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Chor des Bayerischen Rundfunks, Concerto Koln, Peter Dijkstra - Johann Sebastian Bach: Johannes-Passion (2016) 3CDs

Posted By: Designol
Chor des Bayerischen Rundfunks, Concerto Koln, Peter Dijkstra - Johann Sebastian Bach: Johannes-Passion (2016) 3CDs

Johann Sebastian Bach - Johannes-Passion (2016) 3CDs
Julian Prégardien (Evangelist), Tareq Nazmi (Jesus), Christina Landshamer (soprano)
Ulrike Malotta (alto), Tilman Lichdi (tenor), Krešimir Stražanac (bass)
Chor des Bayerischen Rundfunks, Concerto Köln, conducted by Peter Dijkstra

EAC | FLAC | Image (Cue&Log) ~ 787 Mb | Mp3 (CBR320) ~ 409 Mb | Scans included
Classical, Choral | Label: BR Klassik | # 900909 | Time: 02:57:16

The music of Bach's 'St. John Passion', which the composer wrote for Holy Week in 1724 immediately after his appointment as cantor of St Thomas's Church in Leipzig, still retains all its freshness and vitality nearly 300 years later, and is a true Baroque delight. The two main choruses Herr, unser Herrscher and Ruht wohl, ihr heiligen Gebeine form the beginning and culmination of a large-scale orchestral and vocal structure in which Bach reveals his absolute mastery of polyphony. Inwardly reflective chorales are as much interwoven into the events of the Passion as the haunting arias which comment on the biblical texts of the Gospel of St John. Throughout this solemn Passion oratorio, there is a constant emphasis on Baroque musical magnificence. What makes this live recording of the concert version of March 7, 2015 in the Herkulessaal of the Munich Residenz so special? The fresh voices of the young and excellent vocal soloists, the regularly praised "astonishing three-dimensionality" and "crystalline clarity" of the Chor des Bayerischen Rundfunks under the direction of Peter Dijkstra and, of course, the renowned period instrument ensemble Concerto Köln.

Following hot on the heels of the 2013 release of Bach’s St. Matthew Passion the Chor des Bayerischen Rundfunks and Peter Dijkstra appear with this live recording of the St. John Passion. Primarily aimed at the German home-market the set contains a third CD lasting 71 minutes which is an introduction to the work from Markus Vanhoefer. It includes excerpts and explanations spoken in German.

The 1750 obituary of J.S. Bach claimed that he had written five passions. Only the St. John and the St. Matthew have survived in their entirety. Two others are lost and the St. Mark is incomplete. Having been appointed Cantor et Director Musices at Leipzig, Bach and his family arrived in the city in 1723. The terms of appointment made him cantor at Thomaskirche and music director for all four churches in the city: the two main parish churches Nikolaikirche and Thomaskirche, and also Neue Kirche and Peterskirche. It can’t have been long after settling there that Bach began working on the St. John Passion.

For the present performance Dijkstra opts for the 4th version of 1749 exactly as edited in Bärenreiter Urtext; using double bassoon and no viola d’amores. Dijkstra employing elements of historically informed performance practice directs the period instrument ensemble Concerto Köln using 23 players. The Chor des Bayerischen Rundfunks deploys a choir of 34 members: 18 women and 16 men. Dijkstra’s combined forces are considerably smaller, especially the orchestra, to those he employed in 2013 for the St. Matthew Passion.

This St. John lasts 105 minutes compared to the DVD/Blu-ray of the semi-staged adaptation directed in 2015 by Peter Sellars from the Berliner Philharmoniker under Sir Simon Rattle. Rattle takes considerable longer at 135 minutes. At the time of his production of St. John Rattle explained that it was not a staging but a ‘ritualization’: “you could live twenty lives and never discover its secrets … It’s a goldmine.”

Cast in forty sections, the St. John primarily uses texts from St. John's Gospel with the remainder taken from a variety of sources, including the Gospel of St. Matthew, Psalm 8:2 and chorale texts. Bach intended the work for Good Friday. It was first performed in 1724 at the Good Friday Vesper service at the Nikolaikirche, Leipzig. It would have been integrated into a service that would also have included sermons and communion. Consequently the whole would have taken considerably longer than the Sellars/Rattle account.

