![Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]](https://pixhost.icu/avaxhome/99/a1/0017a199_medium.jpeg)
Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]
![Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]](https://pixhost.icu/avaxhome/99/a1/0017a199.jpeg)
Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]
Blues/Jazz | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps | 18 Tracks
Warner Music Japan | WPCR-13776 | 2010 Remastering | ~477 + 205 Mb | FSonic, FServe
Scans(300dpi, jpg) Included | Scans(600dpi, tiff) -> 683 Mb
Blues/Jazz | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps | 18 Tracks
Warner Music Japan | WPCR-13776 | 2010 Remastering | ~477 + 205 Mb | FSonic, FServe
Scans(300dpi, jpg) Included | Scans(600dpi, tiff) -> 683 Mb
For his third album, Nighthawks at the Diner, Tom Waits set up a nightclub in the studio, invited an audience, and cut a 70-minute, two-LP set of new songs. It's an appropriate format for compositions that deal even more graphically and, for the first time, humorously with Waits' late-night world of bars and diners. The love lyrics of his debut album had long since given way to a comic lonely-guy stance glimpsed in "Emotional Weather Report" and "Better Off Without a Wife." But what really matters is the elaborate scene-setting of songs like the six-and-a-half-minute "Spare Parts," the seven-and-a-half-minute "Putnam County," and especially the 11-and-a-half-minute "Nighthawk Postcards" that are essentially poetry recitations with jazz backing. Waits is a colorful tour guide of midnight L.A., raving over a swinging rhythm section of Jim Hughart (bass) and Bill Goodwin (drums), with Pete Christlieb wailing away on tenor sax between paragraphs and Mike Melvoin trading off with Waits on piano runs. You could call it overdone, but then, this kind of material made its impact through an accumulation of miscellaneous detail, and who's to say how much is too much?~ William Ruhlmann, All Music Guide
![Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]](https://pixhost.icu/avaxhome/9a/a1/0017a19a_medium.jpeg)
Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]
![Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]](https://pixhost.icu/avaxhome/9a/a1/0017a19a.jpeg)
Tom Waits Biography:
Born: December 07, 1949, Pomona, CA
Active: '70s, '80s, '90s, 2000s
Genres: Rock
Instrument: Vocals, Piano
Representative Albums: "Swordfishtrombones", "Small Change", "Anthology of Tom Waits"
Representative Songs: "Downtown Train", "Ol' 55", "Diamonds on My Windshield"
In the 1970s, Tom Waits combined a lyrical focus on desperate, lowlife characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing. Growing up in Southern California, Waits attracted the attention of manager Herb Cohen, who also handled Frank Zappa, and was signed by him at the beginning of the 1970s, resulting in the material later released as The Early Years and The Early Years, Vol. 2. His formal recording debut came with Closing Time (1973) on Asylum Records, an album that contained "Ol' 55," which was covered by labelmates the Eagles for their On the Border album. Waits attracted critical acclaim and a cult audience for his subsequent albums, The Heart of Saturday Night (1974), the two-LP live set Nighthawks at the Diner (1975), Small Change (1976), Foreign Affairs (1977), Blue Valentine (1978), and Heart Attack and Vine (1980). His music and persona proved highly cinematic, and, starting in 1978, he launched parallel careers as an actor and as a composer of movie music. He wrote songs for and appeared in Paradise Alley (1978), wrote the title song for On the Nickel (1980), and was hired by director Francis Coppola to write the music for One from the Heart (1982), which earned him an Academy Award nomination. While working on that project, Waits met and married playwright Kathleen Brennan, with whom he later collaborated.
Moving to Island Records, Waits made Swordfishtrombones (1983), which found him experimenting with horns and percussion and using unusual recording techniques. The same year, he appeared in Coppola's Rumble Fish and The Outsiders, and, in 1984, he appeared in the director's The Cotton Club. In 1985, he released Rain Dogs. In 1986, he appeared in Down By Law and made his theatrical debut with Chicago's Steppenwolf Theatre in Frank's Wild Years, a musical play he had written with Brennan. An album based on the play was released in 1987, the same year Waits appeared in the films Candy Mountain and Ironweed. In 1988, he released a film and soundtrack album depicting one of his concerts, Big Time. In 1989, he appeared in the films Bearskin: An Urban Fairytale, Cold Feet, and Wait Until Spring. His work for the theater continued in 1990 when Waits partnered with opera director Robert Wilson and beat novelist William Burroughs and staged The Black Rider in Hamburg, Germany. In 1991, he appeared in the films Queens' Logic, The Fisher King, and At Play in the Fields of the Lord. In 1992, he scored the film Night on Earth; released the album Bone Machine, which won a Grammy Award for Best Alternative Music Album; appeared in the film Bram Stoker's Dracula; and returned to Hamburg for the staging of his second collaboration with Robert Wilson, Alice. The Black Rider was documented on CD in 1993, the same year Waits appeared in the film Short Cuts.
