![Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up](https://pixhost.icu/avaxhome/b7/4e/00184eb7_medium.jpeg)
Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up
![Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up](https://pixhost.icu/avaxhome/b7/4e/00184eb7.jpeg)
Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172]
Hard/Glam/Classic Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps | 12 Tracks
Scans > 23 Mb | Polydor K.K. | POCP-2172 | ~ 204 + 84 Mb
Hard/Glam/Classic Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps | 12 Tracks
Scans > 23 Mb | Polydor K.K. | POCP-2172 | ~ 204 + 84 Mb
Time was, Beginnings represented a holy grail of sorts for Slade fans (and original Fontana pressings still do). Thankfully, a rash of reissues have taken much of the edge of the market, and the band's debut album, cut while they still traded as Ambrose Slade, is readily available for all to hear, and what a joy it is. Of course, little of what you'd expect from Slade is actually in place, although Noddy Holder's vocals, naturally, are unmistakable. The songwriting duties are split between well-executed covers and full band compositions – the Holder/Jim Lea team of future renown has still to crystallize itself, and their one joint effort, the hauntingly folky "Pity the Mother," has little in common with anything the future held. But the opening "Genesis" will be familiar to anyone who rocked out to the second album's "Know Who You Are," proving that the band already knew a great song when they wrote one, and a cover of "Born to Be Wild" sets them up for the definitive version featured on the first live album. A floor-shaking slam through the Amboy Dukes' "Journey to the Center of Your Mind," and a suitably deranged romp through Frank Zappa's "Ain't Got No Heart," meanwhile, demonstrate the band's musical versatility, and while there are a handful of disappointments ("Martha My Dear" is almost heinous), still Beginnings stands as, indeed, a fine beginning. But things were going to get a lot better than this.~ Dave Thompson, All Music Guide
![Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up](https://pixhost.icu/avaxhome/b8/4e/00184eb8_medium.jpeg)
Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up
![Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up](https://pixhost.icu/avaxhome/b8/4e/00184eb8.jpeg)
Slade:
Formed: 1966, West Midlands, England
Genres: Rock
Representative Albums: "The Best of Slade", "Slade Smashes", "Wall of Hits"
Representative Songs: "Mama Weer All Crazee Now", "Cum on Feel the Noize", "My Oh My"
Slade may have never truly caught on with American audiences (often narrow-mindedly deemed "too British-sounding"), but the group became a sensation in their homeland with their anthemic brand of glam rock in the early '70s, as they scored a staggering 11 Top Five hits in a four-year span from 1971 to 1974 (five of which topped the charts). Comprised of singer/guitarist Noddy Holder (born Neville Holder, June 15, 1946 in Walsall, West Midlands, England), guitarist Dave Hill (born April 4, 1946, in Fleet Castle, Devon, England), bassist Jimmy Lea (born June 14, 1949, Wolverhampton, West Midlands, England), and drummer Don Powell (born September 10, 1946, Bilston, West Midlands, England), the group originally formed in the spring of 1966 under the name the In-Be-Tweens, playing out regularly with a mixture of soul and rock tracks. But besides a lone obscure single, "You Better Run" (penned by future Runaways svengali Kim Fowley), the band never issued any other recordings. By the end of '60s, the group had changed their name to Ambrose Slade and signed on with the Fontana label. Soon after, the quartet hooked up with Animals bass player-turned-manager Chas Chandler (who had discovered Jimi Hendrix a few years prior), who promptly suggested the group shorten the name to just Slade and assume a "skinhead" look (Dr. Martin boots, shaved heads) as a gimmick.