The Chor des Bayerischen Rundfunks deliver full-toned singing marked by a compelling and often moving unity that is constantly rewarding. Exceptional is the clarity of meaning and thrilling power of the singing particularly in the opening chorus Herr, unser Herrscher and in O hilf, Christe, Gottes Sohn, durch dein bitter Leiden.

Dijkstra has selected his team of soloists remarkably well with each speaker and singer demonstrating an innate sympathy for the sacred text. Telling the story in the crucial role of Evangelist tenor Julian Prégardien demonstrates his affinity for the texts. He is remarkably consistent and has a stunning clarity of diction. In the part of Jesus bass Tareq Nazmi presents satisfactorily yet lacks the lucidity of Prégardien. Tilman Lichdi is in fine form offering both conviction and reverential expression especially in his arias Ach, mein Sinn and Erwäge, wie sein blutgefärbter Rücken. Beautifully sung to an extended viola d’gamba solo I greatly admired the pain, anguish and again reverence in Es ist vollbracht! by alto Ulrike Malotta. The aria Von den Stricken meiner Sünden accompanied by oboes is well controlled but would have benefited from clearer diction. There's commendable enunciation and rounded tone from bass Krešimir Stražanac in the arioso Betrachte, meine Seel and also the aria accompanied by the chorus Mein teurer Heiland. Soprano Christina Landshamer excels in her Ich folge dir gleichfalls, accompanied by flutes. There's piety there and just the right amount of expression. The admirable Landshamer gives anguish and a sense of near unbearable pain to her aria Zerfließe, mein Herze, in Fluten der Zähren.

With his usual calm assurance director Dijkstra pulls his forces together to reveal plenty of fine detail as well as the often dramatic emotions of the liturgical texts. Concerto Köln supply first-rate support with particularly well judged expression and give a number of exquisite solo accompaniments to individual singers. Here on BR Klassik the experienced sound team maintains the high quality sonics we have come to expect from this label. In the accompanying booklet there is an informative essay, which discusses the various versions of the score. The author is Karl Böhmer and his German text is accompanied by an English translation. Full texts are provided in German but disappointedly there are no English translations.

For those wanting to see a production of St. John Passion it is certainly worth obtaining the Sellars/Rattle DVD/Blu-ray on the Berliner Philharmoniker's own label. It’s a live performance full of wonderful insights. On CD the strongest competition is twofold. I admire the spirituality of the 1990 period account from the Tavener Consort and Players on period instruments under Andrew Parrott recorded at Abbey Road, London on Virgin Veritas. Karl Richter was steeped in the music of J.S. Bach. His account directing Münchener Bach-Chor und Orchester was recorded in 1964 at the Herkulessaal, Munich on Archiv Produktion.

Such a highly progressive work for its time, Bach’s St. John Passion, full of terror and menace, communicates a stark message. Dijkstra does indeed step forward with an inspirationally intense performance that made me regret not being in the splendid Herkulessaal for this sacred masterwork.

Review by Michael Cookson, MusicWeb-international.com


The Bavarian Radio Chorus under Peter Dijkstra add the St John Passion to their discography of major Baroque oratorios. The edition used is the standard modern conflation of Bach’s original 1724 score, the abandoned 1739 revision of the first part and a few elements from the final 1749 version. This means there are no surprises regarding text, and the live recording, taken from a series of concerts at Munich’s Herkulessaal, is an accomplished and satisfying experience.

From the outset of ‘Herr, unser Herrscher’, the driving bass-lines, turbulently swirling strings, wailing oboes and crisp harpsichord continuo of Concerto Köln establish this as an emotionally engaging performance. The Bavarian Radio Chorus’s disciplined precision in vigorous fugues and vividly characterised turba choruses will appeal to those who like some old-fashioned gutsiness and broad sonorities aligned to period-instrument textures directed with a sure hand. For example, the rustling orchestral details and flexible choral declamation in ‘Lasset uns den nicht zerteilen’ are delineated astutely.

