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Rush - Snakes & Arrows (2007) [Atlantic/Anthem WPCR-14999, Japan]

Posted By: v3122
Rush - Snakes & Arrows (2007) [Atlantic/Anthem WPCR-14999, Japan]

Rush - Snakes & Arrows (2007)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2013 | Atlantic/Anthem WPCR-14999 | ~ 503 or 148 Mb | Scans(jpg) -> 154 Mb
Progressive Rock / Arena Rock

When Rush issued Vapor Trails in 2002, they revealed that – even after Neil Peart's personal tragedies in the 1990s had cast the group's future in doubt – they were back with a vengeance. The sound was hard-hitting, direct, and extremely focused. Lyrically, Peart went right after the subject matter he was dealing with – and it was in the aftermath of 9/11 as well, which couldn't help but influence his lyric writing. In 2004 the band issued a covers EP that was in one way a toss-off, but in another a riotous act of freewheeling joy that offered a side of the band no one had heard for 30 years. There were a couple of live offerings and a 30th anniversary project as well that kept fans happy perhaps, but broke – though Rush in Rio was the kind of live album every band hopes to record. Snakes & Arrows represents the band's 18th studio album. Produced by Nick Raskulinecz (Foo Fighters, Velvet Revolver, Superdrag), the record is another heavy guitar, bass, and drums…drums…and more drums record. The title came – unconsciously according to Peart – from a centuries-old Buddhist game of the same name about karma, and also from a play on the words of the children's game Chutes and Ladders. Its subject matter is heavy duty: faith and war. From the opening track (and first single), acoustic and electric guitars, bass hum, and Peart's crash-and-thrum urgency in the almighty riff are all present. When Geddy Lee opens his mouth, you know you are in for a ride: "Pariah dogs and wandering madmen/Barking at strangers and speaking in tongues/The ebb and flow of tidal fortune/Electrical charges are charging up the young/It's a far cry from the world we thought we'd inherit/It's a far cry from the way we thought we'd share it…." At the same time, inside the frame of the refrain, Lee refuses to be conquered in the face of chaos: "One day I feel like I'm ahead of the wheel/And the next it's rolling over me/I can get back on/I can get back on." Alex Lifeson's guitars swell and Peart's crash cymbals ride the riff and push Lee to sing above the wailing fray. Great beginning.

"Armor and Sword" contains an instrumental surprise. After an initial ride-cymbal clash, the guitar and bassline sound exactly like King Crimson playing something from Red or Larks' Tongues in Aspic. The theme is repeated on an acoustic guitar before Lee begins singing about the shadowy side of human nature brought on by the many times children are scarred in development. The boom and crackle of electric guitars and bass are all there, but so is that sense of melody that Rush have trademarked as Lee states, "…No one gets to their heaven without a fight/We hold beliefs as a consolation/A way to take us out of ourselves…." There is no screed for or against religion per se, but a stake in the claim of hope and faith as absolutely necessary to accomplish anything, hence the refrain. Peart beautifully articulates the dark side of life's undersurface; he has been writing the best lyrics of his entire career on the band's last two studio records – only two in the last ten years. The dynamic works against the melody and Lifeson's brief but screaming solo is a fine cap on it. "Workin' Them Angels" blends the acoustic against the electrics gorgeously, and Lee sings counterpoint to the guitars. "The Larger Bowl" is one of those Rush tunes that builds and builds both lyrically and musically, beginning with only Lee's voice and Lifeson's acoustic guitar. Its shift-and-knot rhythms and spatial dynamics offer the impression – as does the rest of the album – that the bandmembers are playing in the same room at the same time (it happened to a lesser degree on Vapor Trails, but here the impression is constant). The sounds – both hard and soft – blend together wonderfully. The live feel of the record with its sonic washes and overdubbed guitars and vocals creates near chaos without loss of control. It's like teetering on the edge of an abyss with one eye on both sides of it. Song by song, the notions of tension build, taking the listener to a place where hope and faith are challenged continually, not only in the face of the entire world, but in one's personal relationships – check "Spindrift." Echoes of T.S. Eliot's The Waste Land, Robert Frost, Matthew Arnold, and The Odyssey are glanced upon, as is The Dhammapada in the Buddhist scriptures – with more of a thematic than referential purpose.