After several albums featuring few original compositions from the quartet came and went (1969's Beginnings, 1970's Play It Loud), the group began to write their own tunes, grew their hair long, and assumed the look of the then-burgeoning glam movement, joining the same cause championed by such fellow Brits as David Bowie and T. Rex. This new direction paid off in 1971 with the number 16 U.K. single "Get Down and Get With It," which soon touched off a string of classic singles and led to Slade becoming one of the most beloved party bands back home. Slade also utilized another gimmick, humorously misspelled song titles, as evidenced by such singles as "Coz I Luv You," "Look Wot You Dun," "Take Me Bak 'Ome," "Mama Weer All Crazee Now," "Gudbuy t'Jane," "Cum on Feel the Noize," "Skweeze Me, Pleeze Me," and "Merry Xmas Everybody" (the latter of which re-entered the charts every holiday season for years afterward). Several attempts at cracking the U.S. market came up empty (with track listings between their U.K. and U.S. full-lengths differing), although such albums as Slade Alive! and Slayed? are considered to be some of the finest albums of the glam era.
Slade continued to score further hit singles back home, including such correctly spelled tracks as "My Friend Stan," "Everyday," "Bangin' Man," "Far Far Away," "How Does it Feel," and "In for a Penny," but with glam rock's dissolution and punk's emergence by the mid-'70s, the hits eventually dried up for the quartet. Despite the change in musical climate, Slade stuck to their guns and kept touring and releasing albums, as the title to their 1977 album, Whatever Happened to Slade?, proved that the group's humor remained intact despite their fall from the top of the charts. A large, dedicated following still supported the group as they offered a performance at the 1980 Reading Festival that was considered one of the day's best, resulting in sudden renewed interest in the group back home and Slade scored their first true hit singles in six years with 1981's "We'll Bring the House Down" and "Lock up Your Daughters."
Slade received a boost stateside around this time as well, courtesy of the U.S. pop-metal outfit Quiet Riot, who made a smash hit out of "Cum on Feel the Noize" in 1983 that resulted in a strong chart showing for Slade's 1984 release Keep Your Hands Off My Power Supply (issued as The Amazing Kamikaze Syndrome in the U.K. a year earlier). Slade then enjoyed a pair of U.S. MTV/radio hits, "Run Runaway" and "My Oh My." Holder and Lea also tried their hand at producing another artist around this time as well, as they manned the boards for Girlschool's 1983 release Play Dirty. Despite another all-new studio release, Rogues Gallery, and Quiet Riot covering another classic Slade tune ("Mama Weer All Crazee Now"), Slade was unable to retain their newfound American audience or rekindled British following and they eventually faded from sight once more, this time without a comeback waiting around the corner. During the '90s, a truncated version of the group dubbed Slade II was formed (without Holder or Lea in attendance), while Holder became a popular U.K. television personality as well as the host of his own '70s rock radio show. A 21-track singles compilation, Feel the Noize: The Very Best of Slade, was issued in 1997 (re-released under the simple title of Greatest Hits a couple of years later), which proved to be a popular release in England.
~ Greg Prato, Rovi
Formed: 1966, West Midlands, England
Genres: Rock
Representative Albums: "The Best of Slade", "Slade Smashes", "Wall of Hits"
Representative Songs: "Mama Weer All Crazee Now", "Cum on Feel the Noize", "My Oh My"
Slade may have never truly caught on with American audiences (often narrow-mindedly deemed "too British-sounding"), but the group became a sensation in their homeland with their anthemic brand of glam rock in the early '70s, as they scored a staggering 11 Top Five hits in a four-year span from 1971 to 1974 (five of which topped the charts). Comprised of singer/guitarist Noddy Holder (born Neville Holder, June 15, 1946 in Walsall, West Midlands, England), guitarist Dave Hill (born April 4, 1946, in Fleet Castle, Devon, England), bassist Jimmy Lea (born June 14, 1949, Wolverhampton, West Midlands, England), and drummer Don Powell (born September 10, 1946, Bilston, West Midlands, England), the group originally formed in the spring of 1966 under the name the In-Be-Tweens, playing out regularly with a mixture of soul and rock tracks. But besides a lone obscure single, "You Better Run" (penned by future Runaways svengali Kim Fowley), the band never issued any other recordings. By the end of '60s, the group had changed their name to Ambrose Slade and signed on with the Fontana label. Soon after, the quartet hooked up with Animals bass player-turned-manager Chas Chandler (who had discovered Jimi Hendrix a few years prior), who promptly suggested the group shorten the name to just Slade and assume a "skinhead" look (Dr. Martin boots, shaved heads) as a gimmick.