Julian Prégardien’s authoritative Evangelist drips with integrity and sensitivity as each stage of the Passion demands. His honeyed delivery of Peter’s bitter weeping is breathtaking, and the rending of the Temple has booming ominousness; on both occasions it seems a bit anticlimactic when another tenor soloist suddenly pops up to sing the ensuing movement, although Tilman Lichdi does a creditable job throughout (‘Erwäge’ has Concerto Köln’s expertly balanced solo strings on compelling form).

Tareq Nazmi’s resonant bass is a bolder Christus than one often hears. Christina Landshamer’s lithe singing in ‘Ich folge dir gleichfalls’ is an ideal match for the warm texture of two unison flutes with firmly bowed string basses and archlute continuo. Dijkstra’s use of contrafagotto (not quite as pianissimo as usual), gently rolling broken chords from the archlute and muted violins in ‘Betrachte, meine Seel’ creates an enthralling texture in support of Krešimir Stražanac’s compassionate singing. The tender partnership between mezzo-soprano Ulrike Malotta and Jan Freiheit’s viola da gamba obbligato in ‘Es ist vollbracht’ is contrasted with brightly valorous violins in the fast section. Those who admire streamlined approaches – whether big or small – might find that Dijkstra overcooks the recipe now and then, for example with deliberately sculpted rubato in the elegantly moulded chorales, but there is nothing perfunctory about the tangible sense of occasion captured in this reading.

Review by David Vickers, Gramophone


Chor des Bayerischen Rundfunks, Concerto Koln, Peter Dijkstra - Johann Sebastian Bach: Johannes-Passion (2016) 3CDs



Chor des Bayerischen Rundfunks, Concerto Koln, Peter Dijkstra - Johann Sebastian Bach: Johannes-Passion (2016) 3CDs



Julian Prégardien (Evangelist)
Tareq Nazmi (Jesus)
Christina Landshamer (soprano)
Ulrike Malotta (alto)
Tilman Lichdi (tenor)
Krešimir Stražanac (bass)

Chor des Bayerischen Rundfunks
Concerto Köln
Peter Dijkstra conductor

rec. live, 4-7 March 2015, Herkulessaal, Munich, Germany

Tracklist:

CD1 - St. John Passion, BWV 245, Part 1:

01. Nr. 1 Herr unser Herrscher (Chor) (7:51)
02. Nr. 2a Jesus ging mit seinen Juengern (Rezitativ: Evangelist, Jesus und Chor) (1:03)
03. Nr. 2b Jesum von Nazareth (Chor) (0:10)
04. Nr. 2c Jesus spricht zu Ihnen (Rezitativ: Evangelist, Jesus) (0:33)
05. Nr. 2d Jesum von Nazareth (Chor) (0:10)
06. Nr. 2e Jesus antwortete (Rezitativ: Evangelist, Jesus) (0:24)
07. Nr. 3 O grosse Lieb (Choral) (0:58)
08. Nr. 4 Auf dass das Wort erfüllet würde (Rezitativ: Evangelist, Jesus) (1:04)
09. Nr. 5 Dein Will gescheh, Herr Gott, zugleich (Choral) (0:51)
10. Nr. 6 Die Schar aber und der Oberhauptmann (Rezitativ: Evangelist) (0:44)
11. Nr. 7 Von den Stricken meiner Suenden (Arie: Alt) (4:25)
12. Nr. 8 Simon Petrus aber folgete Jesu nach (Rezitativ: Evangelist) (0:14)
13. Nr. 9 Ich folge dir gleichfalls (Arie: Sopran) (3:30)
14. Nr. 10 Derselbige Jünger war dem Hohepriester bekannt (Rezitativ) (3:00)
15. Nr. 11 Wer hat dich so geschlagen (Choral) (1:40)
16. Nr. 12a Und Hannas sandte ihn gebunden (Rezitativ: Evangelist, Petrus, Diener) (0:19)
17. Nr. 12b Bist du nicht seiner Jünger einer? (Chor) (0:19)
18. Nr. 12c Er leugnete aber und sprach (Rezitativ: Evangelist, Petrus, Diener) (1:26)
19. Nr. 13 Ach mein Sinn (Arie: Tenor) (2:25)
20. Nr. 14 Petrus, der nicht denkt zurück (Choral) (1:18)


CD2 - St. John Passion, BWV 245, Part 2:

01. Nr. 15 Christus, der uns selig macht (Choral) (1:06)
02. Nr. 16a Da führeten sie Jesum (Rezitativ: Evangelist, Pilatus) (0:38)
03. Nr. 16b Wäre dieser nicht ein Übeltäter (Chor) (0:57)
04. Nr. 16c Da sprach Pilatus zu Ihnen (Rezitativ: Evangelist, Pilatus) (0:10)
05. Nr. 16d Wir dürfen niemand töten (Chor) (0:35)
06. Nr. 16e Auf dass erfüllet würde das Wort (Rezitativ: Evangelist, Pilatus, Jesus) (1:44)
07. Nr. 17 Ach grosser König (Choral) (1:26)
08. Nr. 18a Da sprach Pilatus zu ihm (Rezitativ: Evangelist, Pilatus, Jesus) (1:21)
09. Nr. 18b Nicht diesen, sondern Barrabam (Chor) (0:10)
10. Nr. 18c Barrabas aber war ein Mörder (Rezitativ: Evangelist) (0:31)
11. Nr. 19 Betrachte, meine Seel (Arioso: Bass) (2:12)
12. Nr. 20 Erwäge, wie sein blutgefärbter Rücken (Aria: Tenor) (7:51)
13. Nr. 21a Und die Kriegsknechte flochten eine Krone (Rezitativ: Evangelist) (0:17)
14. Nr. 21b Sei gegrüßet, lieber Jüdenkönig (Chor) (0:31)
15. Nr. 21c Und gaben ihm Backenstreiche (Rezitativ: Evangelist, Pilatus) (0:57)
16. Nr. 21d Kreuzige, kreuzige (Chor) (0:47)
17. Nr. 21e Pilatus sprach zu Ihnen (Rezitativ: Evangelist, Pilatus) (0:15)
18. Nr. 21f Wir haben ein Gesetz (Chor) (1:07)
19. Nr. 21g Da Pilatus das Wort hörete (Rezitativ: Evangelist, Pilatus, Jesus) (1:21)
20. Nr. 22 Durch dein Gefängnis, Gottes Sohn (Choral) (0:54)
21. Nr. 23a Die Jüden aber schrieen und sprachen (Rezitativ: Evangelist) (0:05)
22. Nr. 23b Lässest Du diesen los (Chor) (1:10)
23. Nr. 23c Da Pilatus das Wort hörete (Rezitativ: Evangelist, Pilatus) (0:41)
24. Nr. 23d Weg, weg, mit dem (Chor) (0:53)
25. Nr. 23e Spricht Pilatus zu Ihnen (Rezitativ: Evangelist, Pilatus) (0:12)
26. Nr. 23f Wir haben keinen König (Chor) (0:10)
27. Nr. 23g Da überantwortete er ihn (Rezitativ: Evangelist) (0:53)
28. Nr. 24 Eilt, ihr angefochtnen Seelen (Arie: Bass und Chor) (3:42)
29. Nr. 25a Allda kreuzigten sie ihn (Rezitativ: Evangelist) (1:13)
30. Nr. 25b Schreibe nicht: der Jüden König (Chor) (0:31)
31. Nr. 25c Pilatus antwortet (Rezitativ: Evangelist, Pilatus) (0:16)
32. Nr. 26 In meines Herzens Grunde (Choral) (1:01)
33. Nr. 27a Die Kriegsknechte aber (Rezitativ: Evangelist) (0:36)
34. Nr. 27b Lasset uns den nicht zerteilen (Chor) (1:20)
35. Nr. 27c Auf dass erfuellet würde die Schrift (Rezitativ: Evangelist, Jesus) (1:38)
36. Nr. 28 Er nahm alles wohl in acht (Choral) (1:11)
37. Nr. 29 Und von Stund an nahm sie der Jünger (Rezitativ: Evangelist, Jesus) (1:31)
38. Nr. 30 Es ist vollbracht (Arie: Alt) (5:03)
39. Nr. 31 Und neiget das Haupt (Rezitativ: Evangelist) (0:26)
40. Nr. 32 Mein teurer Heiland, lass dich fragen (Arie: Bass) (4:12)
41. Nr. 33 Und siehe da, der Vorhang im Tempel zerriss (Rezitativ: Evangelist) (0:32)
42. Nr. 34 Mein Herz, in dem die ganze Welt (Arioso: Tenor) (0:48)
43. Nr. 35 Zerfliesse, mein Herze (Arie: Sopran) (6:34)
44. Nr. 36 Die Jüden aber, dieweil es der Rüsttag war (Rezitativ: Evangelist) (1:59)
45. Nr. 37 O hilf, Christe, Gottes Sohn (Choral) (1:03)
46. Nr. 38 Darnach bat Pilatum Joseph von Arimathia (Rezitativ: Evangelist) (2:00)
47. Nr. 39 Ruht wohl, ihr heiligen Gebeine (Chor) (6:52)
48. Nr. 40 Ach Herr, lass dein lieg Engelein (Choral) (1:57)