A long absence from recording resulted in the 1998 release of Beautiful Maladies, a retrospective of his work for Island. In 1999, Waits finally returned with a new album, Mule Variations. The record was a critical success, winning a Grammy for Best Contemporary Folk album, and was also his first for the independent Epitaph Records' Anti subsidiary. A small tour followed, but Waits jumped right back into the studio and began working on not one but two new albums. By the time he emerged in the spring of 2002, both Alice and Blood Money were released on Anti Records. Blood Money consisted of the songs from the third Wilson/Waits collaboration that was staged in Denmark in 2000 and won Best Drama of the Year. After limited touring in support of these two endeavors, Waits returned to the recording studio and issued Real Gone in 2004. The album marked a large departure for him, in that it contained no keyboards at all, focusing only on stringed and rhythm instruments. Glitter and Doom Live appeared in 2009.
~ William Ruhlmann, Rovi
Born: December 07, 1949, Pomona, CA
Active: '70s, '80s, '90s, 2000s
Genres: Rock
Instrument: Vocals, Piano
Representative Albums: "Swordfishtrombones", "Small Change", "Anthology of Tom Waits"
Representative Songs: "Downtown Train", "Ol' 55", "Diamonds on My Windshield"
In the 1970s, Tom Waits combined a lyrical focus on desperate, lowlife characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing. Growing up in Southern California, Waits attracted the attention of manager Herb Cohen, who also handled Frank Zappa, and was signed by him at the beginning of the 1970s, resulting in the material later released as The Early Years and The Early Years, Vol. 2. His formal recording debut came with Closing Time (1973) on Asylum Records, an album that contained "Ol' 55," which was covered by labelmates the Eagles for their On the Border album. Waits attracted critical acclaim and a cult audience for his subsequent albums, The Heart of Saturday Night (1974), the two-LP live set Nighthawks at the Diner (1975), Small Change (1976), Foreign Affairs (1977), Blue Valentine (1978), and Heart Attack and Vine (1980). His music and persona proved highly cinematic, and, starting in 1978, he launched parallel careers as an actor and as a composer of movie music. He wrote songs for and appeared in Paradise Alley (1978), wrote the title song for On the Nickel (1980), and was hired by director Francis Coppola to write the music for One from the Heart (1982), which earned him an Academy Award nomination. While working on that project, Waits met and married playwright Kathleen Brennan, with whom he later collaborated.
Moving to Island Records, Waits made Swordfishtrombones (1983), which found him experimenting with horns and percussion and using unusual recording techniques. The same year, he appeared in Coppola's Rumble Fish and The Outsiders, and, in 1984, he appeared in the director's The Cotton Club. In 1985, he released Rain Dogs. In 1986, he appeared in Down By Law and made his theatrical debut with Chicago's Steppenwolf Theatre in Frank's Wild Years, a musical play he had written with Brennan. An album based on the play was released in 1987, the same year Waits appeared in the films Candy Mountain and Ironweed. In 1988, he released a film and soundtrack album depicting one of his concerts, Big Time. In 1989, he appeared in the films Bearskin: An Urban Fairytale, Cold Feet, and Wait Until Spring. His work for the theater continued in 1990 when Waits partnered with opera director Robert Wilson and beat novelist William Burroughs and staged The Black Rider in Hamburg, Germany. In 1991, he appeared in the films Queens' Logic, The Fisher King, and At Play in the Fields of the Lord. In 1992, he scored the film Night on Earth; released the album Bone Machine, which won a Grammy Award for Best Alternative Music Album; appeared in the film Bram Stoker's Dracula; and returned to Hamburg for the staging of his second collaboration with Robert Wilson, Alice. The Black Rider was documented on CD in 1993, the same year Waits appeared in the film Short Cuts.
A long absence from recording resulted in the 1998 release of Beautiful Maladies, a retrospective of his work for Island. In 1999, Waits finally returned with a new album, Mule Variations. The record was a critical success, winning a Grammy for Best Contemporary Folk album, and was also his first for the independent Epitaph Records' Anti subsidiary. A small tour followed, but Waits jumped right back into the studio and began working on not one but two new albums. By the time he emerged in the spring of 2002, both Alice and Blood Money were released on Anti Records. Blood Money consisted of the songs from the third Wilson/Waits collaboration that was staged in Denmark in 2000 and won Best Drama of the Year. After limited touring in support of these two endeavors, Waits returned to the recording studio and issued Real Gone in 2004. The album marked a large departure for him, in that it contained no keyboards at all, focusing only on stringed and rhythm instruments. Glitter and Doom Live appeared in 2009.