After several albums featuring few original compositions from the quartet came and went (1969's Beginnings, 1970's Play It Loud), the group began to write their own tunes, grew their hair long, and assumed the look of the then-burgeoning glam movement, joining the same cause championed by such fellow Brits as David Bowie and T. Rex. This new direction paid off in 1971 with the number 16 U.K. single "Get Down and Get With It," which soon touched off a string of classic singles and led to Slade becoming one of the most beloved party bands back home. Slade also utilized another gimmick, humorously misspelled song titles, as evidenced by such singles as "Coz I Luv You," "Look Wot You Dun," "Take Me Bak 'Ome," "Mama Weer All Crazee Now," "Gudbuy t'Jane," "Cum on Feel the Noize," "Skweeze Me, Pleeze Me," and "Merry Xmas Everybody" (the latter of which re-entered the charts every holiday season for years afterward). Several attempts at cracking the U.S. market came up empty (with track listings between their U.K. and U.S. full-lengths differing), although such albums as Slade Alive! and Slayed? are considered to be some of the finest albums of the glam era.
Slade continued to score further hit singles back home, including such correctly spelled tracks as "My Friend Stan," "Everyday," "Bangin' Man," "Far Far Away," "How Does it Feel," and "In for a Penny," but with glam rock's dissolution and punk's emergence by the mid-'70s, the hits eventually dried up for the quartet. Despite the change in musical climate, Slade stuck to their guns and kept touring and releasing albums, as the title to their 1977 album, Whatever Happened to Slade?, proved that the group's humor remained intact despite their fall from the top of the charts. A large, dedicated following still supported the group as they offered a performance at the 1980 Reading Festival that was considered one of the day's best, resulting in sudden renewed interest in the group back home and Slade scored their first true hit singles in six years with 1981's "We'll Bring the House Down" and "Lock up Your Daughters."
Slade received a boost stateside around this time as well, courtesy of the U.S. pop-metal outfit Quiet Riot, who made a smash hit out of "Cum on Feel the Noize" in 1983 that resulted in a strong chart showing for Slade's 1984 release Keep Your Hands Off My Power Supply (issued as The Amazing Kamikaze Syndrome in the U.K. a year earlier). Slade then enjoyed a pair of U.S. MTV/radio hits, "Run Runaway" and "My Oh My." Holder and Lea also tried their hand at producing another artist around this time as well, as they manned the boards for Girlschool's 1983 release Play Dirty. Despite another all-new studio release, Rogues Gallery, and Quiet Riot covering another classic Slade tune ("Mama Weer All Crazee Now"), Slade was unable to retain their newfound American audience or rekindled British following and they eventually faded from sight once more, this time without a comeback waiting around the corner. During the '90s, a truncated version of the group dubbed Slade II was formed (without Holder or Lea in attendance), while Holder became a popular U.K. television personality as well as the host of his own '70s rock radio show. A 21-track singles compilation, Feel the Noize: The Very Best of Slade, was issued in 1997 (re-released under the simple title of Greatest Hits a couple of years later), which proved to be a popular release in England.