CD3 - Wege zur Musik aus der Johannes-Passion

Pt. 1 "Fragen und Fragmente"

01. Darum lerne dieses Bild wohl (4:55)
02. Das unvollendete Werk (4:40)
03. Exordium. Ein Einleitungschor als Appell (7:44)
04. So genannte Passionen (4:22)
05. …und alsobald krhete der Hahn. (4:03)

Pt. 2 "Vorbilder und Verpflichtungen"

06. Der neue Thomaskantor (6:12)
07. Vorbild Brockes-Passion (3:08)
08. Allegorien und theologische Grundsatzfragen (4:51)
09. Wer singt, betet doppelt. (8:09)

Pt. 3 "Bilder und Symbole"

10. Ambitionen und Enttuschungen (3:13)
11. Instrumente als Sinnbild (6:11)
12. Figuren und Sieben Freie Knste (6:32)
13. Das Symbol des Kreuzes (3:24)
14. Eine Bibel aus Amerika (4:11)


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 22. April 2016, 20:14

Chor des Bayerischen Rundfunks, Concerto Köln, Peter Dijkstra / Bach - Johannes-Passion - Part One

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Analyzed: Chor des Bayerischen Rundfunks, Concerto Köln, Peter Dijkstra / Bach - Johannes-Passion - Part One
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DR Peak RMS Duration Track
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DR14 -3.53 dB -18.85 dB 0:10 03-Nr. 2b Jesum von Nazareth (Chor)
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DR13 -6.13 dB -22.06 dB 0:19 17-Nr. 12b Bist du nicht seiner Jünger einer? (Chor)
DR15 -7.22 dB -28.76 dB 1:26 18-Nr. 12c Er leugnete aber und sprach (Rezitativ: Evangelist, Petrus, Diener)
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Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 22. April 2016, 21:30

Chor des Bayerischen Rundfunks, Concerto Köln, Peter Dijkstra / Bach - Johannes-Passion - Part Two

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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
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Used interface : Native Win32 interface for Win NT & 2000

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Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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28 | 28:52.02 | 3:41.67 | 129902 | 146543
29 | 32:33.69 | 1:12.61 | 146544 | 152004
30 | 33:46.55 | 0:31.23 | 152005 | 154352
31 | 34:18.03 | 0:16.22 | 154353 | 155574
32 | 34:34.25 | 1:00.62 | 155575 | 160136
33 | 35:35.12 | 0:36.30 | 160137 | 162866
34 | 36:11.42 | 1:20.28 | 162867 | 168894
35 | 37:31.70 | 1:38.22 | 168895 | 176266
36 | 39:10.17 | 1:10.48 | 176267 | 181564
37 | 40:20.65 | 1:30.71 | 181565 | 188385
38 | 41:51.61 | 5:02.42 | 188386 | 211077
39 | 46:54.28 | 0:26.35 | 211078 | 213062
40 | 47:20.63 | 4:11.39 | 213063 | 231926
41 | 51:32.27 | 0:31.55 | 231927 | 234306
42 | 52:04.07 | 0:48.33 | 234307 | 237939
43 | 52:52.40 | 6:34.02 | 237940 | 267491
44 | 59:26.42 | 1:58.45 | 267492 | 276386
45 | 61:25.12 | 1:03.09 | 276387 | 281120
46 | 62:28.21 | 1:59.56 | 281121 | 290101
47 | 64:28.02 | 6:51.52 | 290102 | 320978
48 | 71:19.54 | 1:57.06 | 320979 | 329759