~ William Ruhlmann, Rovi
Tom Waits - Nighthawks At The Diner (1975):
![Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]](https://pixhost.icu/avaxhome/9b/a1/0017a19b_medium.jpeg)
Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]
![Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]](https://pixhost.icu/avaxhome/9b/a1/0017a19b.jpeg)
Tracklist:
1. (OPENING INTRO)
2. EMOTIONAL WEATHER REPORT
3. (INTRO)
4. ON A FOGGY NIGHT
5. (INTRO)
6. EGGS AND SAUSAGE (IN A CADILLAC WITH SUSAN MICHELSON)
7. (INTRO)
8. BETTER OFF WITHOUT A WIFE
9. NIGHTHAWK POSTCARDS (FROM EASY STREET)
10. (INTRO)
11. WARM BEER AND COLD WOMEN
12. (INTRO)
13. PUTNAM COUNTY
14. SPARE PARTS 1 (A NOCTURNAL EMISSION)
15. NOBODY
16. (INTRO)
17. BIG JOE AND PHANTOM 309
18. SPARE PARTS 2 AND CLOSING
Personnel:
Pete Christlieb – tenor sax
Bill Goodwin – drums
Jim Hughart – upright bass
Mike Melvoin – piano, electric piano
Tom Waits – vocals, piano, guitar
2010 Digitally Remastered by Isao Kikuchi (Warner Music Mastering)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 13. October 2010, 19:22
Tom Waits / Nighthawks at the Diner
Used drive : ASUS DRW-2014L1T Adapter: 4 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : F:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -T "DATE=%y" -T "GENRE=%m" -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:57.57 | 0 | 13331
2 | 2:57.57 | 3:46.62 | 13332 | 30343
3 | 6:44.44 | 2:15.68 | 30344 | 40536
4 | 9:00.37 | 3:47.72 | 40537 | 57633
5 | 12:48.34 | 1:53.05 | 57634 | 66113
6 | 14:41.39 | 4:16.69 | 66114 | 85382
7 | 18:58.33 | 3:01.46 | 85383 | 99003
8 | 22:00.04 | 3:58.43 | 99004 | 116896
9 | 25:58.47 | 11:28.42 | 116897 | 168538
10 | 37:27.14 | 0:53.11 | 168539 | 172524
11 | 38:20.25 | 5:22.33 | 172525 | 196707
12 | 43:42.58 | 0:48.17 | 196708 | 200324
13 | 44:31.00 | 7:33.11 | 200325 | 234310
14 | 52:04.11 | 6:24.33 | 234311 | 263143
15 | 58:28.44 | 2:50.05 | 263144 | 275898
16 | 61:18.49 | 0:41.56 | 275899 | 279029
17 | 62:00.30 | 6:27.21 | 279030 | 308075
18 | 68:27.51 | 5:15.43 | 308076 | 331743
Range status and errors
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Filename W:\EAC\Tom Waits - Nighthawks at the Diner\Tom Waits - Nighthawks at the Diner.wav
Peak level 100.0 %
Range quality 99.9 %
Copy CRC 7F189C38
Copy OK
No errors occurred
AccurateRip summary
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Track 3 accurately ripped (confidence 2) [7A39048B]
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Track 17 accurately ripped (confidence 2) [803BEF19]
Track 18 accurately ripped (confidence 2) [22CDEC66]
All tracks accurately ripped
End of status report
EAC extraction logfile from 13. October 2010, 19:22
Tom Waits / Nighthawks at the Diner
Used drive : ASUS DRW-2014L1T Adapter: 4 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : F:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -T "DATE=%y" -T "GENRE=%m" -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:57.57 | 0 | 13331
2 | 2:57.57 | 3:46.62 | 13332 | 30343
3 | 6:44.44 | 2:15.68 | 30344 | 40536
4 | 9:00.37 | 3:47.72 | 40537 | 57633
5 | 12:48.34 | 1:53.05 | 57634 | 66113
6 | 14:41.39 | 4:16.69 | 66114 | 85382
7 | 18:58.33 | 3:01.46 | 85383 | 99003
8 | 22:00.04 | 3:58.43 | 99004 | 116896
9 | 25:58.47 | 11:28.42 | 116897 | 168538
10 | 37:27.14 | 0:53.11 | 168539 | 172524
11 | 38:20.25 | 5:22.33 | 172525 | 196707
12 | 43:42.58 | 0:48.17 | 196708 | 200324
13 | 44:31.00 | 7:33.11 | 200325 | 234310
14 | 52:04.11 | 6:24.33 | 234311 | 263143
15 | 58:28.44 | 2:50.05 | 263144 | 275898
16 | 61:18.49 | 0:41.56 | 275899 | 279029
17 | 62:00.30 | 6:27.21 | 279030 | 308075
18 | 68:27.51 | 5:15.43 | 308076 | 331743
Range status and errors
Selected range
Filename W:\EAC\Tom Waits - Nighthawks at the Diner\Tom Waits - Nighthawks at the Diner.wav
Peak level 100.0 %