Amid all this seriousness, there is a bit of humor. The instrumental track "Malignant Narcissism" references a line in the comedic film Team America: World Police from Matt Stone and Trey Parker of South Park fame. It comes from a line in the film that reveals how terrorists think. It's one of three absolutely stunning instrumentals; another is "The Main Monkey Business," which sounds like the closest Rush have gotten to jamming in the studio in over 20 years. Think of the intensity of 2112 with the musicianship of Vapor Trails, and you begin to get a picture: screaming guitars, deep bass thrum, soaring keyboards, and all those pop-and-boom drums from Peart's massive kit. "The Way the Wind Blows" is Rush taking on the blues in massive metallic style, and it feels more like Cream in the intro. Lee's vocal drives deep inside the lyric – it's tense, paranoid, yet revelatory. It's about the perverse magnetism of religion and war, and how both are seemingly designed to be cause and effect: fanatical religiosity leads to war. There are different theories on this, but Peart distills them well, as if he's read (but not necessarily completely understood) René Girard's seminal work Violence and the Sacred. The album changes pace a bit with the instrumental "Hope," a largely 12-string acoustic guitar piece played off a medieval theme by Lifeson. "Faithless" is anything but. It's one of those Rush tracks where counterpoint vocals against the guitars and basslines create that unique welling of sound that occurs when the band is at its peak on-stage. The set ends with "We Hold On," a track that expresses the sum total of all the struggles life offers and holds. Here Eliot the poet is quoted directly at the end of the third verse. It's anthemic, with backmasked guitars, Peart playing actual breaks, and Lee's bass holding the chaos together with a constant pulsing throb, guiding the various knotty musical changes back to the center of the verse and refrain, which is the place where the cut just explodes in sonic fury. Snakes & Arrows is one of the tightest conceptual records the band has ever released. Musically, it is as strong as their very best material, without a lapse in texture, composition, production, musicianship, or sheer rock intensity. There are real heart and fire in this album. It was well worth waiting for.

by Thom Jurek, AMG
Rush - Snakes & Arrows (2007) [Atlantic/Anthem WPCR-14999, Japan]


Rush - Snakes & Arrows (2007):

Rush - Snakes & Arrows (2007) [Atlantic/Anthem WPCR-14999, Japan]

Tracklist:

1. Far Cry
2. Armor And Sword
3. Workin' Them Angels
4. The Larger Bowl
5. Spindrift
6. The Main Monkey Business
7. The Way The Wind Blows
8. Hope
9. Faithless
10. Bravest Face
11. Good News First
12. Malignant Narcissism
13. We Hold On

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 20. February 2014, 15:51

Rush / Snakes & Arrows

Used drive : Optiarc DVD-ROM DDU1675S Adapter: 3 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:18.41 | 0 | 23890
2 | 5:18.41 | 6:36.16 | 23891 | 53606
3 | 11:54.57 | 4:46.47 | 53607 | 75103
4 | 16:41.29 | 4:07.03 | 75104 | 93631
5 | 20:48.32 | 5:23.52 | 93632 | 117908
6 | 26:12.09 | 6:01.34 | 117909 | 145017
7 | 32:13.43 | 6:28.09 | 145018 | 174126
8 | 38:41.52 | 2:02.26 | 174127 | 183302
9 | 40:44.03 | 5:31.00 | 183303 | 208127
10 | 46:15.03 | 5:11.64 | 208128 | 231516
11 | 51:26.67 | 4:51.52 | 231517 | 253393
12 | 56:18.44 | 2:16.74 | 253394 | 263667
13 | 58:35.43 | 4:12.45 | 263668 | 282612


Range status and errors

Selected range

Filename F:\Torrent\# MY\# Подготовка раздач\Rush - Studio Discography (SHM-CD, Japan)\2007 - Snakes & Arrows (WPCR-14999)\Rush - Snakes & Arrows.wav

Peak level 100.0 %
Extraction speed 4.8 X
Range quality 99.9 %
Test CRC 21E335DB
Copy CRC 21E335DB
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 6) [695D76DA] (AR v2)
Track 2 accurately ripped (confidence 6) [F34BC371] (AR v2)
Track 3 accurately ripped (confidence 6) [0456E59D] (AR v2)
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Track 5 accurately ripped (confidence 6) [6618C286] (AR v2)
Track 6 accurately ripped (confidence 6) [CC72BCD5] (AR v2)
Track 7 accurately ripped (confidence 6) [27CA4617] (AR v2)
Track 8 accurately ripped (confidence 6) [2020F44E] (AR v2)
Track 9 accurately ripped (confidence 7) [6444C2EF] (AR v2)
Track 10 accurately ripped (confidence 6) [38508908] (AR v2)
Track 11 accurately ripped (confidence 6) [464ECDB5] (AR v2)
Track 12 accurately ripped (confidence 6) [26E388A0] (AR v2)
Track 13 accurately ripped (confidence 6) [991E6501] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.4

[CTDB TOCID: s8wDv6BeZUzJJHQb8TSl0M_vpg4-] found
Submit result: s8wDv6BeZUzJJHQb8TSl0M_vpg4- has been confirmed
Track | CTDB Status
1 | (154/154) Accurately ripped
2 | (153/154) Accurately ripped
3 | (153/154) Accurately ripped
4 | (152/154) Accurately ripped
5 | (152/154) Accurately ripped
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13 | (153/154) Accurately ripped