Range status and errors

Selected range

Filename C:\temp\Bach - Johannes-Passion - Chor des Bayerischen Rundfunks, Concerto Koln, Dijkstra\CD2\Bach - Johannes-Passion - Part Two.wav

Peak level 94.4 %
Extraction speed 2.2 X
Range quality 100.0 %
Test CRC 99388A6A
Copy CRC 99388A6A
Copy OK

No errors occurred


AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database
Track 14 not present in database
Track 15 not present in database
Track 16 not present in database
Track 17 not present in database
Track 18 not present in database
Track 19 not present in database
Track 20 not present in database
Track 21 not present in database
Track 22 not present in database
Track 23 not present in database
Track 24 not present in database
Track 25 not present in database
Track 26 not present in database
Track 27 not present in database
Track 28 not present in database
Track 29 not present in database
Track 30 not present in database
Track 31 not present in database
Track 32 not present in database
Track 33 not present in database
Track 34 not present in database
Track 35 not present in database
Track 36 not present in database
Track 37 not present in database
Track 38 not present in database
Track 39 not present in database
Track 40 not present in database
Track 41 not present in database
Track 42 not present in database
Track 43 not present in database
Track 44 not present in database
Track 45 not present in database
Track 46 not present in database
Track 47 not present in database
Track 48 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum 9D1D0F6AC98E75F377EE81B58F0B5067698F92DB54381760003676872B0DD284 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-03-17 16:31:18

