme to the hit television series The Nanny. Her associations include Wynton Marsalis and the Lincoln Center Jazz Orchestra, and Keith Lockhart and the Boston Pops. She was also the invited guest performer for former Soviet Union President Mikhail Gorbachev's Youth Peace Summit. For At Last, Callaway is accompanied by her trio of Ted Rosenthal on piano, Jay Leonhart on bass and Victor Lewis on drums, along with a few guest musicians.

Callaway's earthy vocal is comparable to that of Sarah Vaughan. She delivers a cool, swinging take on Cole Porter's "What Is This Thing Called Love?," with Rosenthal contributing a charming piano solo and, toward the end of the track, Callaway scatting in dialogue exchanges with Lewis and Leonhart.

Guitarist Rodney Jones and saxophonist Teodross Avery join the ensemble for the title song. Callaway starts with a soft, vocal introduction, then belts out those words: "At last, …" Callaway takes the song to new heights—quite a feat, considering the base material is powerful to begin with. Accented by Avery's solo and Lewis' emphasis on the toms, this rendition is an eye-opener.

Callaway turns the power up higher with Chick Corea's classic "Spain." Actually, it's a cover of a cover by Al Jarreau, who co-wrote the lyrics. Percussionist Edemin Rivera adds that Spanish touch to his instruments. As the song progresses, it evokes memories of Corea's instrumental recordings and Jarreau's stunning rendition while, at the same time, appreciating Callaway. She does justice to the earlier efforts while putting her own stamp on this timeless piece, her scatting during the song's high point adding to its beauty.

One interesting thing about At Last is that no song is less than four minutes. Typically, with vocal albums the majority—if not all—of the songs are in that radio-friendly zone of three minutes and under. The longer running times here score the double hit of providing more time to enjoy Callaway's voice and making clear that it's a full band effort, with some instrumental breaks and solos mixed in. Combined, that makes At Last a total package. All About Jazz.