~ Greg Prato, Rovi
Ambrose Slade - Beginnings (1969)
![Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up](https://pixhost.icu/avaxhome/ba/4e/00184eba_medium.jpeg)
Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up
![Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up](https://pixhost.icu/avaxhome/ba/4e/00184eba.jpeg)
Tracklist:
01. Genesis
02. Everybody's Next One
03. Knocking Nails Into My House
04. Roach Daddy
05. Ain't Got No Heart
06. Pity The Mother
07. Mad Dog Cole
08. Fly Me High
09. If This World Were Mine
10. Martha My Dear
11. Born To Be Wild
12. Journey To The Centre Of Your Mind
Personnel:
Noddy Holder - lead vocals, rhythm guitar, producer
Dave Hill - lead guitar, producer
Jim Lea - bass guitar, producer
Don Powell - drums, producer
Roger Wake - producer, Engineer
Richard Stirlin - photographer
Linda Glover - artwork
Exact Audio Copy V1.2 from 12. August 2016
EAC extraction logfile from 25. March 2017, 1:44
Ambrose Slade / Beginnings
Used drive : MATSHITADVD-RAM UJ8A0AS Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.37 | 3:17.18 | 37 | 14829
2 | 3:17.55 | 2:46.55 | 14830 | 27334
3 | 6:04.35 | 2:25.25 | 27335 | 38234
4 | 8:29.60 | 3:04.27 | 38235 | 52061
5 | 11:34.12 | 2:37.55 | 52062 | 63891
6 | 14:11.67 | 3:58.38 | 63892 | 81779
7 | 18:10.30 | 2:42.65 | 81780 | 93994
8 | 20:53.20 | 2:56.72 | 93995 | 107266
9 | 23:50.17 | 3:17.60 | 107267 | 122101
10 | 27:08.02 | 2:20.15 | 122102 | 132616
11 | 29:28.17 | 3:25.13 | 132617 | 148004
12 | 32:53.30 | 2:46.57 | 148005 | 160511
Range status and errors
Selected range
Filename F:\Alexharvey\Ambrose Slade - Beginnings.wav
Peak level 92.4 %
Extraction speed 2.1 X
Range quality 100.0 %
Test CRC F730BA80
Copy CRC F730BA80
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 1) [928907E8], AccurateRip returned [90CD2436] (AR v2)
Track 2 cannot be verified as accurate (confidence 1) [88E7FB6B], AccurateRip returned [F80280B2] (AR v2)
Track 3 cannot be verified as accurate (confidence 1) [47E11F07], AccurateRip returned [A56ADC1F] (AR v2)
Track 4 cannot be verified as accurate (confidence 1) [0E154C39], AccurateRip returned [2CC468DA] (AR v2)
Track 5 cannot be verified as accurate (confidence 1) [C07EEA9A], AccurateRip returned [63656B65] (AR v2)
Track 6 cannot be verified as accurate (confidence 1) [BEB6B0B6], AccurateRip returned [6071FB36] (AR v2)
Track 7 cannot be verified as accurate (confidence 1) [CF7FAF7D], AccurateRip returned [1C159AE1] (AR v2)
Track 8 cannot be verified as accurate (confidence 1) [310D356F], AccurateRip returned [877698B4] (AR v2)
Track 9 cannot be verified as accurate (confidence 1) [E600A95D], AccurateRip returned [C4048A92] (AR v2)
Track 10 cannot be verified as accurate (confidence 1) [AC20A19E], AccurateRip returned [20DDB86B] (AR v2)
Track 11 cannot be verified as accurate (confidence 1) [4696ACDF], AccurateRip returned [C810AFEB] (AR v2)
Track 12 cannot be verified as accurate (confidence 1) [5AF0BA01], AccurateRip returned [2D9A1761] (AR v2)
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: s7R83EUOgB9S5fJ5VcobhRUlo5Y-] found
Submit result: already submitted
Track | CTDB Status
1 | (1/1) Accurately ripped
2 | (1/1) Accurately ripped
3 | (1/1) Accurately ripped
4 | (1/1) Accurately ripped
5 | (1/1) Accurately ripped
6 | (1/1) Accurately ripped