––––––––––––––––––––––––––––––––––––––––
Analyzed: Chor des Bayerischen Rundfunks, Concerto Köln, Peter Dijkstra / Bach - Johannes-Passion - Part Two
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -5.48 dB -21.97 dB 1:06 01-Nr. 15 Christus, der uns selig macht (Choral)
DR13 -8.85 dB -28.76 dB 0:38 02-Nr. 16a Da führeten sie Jesum (Rezitativ: Evangelist, Pilatus)
DR11 -1.76 dB -16.53 dB 0:57 03-Nr. 16b Wäre dieser nicht ein Übeltäter (Chor)
DR13 -9.56 dB -25.80 dB 0:10 04-Nr. 16c Da sprach Pilatus zu Ihnen (Rezitativ: Evangelist, Pilatus)
DR10 -2.52 dB -17.32 dB 0:35 05-Nr. 16d Wir dürfen niemand töten (Chor)
DR17 -4.44 dB -27.75 dB 1:44 06-Nr. 16e Auf dass erfüllet würde das Wort (Rezitativ: Evangelist, Pilatus, Jesus)
DR12 -5.92 dB -24.02 dB 1:26 07-Nr. 17 Ach grosser König (Choral)
DR15 -6.11 dB -28.60 dB 1:21 08-Nr. 18a Da sprach Pilatus zu ihm (Rezitativ: Evangelist, Pilatus, Jesus)
DR15 -0.50 dB -17.82 dB 0:10 09-Nr. 18b Nicht diesen, sondern Barrabam (Chor)
DR13 -7.12 dB -24.64 dB 0:31 10-Nr. 18c Barrabas aber war ein Mörder (Rezitativ: Evangelist)
DR14 -12.04 dB -30.71 dB 2:12 11-Nr. 19 Betrachte, meine Seel (Arioso: Bass)
DR16 -4.86 dB -28.83 dB 7:51 12-Nr. 20 Erwäge, wie sein blutgefärbter Rücken (Aria: Tenor)
DR15 -11.07 dB -29.45 dB 0:17 13-Nr. 21a Und die Kriegsknechte flochten eine Krone (Rezitativ: Evangelist)
DR11 -1.40 dB -16.91 dB 0:31 14-Nr. 21b Sei gegrüßet, lieber Jüdenkönig (Chor)
DR14 -8.55 dB -27.55 dB 0:57 15-Nr. 21c Und gaben ihm Backenstreiche (Rezitativ: Evangelist, Pilatus)
DR11 -1.83 dB -16.20 dB 0:47 16-Nr. 21d Kreuzige, kreuzige (Chor)
DR13 -8.79 dB -27.02 dB 0:15 17-Nr. 21e Pilatus sprach zu Ihnen (Rezitativ: Evangelist, Pilatus)
DR11 -2.57 dB -18.62 dB 1:07 18-Nr. 21f Wir haben ein Gesetz (Chor)
DR14 -10.22 dB -30.39 dB 1:21 19-Nr. 21g Da Pilatus das Wort hörete (Rezitativ: Evangelist, Pilatus, Jesus)
DR12 -5.44 dB -23.38 dB 0:54 20-Nr. 22 Durch dein Gefängnis, Gottes Sohn (Choral)
DR17 -13.89 dB -31.87 dB 0:05 21-Nr. 23a Die Jüden aber schrieen und sprachen (Rezitativ: Evangelist)
DR13 -2.21 dB -19.43 dB 1:10 22-Nr. 23b Lässest Du diesen los (Chor)
DR12 -7.49 dB -27.50 dB 0:41 23-Nr. 23c Da Pilatus das Wort hörete (Rezitativ: Evangelist, Pilatus)
DR11 -2.32 dB -17.18 dB 0:53 24-Nr. 23d Weg, weg, mit dem (Chor)
DR14 -9.41 dB -25.38 dB 0:12 25-Nr. 23e Spricht Pilatus zu Ihnen (Rezitativ: Evangelist, Pilatus)
DR13 -2.84 dB -18.79 dB 0:10 26-Nr. 23f Wir haben keinen König (Chor)
DR11 -9.49 dB -27.41 dB 0:53 27-Nr. 23g Da überantwortete er ihn (Rezitativ: Evangelist)
DR15 -6.38 dB -23.85 dB 3:42 28-Nr. 24 Eilt, ihr angefochtnen Seelen (Arie: Bass und Chor)
DR13 -11.67 dB -29.60 dB 1:13 29-Nr. 25a Allda kreuzigten sie ihn (Rezitativ: Evangelist)
DR12 -2.31 dB -17.46 dB 0:31 30-Nr. 25b Schreibe nicht: der Jüden König (Chor)
DR13 -12.97 dB -31.07 dB 0:16 31-Nr. 25c Pilatus antwortet (Rezitativ: Evangelist, Pilatus)
DR12 -2.06 dB -19.79 dB 1:01 32-Nr. 26 In meines Herzens Grunde (Choral)
DR13 -15.18 dB -31.90 dB 0:36 33-Nr. 27a Die Kriegsknechte aber (Rezitativ: Evangelist)
DR13 -3.16 dB -19.26 dB 1:20 34-Nr. 27b Lasset uns den nicht zerteilen (Chor)
DR14 -11.84 dB -30.92 dB 1:38 35-Nr. 27c Auf dass erfuellet würde die Schrift (Rezitativ: Evangelist, Jesus)
DR10 -2.12 dB -21.18 dB 1:11 36-Nr. 28 Er nahm alles wohl in acht (Choral)
DR13 -13.85 dB -34.71 dB 1:31 37-Nr. 29 Und von Stund an nahm sie der Jünger (Rezitativ: Evangelist, Jesus)
DR14 -8.14 dB -28.50 dB 5:03 38-Nr. 30 Es ist vollbracht (Arie: Alt)
DR10 -25.89 dB -43.70 dB 0:26 39-Nr. 31 Und neiget das Haupt (Rezitativ: Evangelist)
DR13 -9.18 dB -27.41 dB 4:12 40-Nr. 32 Mein teurer Heiland, lass dich fragen (Arie: Bass)
DR13 -5.64 dB -23.93 dB 0:32 41-Nr. 33 Und siehe da, der Vorhang im Tempel zerriss (Rezitativ: Evangelist)
DR15 -2.15 dB -24.75 dB 0:48 42-Nr. 34 Mein Herz, in dem die ganze Welt (Arioso: Tenor)
DR15 -4.04 dB -25.87 dB 6:34 43-Nr. 35 Zerfliesse, mein Herze (Arie: Sopran)
DR15 -8.57 dB -29.00 dB 1:59 44-Nr. 36 Die Jüden aber, dieweil es der Rüsttag war (Rezitativ: Evangelist)
DR12 -3.67 dB -21.43 dB 1:03 45-Nr. 37 O hilf, Christe, Gottes Sohn (Choral)
DR14 -11.27 dB -32.78 dB 2:00 46-Nr. 38 Darnach bat Pilatum Joseph von Arimathia (Rezitativ: Evangelist)
DR14 -2.62 dB -22.16 dB 6:52 47-Nr. 39 Ruht wohl, ihr heiligen Gebeine (Chor)
DR12 -1.48 dB -18.10 dB 1:57 48-Nr. 40 Ach Herr, lass dein lieg Engelein (Choral)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 48
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 601 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 22. April 2016, 22:41

