Jean-Marc Andrieu, Les Passions - Charpentier: Beata est Maria (2012)
EAC | FLAC | Image (Cue & Log) ~ 302 Mb | Total time: 55:16 | Scans included
Classical | Label: Ligia | LD0202233-11 | Recorded: 2011
EAC | FLAC | Image (Cue & Log) ~ 302 Mb | Total time: 55:16 | Scans included
Classical | Label: Ligia | LD0202233-11 | Recorded: 2011
Beata es Maria is made up primarily of vocal music in praise of the Virgin that features three men's voices, a counter tenor, tenor, and bass. It's an especially attractive ensemble, and Charpentier, who is known to have sometimes sung the tenor parts, knew how to make the vocal lines terrifically appealing. The Magnificat that opens the album beautifully illustrates his skill in taking a much-used convention – the chaconne, with a harmonic progression that (the composer reports) repeats 89 times – and keeping it endlessly intriguing with his inventive handling of the voices. The piece, while sounding fresh and original, calls to mind two other chaconnes, Monteverdi's madrigal, Lamento della Ninfa, whose harmonic scheme it follows, and the men's trio in the opening scene of Philip Glass' Satyagraha, which it almost spookily foreshadows. Counter tenor Vincent Lièvre-Picard, tenor Sébastien Obrecht and bass Jean-Manuel Candenot have pleasing, mellifluous voices well suited to the generous lyricism of Charpentier's melodies, and together they have a lovely blend. The vocal pieces are interspersed with instrumental music that Charpentier wrote for liturgical use. Early music ensemble Les Passions performs with attentiveness to the conventions of the French middle Baroque. The strings play with a tart, almost astringent tone that may not please listeners expecting the warmth of modern instruments. The authenticity of the tuning could also be a stumbling block for ears accustomed to equal temperament.–Stephen Eddins
Performer:
Vincent Lièvre-Picard, haute-contre
Sébastien Obrecht, taille
Jean-Manuel Candenot, basse-taille
Les Passions
Jean-Marc Andrieu, direction
Track List:
01. Magnificat H. 73
02. Beata est Maria H. 25
03. Ouverture pour l’eglise H. 524
04. Veni creator H. 54
05. Prélude H. 23a
06. Salve Regina H. 23
07. Ad Beatam Virginem “Hodie Salus” H. 340
08. Prélude H. 237a
09. Élévation pour la paix “O bone Jesu” H. 237
10. Ouverture Pour un reposoir H. 523
11. Laudate Dominum H. 159
12. Litanies de La Vierge H. 84
Exact Audio Copy V1.2 from 12. August 2016
EAC extraction logfile from 24. July 2018, 18:44
Jean-Marc Andrieu, Les Passions / Beata est Maria
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Read mode : Secure
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Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Used output format : User Defined Encoder
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Add ID3 tag : No
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TOC of the extracted CD
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3 | 12:51.37 | 2:56.23 | 57862 | 71084
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11 | 43:51.59 | 3:18.60 | 197384 | 212293
12 | 47:10.44 | 9:18.17 | 212294 | 254160
Range status and errors
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Filename C:\Users\Roy\Music\CHARPENTIER - Beata est Maria (2011) [Andrieu\CD (FLAC + CUE)\Marc-Antoine Charpentier - Beata est Maria.wav
Peak level 100.0 %
Extraction speed 4.1 X
Range quality 100.0 %
Test CRC FDA0B98F
Copy CRC FDA0B98F
Copy OK
No errors occurred
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–– CUETools DB Plugin V2.1.6
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Submit result: P7dxIK4OMGp2_6NrtYSGxpARlSc- has been confirmed
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3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
6 | (4/4) Accurately ripped
7 | (4/4) Accurately ripped
8 | (4/4) Accurately ripped
9 | (4/4) Accurately ripped
10 | (4/4) Accurately ripped
11 | (4/4) Accurately ripped
12 | (4/4) Accurately ripped
==== Log checksum 3E7C54F984ACC120D5C4D869FE22AC77DFCDFB73343EDD9D243C01D62F31C47F ====
Thanks to the original releaser