7 | (1/1) Accurately ripped
8 | (1/1) Accurately ripped
9 | (1/1) Accurately ripped
10 | (1/1) Accurately ripped
11 | (1/1) Accurately ripped
12 | (1/1) Accurately ripped
==== Log checksum 92164F7D0CFAC972FB306DED21CBD9D741CC29E23E5EF0205E86B1E2B82DDF1B ====
EAC extraction logfile from 25. March 2017, 1:44
Ambrose Slade / Beginnings
Used drive : MATSHITADVD-RAM UJ8A0AS Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.37 | 3:17.18 | 37 | 14829
2 | 3:17.55 | 2:46.55 | 14830 | 27334
3 | 6:04.35 | 2:25.25 | 27335 | 38234
4 | 8:29.60 | 3:04.27 | 38235 | 52061
5 | 11:34.12 | 2:37.55 | 52062 | 63891
6 | 14:11.67 | 3:58.38 | 63892 | 81779
7 | 18:10.30 | 2:42.65 | 81780 | 93994
8 | 20:53.20 | 2:56.72 | 93995 | 107266
9 | 23:50.17 | 3:17.60 | 107267 | 122101
10 | 27:08.02 | 2:20.15 | 122102 | 132616
11 | 29:28.17 | 3:25.13 | 132617 | 148004
12 | 32:53.30 | 2:46.57 | 148005 | 160511
Range status and errors
Selected range
Filename F:\Alexharvey\Ambrose Slade - Beginnings.wav
Peak level 92.4 %
Extraction speed 2.1 X
Range quality 100.0 %
Test CRC F730BA80
Copy CRC F730BA80
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 1) [928907E8], AccurateRip returned [90CD2436] (AR v2)
Track 2 cannot be verified as accurate (confidence 1) [88E7FB6B], AccurateRip returned [F80280B2] (AR v2)
Track 3 cannot be verified as accurate (confidence 1) [47E11F07], AccurateRip returned [A56ADC1F] (AR v2)
Track 4 cannot be verified as accurate (confidence 1) [0E154C39], AccurateRip returned [2CC468DA] (AR v2)
Track 5 cannot be verified as accurate (confidence 1) [C07EEA9A], AccurateRip returned [63656B65] (AR v2)
Track 6 cannot be verified as accurate (confidence 1) [BEB6B0B6], AccurateRip returned [6071FB36] (AR v2)
Track 7 cannot be verified as accurate (confidence 1) [CF7FAF7D], AccurateRip returned [1C159AE1] (AR v2)
Track 8 cannot be verified as accurate (confidence 1) [310D356F], AccurateRip returned [877698B4] (AR v2)
Track 9 cannot be verified as accurate (confidence 1) [E600A95D], AccurateRip returned [C4048A92] (AR v2)
Track 10 cannot be verified as accurate (confidence 1) [AC20A19E], AccurateRip returned [20DDB86B] (AR v2)
Track 11 cannot be verified as accurate (confidence 1) [4696ACDF], AccurateRip returned [C810AFEB] (AR v2)
Track 12 cannot be verified as accurate (confidence 1) [5AF0BA01], AccurateRip returned [2D9A1761] (AR v2)
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: s7R83EUOgB9S5fJ5VcobhRUlo5Y-] found
Submit result: already submitted
Track | CTDB Status
1 | (1/1) Accurately ripped
2 | (1/1) Accurately ripped
3 | (1/1) Accurately ripped
4 | (1/1) Accurately ripped
5 | (1/1) Accurately ripped
6 | (1/1) Accurately ripped
7 | (1/1) Accurately ripped
8 | (1/1) Accurately ripped
9 | (1/1) Accurately ripped
10 | (1/1) Accurately ripped
11 | (1/1) Accurately ripped
12 | (1/1) Accurately ripped
==== Log checksum 92164F7D0CFAC972FB306DED21CBD9D741CC29E23E5EF0205E86B1E2B82DDF1B ====
foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2017-03-27 09:58:04
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ambrose Slade / Beginnings
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -3.99 dB -18.30 dB 3:17 01-Genesis
DR11 -3.44 dB -16.36 dB 2:47 02-Everybody's Next One
DR11 -4.90 dB -17.75 dB 2:25 03-Knocking Nails Into My House
DR12 -2.53 dB -16.27 dB 3:04 04-Roach Daddy