==== Log checksum 481F09B7578A88901773B6FD9EE770A468870AC659A693E15EE6AD40FC0FEE5F ====


foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2016-02-20 10:48:01

––––––––––––––––––––––––––––––––––––––––
Analyzed: Rush / Snakes & Arrows
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR5 -0.10 dB -6.76 dB 5:19 01-Far Cry
DR6 -0.10 dB -7.86 dB 6:36 02-Armor And Sword
DR7 -0.01 dB -7.96 dB 4:47 03-Workin' Them Angels
DR6 -0.02 dB -8.64 dB 4:07 04-The Larger Bowl
DR6 -0.10 dB -8.12 dB 5:24 05-Spindrift
DR6 -0.10 dB -6.88 dB 6:01 06-The Main Monkey Business
DR6 -0.10 dB -8.03 dB 6:28 07-The Way The Wind Blows
DR9 -2.80 dB -14.26 dB 2:02 08-Hope
DR5 -0.10 dB -6.62 dB 5:31 09-Faithless
DR6 -0.10 dB -7.85 dB 5:12 10-Bravest Face
DR6 0.00 dB -7.55 dB 4:52 11-Good News First
DR7 0.00 dB -7.92 dB 2:17 12-Malignant Narcissism
DR7 -0.10 dB -8.27 dB 4:13 13-We Hold On
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR6

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 1053 kbps
Codec: FLAC

[CUETools log; Date: 20.02.2016 10:48:12; Version: 2.1.4]
[CTDB TOCID: s8wDv6BeZUzJJHQb8TSl0M_vpg4-] found.
Track | CTDB Status
1 | (370/372) Accurately ripped
2 | (371/372) Accurately ripped
3 | (369/372) Accurately ripped
4 | (371/372) Accurately ripped
5 | (371/372) Accurately ripped
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9 | (369/372) Accurately ripped
10 | (369/372) Accurately ripped
11 | (370/372) Accurately ripped
12 | (371/372) Accurately ripped
13 | (369/372) Accurately ripped
[AccurateRip ID: 00202237-013d5048-a60eb80d] found.
Track [ CRC | V2 ] Status
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02 [0387d230|f34bc371] (009+010/774) Accurately ripped
03 [aafd8a70|0456e59d] (009+010/785) Accurately ripped
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10 [c99172d4] (000/780) No match (V2 was not tested)
11 [77c7b4cf] (000/780) No match (V2 was not tested)
12 [5b0e32af] (000/782) No match (V2 was not tested)
13 [4e8153c8] (000/778) No match (V2 was not tested)
Offsetted by -120:
01 [88e1cf03] (000/780) No match (V2 was not tested)
02 [d05e3957] (000/774) No match (V2 was not tested)
03 [c9fac3da] (000/785) No match (V2 was not tested)
04 [e1e550a7] (000/781) No match (V2 was not tested)
05 [f59bcf32] (000/782) No match (V2 was not tested)
06 [3ebe93c0] (000/783) No match (V2 was not tested)
07 [b1cb7331] (000/779) No match (V2 was not tested)
08 [63cd4fe5] (000/785) No match (V2 was not tested)
09 [ed04bf51] (000/775) No match (V2 was not tested)
10 [12349f30] (000/780) No match (V2 was not tested)
11 [34d0d419] (000/780) No match (V2 was not tested)
12 [9b8fad38] (000/782) No match (V2 was not tested)
13 [b5d85475] (000/778) No match (V2 was not tested)
Offsetted by -78:
01 [743ea588] (000/780) No match (V2 was not tested)
02 [b5166eeb] (000/774) No match (V2 was not tested)
03 [5d8ca6ac] (002/785) Accurately ripped
04 [a060efbc] (002/781) Accurately ripped
05 [b8e80f52] (002/782) Accurately ripped
06 [fd8f117f] (002/783) Accurately ripped
07 [6b7341fe] (000/779) No match (V2 was not tested)
08 [4e37310c] (002/785) Accurately ripped
09 [abb259ec] (002/775) Accurately ripped
10 [94d612ff] (002/780) Accurately ripped
11 [78195286] (002/780) Accurately ripped
12 [e0b6a850] (002/782) Accurately ripped
13 [68730f63] (002/778) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [21E335DB] [A9CD8C92] CRC32
01 98,8 [82F36BD6] [7BCAC76A]
02 98,8 [D9C17143] [6391BF4E]
03 99,8 [D234396C] [54470D36]
04 99,7 [0B2C1CA3] [B1FDAE2D]
05 98,8 [F7ACCF9E] [C97EE505]
06 98,8 [4ACD17B6] [7017F1CC]
07 98,8 [E8F5AF81] [54E54D42]
08 72,4 [55CF1CCC] [964F9A3C]
09 98,8 [618D6E13] [06565518]
10 98,8 [C18DC988] [D755D184]
11 100,0 [B3716584] [C568B09E]
12 100,0 [EA8CFF48] [EB0ED205]
13 98,8 [DCEC1CDF] [51F4EC00]

Rush - Snakes & Arrows (2007) [Atlantic/Anthem WPCR-14999, Japan]

All thanks go to Ginger Devil

Rush in my Blog

Download Rush - Snakes & Arrows (2007):