Range quality 99.9 %
Copy CRC 7F189C38
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [075D1ADF]
Track 2 accurately ripped (confidence 2) [6E639F6D]
Track 3 accurately ripped (confidence 2) [7A39048B]
Track 4 accurately ripped (confidence 2) [7686D79F]
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Track 8 accurately ripped (confidence 2) [CB767277]
Track 9 accurately ripped (confidence 2) [0402838C]
Track 10 accurately ripped (confidence 2) [A0E79ECA]
Track 11 accurately ripped (confidence 2) [301E131F]
Track 12 accurately ripped (confidence 2) [9205362E]
Track 13 accurately ripped (confidence 2) [0C2457FD]
Track 14 accurately ripped (confidence 2) [FD95679C]
Track 15 accurately ripped (confidence 2) [248C4EB4]
Track 16 accurately ripped (confidence 2) [CC021F6A]
Track 17 accurately ripped (confidence 2) [803BEF19]
Track 18 accurately ripped (confidence 2) [22CDEC66]
All tracks accurately ripped
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\Tom Waits - Nighthawks at the Diner
1 -=- Tom Waits - Nighthawks at the Diner.flac -=- CDDA (100%)
129110196
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-=== DO NOT EDIT THIS FILE! ===-
Path: …\Tom Waits - Nighthawks at the Diner
1 -=- Tom Waits - Nighthawks at the Diner.flac -=- CDDA (100%)
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[Verification date: 14.10.2010 8:49:33]
[Disc ID: 002cda9a-0265397b-dd114712]
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[Disc ID: 002cda9a-0265397b-dd114712]
Track [ CRC ] Status
01 [075d1adf] (02/02) Accurately ripped as in pressing(s) #1
02 [6e639f6d] (02/02) Accurately ripped as in pressing(s) #1
03 [7a39048b] (02/02) Accurately ripped as in pressing(s) #1
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05 [b88c43cd] (02/02) Accurately ripped as in pressing(s) #1
06 [63b499cd] (02/02) Accurately ripped as in pressing(s) #1
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10 [a0e79eca] (02/02) Accurately ripped as in pressing(s) #1
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12 [9205362e] (02/02) Accurately ripped as in pressing(s) #1
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![Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]](https://pixhost.icu/avaxhome/9c/a1/0017a19c_medium.jpeg)
Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]
![Tom Waits - Nighthawks At The Diner (1975) [2010, Japan mini LP, WPCR-13776]](https://pixhost.icu/avaxhome/9c/a1/0017a19c.jpeg)
Download Tom Waits - Nighthawks At The Diner (1975):
FileSonic - lossless:
Tom Waits - Nighthawks At The Diner - part1
Tom Waits - Nighthawks At The Diner - part2
Tom Waits - Nighthawks At The Diner - part3
Tom Waits - Nighthawks At The Diner - part4
Tom Waits - Nighthawks At The Diner - part5
FileSonic - MP3 CBR320:
Tom Waits - Nighthawks At The Diner - part1
Tom Waits - Nighthawks At The Diner - part2
FileSonic - Scans:
Tom Waits - Nighthawks At The Diner - part1
Tom Waits - Nighthawks At The Diner - part2
Tom Waits - Nighthawks At The Diner - part3
Tom Waits - Nighthawks At The Diner - part4
Tom Waits - Nighthawks At The Diner - part5
Tom Waits - Nighthawks At The Diner - part6
FileServe - lossless:
Tom Waits - Nighthawks At The Diner - part1
Tom Waits - Nighthawks At The Diner - part2
Tom Waits - Nighthawks At The Diner - part3
Tom Waits - Nighthawks At The Diner - part4
Tom Waits - Nighthawks At The Diner - part5
FileServe - MP3 CBR320:
Tom Waits - Nighthawks At The Diner - part1
Tom Waits - Nighthawks At The Diner - part2
FileServe - Scans:
Tom Waits - Nighthawks At The Diner - part1
Tom Waits - Nighthawks At The Diner - part2
Tom Waits - Nighthawks At The Diner - part3
Tom Waits - Nighthawks At The Diner - part4
Tom Waits - Nighthawks At The Diner - part5
Tom Waits - Nighthawks At The Diner - part6
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