DR11 -4.34 dB -16.79 dB 2:38 05-Ain't Got No Heart
DR12 -0.68 dB -18.37 dB 3:59 06-Pity The Mother
DR11 -2.70 dB -16.56 dB 2:43 07-Mad Dog Cole
DR10 -2.53 dB -15.13 dB 2:57 08-Fly Me High
DR12 -2.19 dB -17.24 dB 3:18 09-If This World Were Mine
DR11 -4.29 dB -17.67 dB 2:20 10-Martha My Dear
DR11 -3.15 dB -16.07 dB 3:25 11-Born To Be Wild
DR11 -2.64 dB -16.13 dB 2:47 12-Journey To The Centre Of Your Mind
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 776 kbps
Codec: FLAC
log date: 2017-03-27 09:58:04
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ambrose Slade / Beginnings
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -3.99 dB -18.30 dB 3:17 01-Genesis
DR11 -3.44 dB -16.36 dB 2:47 02-Everybody's Next One
DR11 -4.90 dB -17.75 dB 2:25 03-Knocking Nails Into My House
DR12 -2.53 dB -16.27 dB 3:04 04-Roach Daddy
DR11 -4.34 dB -16.79 dB 2:38 05-Ain't Got No Heart
DR12 -0.68 dB -18.37 dB 3:59 06-Pity The Mother
DR11 -2.70 dB -16.56 dB 2:43 07-Mad Dog Cole
DR10 -2.53 dB -15.13 dB 2:57 08-Fly Me High
DR12 -2.19 dB -17.24 dB 3:18 09-If This World Were Mine
DR11 -4.29 dB -17.67 dB 2:20 10-Martha My Dear
DR11 -3.15 dB -16.07 dB 3:25 11-Born To Be Wild
DR11 -2.64 dB -16.13 dB 2:47 12-Journey To The Centre Of Your Mind
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 776 kbps
Codec: FLAC
[CUETools log; Date: 27.03.2017 9:49:34; Version: 2.1.4]
Pregap length 00:00:37.
[CTDB TOCID: s7R83EUOgB9S5fJ5VcobhRUlo5Y-] found.
Track | CTDB Status
1 | (1/1) Accurately ripped
2 | (1/1) Accurately ripped
3 | (1/1) Accurately ripped
4 | (1/1) Accurately ripped
5 | (1/1) Accurately ripped
6 | (1/1) Accurately ripped
7 | (1/1) Accurately ripped
8 | (1/1) Accurately ripped
9 | (1/1) Accurately ripped
10 | (1/1) Accurately ripped
11 | (1/1) Accurately ripped
12 | (1/1) Accurately ripped
[AccurateRip ID: 000fe8ed-0094a16a-a2085c0c] found.
Track [ CRC | V2 ] Status
01 [89a62530|928907e8] (0+0/1) No match
02 [1af817c8|88e7fb6b] (0+0/1) No match
03 [18f34bd5|47e11f07] (0+0/1) No match
04 [eb2240fc|0e154c39] (0+0/1) No match
05 [24c47431|c07eea9a] (0+0/1) No match
06 [d518b2c6|beb6b0b6] (0+0/1) No match
07 [f1afdd5b|cf7faf7d] (0+0/1) No match
08 [3a09472a|310d356f] (0+0/1) No match
09 [34d4f992|e600a95d] (0+0/1) No match
10 [6505e8ff|ac20a19e] (0+0/1) No match
11 [31e3b863|4696acdf] (0+0/1) No match
12 [4d664455|5af0ba01] (0+0/1) No match
Offsetted by 6:
01 [90cd2436] (1/1) Accurately ripped
02 [f80280b2] (1/1) Accurately ripped
03 [a56adc1f] (1/1) Accurately ripped
04 [2cc468da] (1/1) Accurately ripped
05 [63656b65] (1/1) Accurately ripped
06 [6071fb36] (1/1) Accurately ripped
07 [1c159ae1] (1/1) Accurately ripped
08 [877698b4] (1/1) Accurately ripped
09 [c4048a92] (1/1) Accurately ripped
10 [20ddb86b] (1/1) Accurately ripped
11 [c810afeb] (1/1) Accurately ripped
12 [2d9a1761] (1/1) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 92,4 [F730BA80] [9F308FE1] CRC32
01 63,1 [74AB0261] [A49258FE]
02 67,3 [1FCFF857] [386F1576]
03 56,8 [F7EF9CAA] [1A1BB062]
04 74,7 [86D5C807] [0026DACC]
05 60,6 [5B0841CF] [A759F0FB]
06 92,4 [95791DCC] [408F7220]
07 73,3 [BB0CF70F] [7D1D17C8]
08 74,7 [86F27C71] [14BA5A86]
09 77,7 [A81478FA] [07F13C86]
10 61,0 [8AFBB5F8] [DAEA06FE]
11 69,6 [12A754FB] [B2811321]
12 73,7 [3B910A49] [777BD895]
Pregap length 00:00:37.