Christian Baumann, Gert Heidenreich, Hans Jürgen Stockerl / Wege zur Musik - Johann Sebastian Bach - Johannes-Passion

Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:55.35 | 0 | 22159
2 | 4:55.35 | 4:39.72 | 22160 | 43156
3 | 9:35.32 | 7:44.21 | 43157 | 77977
4 | 17:19.53 | 4:21.72 | 77978 | 97624
5 | 21:41.50 | 4:03.32 | 97625 | 115881
6 | 25:45.07 | 6:12.16 | 115882 | 143797
7 | 31:57.23 | 3:08.10 | 143798 | 157907
8 | 35:05.33 | 4:51.34 | 157908 | 179766
9 | 39:56.67 | 8:08.40 | 179767 | 216406
10 | 48:05.32 | 3:13.16 | 216407 | 230897
11 | 51:18.48 | 6:10.41 | 230898 | 258688
12 | 57:29.14 | 6:32.34 | 258689 | 288122
13 | 64:01.48 | 3:24.09 | 288123 | 303431
14 | 67:25.57 | 4:10.65 | 303432 | 322246


Range status and errors

Selected range

Filename C:\temp\Bach - Johannes-Passion - Chor des Bayerischen Rundfunks, Concerto Koln, Dijkstra\CD3\Wege zur Musik - Johann Sebastian Bach - Johannes-Passion.wav

Peak level 73.1 %
Extraction speed 2.2 X
Range quality 100.0 %
Test CRC 3048FDC6
Copy CRC 3048FDC6
Copy OK

No errors occurred


AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database
Track 14 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum D51EB1F8F82188783C011E71F81D8FA085B92FFA9803DB929FA78C4DE5EF8E57 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-03-17 16:31:58

––––––––––––––––––––––––––––––––––––––––
Analyzed: Christian Baumann, Gert Heidenreich, Hans Jrgen Stockerl / Wege zur Musik - Johann Sebastian Bach - Johannes-Passion
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.87 dB -18.25 dB 4:55 01-Darum lerne dieses Bild wohl
DR14 -2.78 dB -18.68 dB 4:40 02-Das unvollendete Werk
DR14 -2.85 dB -18.49 dB 7:44 03-Exordium. Ein Einleitungschor als Appell
DR13 -2.90 dB -18.04 dB 4:22 04-So genannte Passionen
DR13 -2.86 dB -18.21 dB 4:03 05-…und alsobald krhete der Hahn.
DR14 -2.78 dB -18.10 dB 6:12 06-Der neue Thomaskantor
DR14 -2.90 dB -18.06 dB 3:08 07-Vorbild Brockes-Passion
DR13 -2.85 dB -18.13 dB 4:51 08-Allegorien und theologische Grundsatzfragen
DR13 -2.71 dB -18.16 dB 8:09 09-Wer singt, betet doppelt.
DR13 -2.87 dB -18.28 dB 3:13 10-Ambitionen und Enttuschungen
DR13 -2.86 dB -18.60 dB 6:11 11-Instrumente als Sinnbild
DR13 -2.77 dB -18.11 dB 6:32 12-Figuren und Sieben Freie Knste
DR13 -2.88 dB -18.17 dB 3:24 13-Das Symbol des Kreuzes
DR12 -2.89 dB -17.32 dB 4:11 14-Eine Bibel aus Amerika
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 14
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 627 kbps
Codec: FLAC
================================================================================

Chor des Bayerischen Rundfunks, Concerto Koln, Peter Dijkstra - Johann Sebastian Bach: Johannes-Passion (2016) 3CDs

All thanks to original releaser

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