[CTDB TOCID: s7R83EUOgB9S5fJ5VcobhRUlo5Y-] found.
Track | CTDB Status
1 | (1/1) Accurately ripped
2 | (1/1) Accurately ripped
3 | (1/1) Accurately ripped
4 | (1/1) Accurately ripped
5 | (1/1) Accurately ripped
6 | (1/1) Accurately ripped
7 | (1/1) Accurately ripped
8 | (1/1) Accurately ripped
9 | (1/1) Accurately ripped
10 | (1/1) Accurately ripped
11 | (1/1) Accurately ripped
12 | (1/1) Accurately ripped
[AccurateRip ID: 000fe8ed-0094a16a-a2085c0c] found.
Track [ CRC | V2 ] Status
01 [89a62530|928907e8] (0+0/1) No match
02 [1af817c8|88e7fb6b] (0+0/1) No match
03 [18f34bd5|47e11f07] (0+0/1) No match
04 [eb2240fc|0e154c39] (0+0/1) No match
05 [24c47431|c07eea9a] (0+0/1) No match
06 [d518b2c6|beb6b0b6] (0+0/1) No match
07 [f1afdd5b|cf7faf7d] (0+0/1) No match
08 [3a09472a|310d356f] (0+0/1) No match
09 [34d4f992|e600a95d] (0+0/1) No match
10 [6505e8ff|ac20a19e] (0+0/1) No match
11 [31e3b863|4696acdf] (0+0/1) No match
12 [4d664455|5af0ba01] (0+0/1) No match
Offsetted by 6:
01 [90cd2436] (1/1) Accurately ripped
02 [f80280b2] (1/1) Accurately ripped
03 [a56adc1f] (1/1) Accurately ripped
04 [2cc468da] (1/1) Accurately ripped
05 [63656b65] (1/1) Accurately ripped
06 [6071fb36] (1/1) Accurately ripped
07 [1c159ae1] (1/1) Accurately ripped
08 [877698b4] (1/1) Accurately ripped
09 [c4048a92] (1/1) Accurately ripped
10 [20ddb86b] (1/1) Accurately ripped
11 [c810afeb] (1/1) Accurately ripped
12 [2d9a1761] (1/1) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 92,4 [F730BA80] [9F308FE1] CRC32
01 63,1 [74AB0261] [A49258FE]
02 67,3 [1FCFF857] [386F1576]
03 56,8 [F7EF9CAA] [1A1BB062]
04 74,7 [86D5C807] [0026DACC]
05 60,6 [5B0841CF] [A759F0FB]
06 92,4 [95791DCC] [408F7220]
07 73,3 [BB0CF70F] [7D1D17C8]
08 74,7 [86F27C71] [14BA5A86]
09 77,7 [A81478FA] [07F13C86]
10 61,0 [8AFBB5F8] [DAEA06FE]
11 69,6 [12A754FB] [B2811321]
12 73,7 [3B910A49] [777BD895]
![Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up](https://pixhost.icu/avaxhome/bb/4e/00184ebb_medium.jpeg)
Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up
![Ambrose Slade - Beginnings (1969) [1992, Japan 1st Press, POCP-2172] Re-up](https://pixhost.icu/avaxhome/bb/4e/00184ebb.jpeg)
All thanks go to Alexharvey