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Musicke & Mirth - Division-Musick: The Art Of Diminution In England In The 17th Century [2012, Official Download 24bit/88,2kHz]

Posted By: luckburz
Musicke & Mirth - Division-Musick: The Art Of Diminution In England In The 17th Century [2012, Official Download 24bit/88,2kHz]

Musicke & Mirth - Division-Musick: The Art Of Diminution In England In The 17th Century
Works by John Jenkins, William Lawes, Christopher Simpson, Thomas Baltzar, Solomon Eccles
FLAC (tracks) 24 bit/88,2 kHz: 1,14 GB | Artwork | 5% Recovery Info
Label/Cat#: Ramée # RAM 1204 | Country/Year: France 2012
Genre: Classical | Style: Baroque, Sacred | Source: Qobuz

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Musicke & Mirth - Division-Musick: The Art Of Diminution In England In The 17th Century [2012, Official Download 24bit/88,2kHz]


foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2015-01-20 18:03:46

––––––––––––––––––––––––––––––––––––––––
Analyzed: Musicke & Mirth / Division-Musick - The Art Of Diminution In England In The 17th Century
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.01 dB -16.99 dB 2:46 01-John Jenkins (1592-1678) Lyra Consort in D major: I. Ecco Coranto
DR11 -0.11 dB -16.72 dB 2:30 02-II. Aire Pasionetta
DR12 -1.37 dB -16.64 dB 2:06 03-III. Almaine
DR12 -1.64 dB -17.49 dB 1:41 04-IV. Coranto
DR13 -3.20 dB -20.54 dB 1:46 05-V. Saraband
DR12 -0.97 dB -17.64 dB 0:51 06-VI. Saraband
DR11 -3.27 dB -16.97 dB 7:22 07-William Lawes (1602-1645) Suite for two Division Viols and Organ in G minor: I. Pavan
DR11 -4.60 dB -17.85 dB 1:33 08-II. Aire
DR11 -4.35 dB -17.65 dB 3:06 09-III. Aire
DR14 -3.97 dB -22.87 dB 6:19 10-Christopher Simpson (c. 1605-1669 Division for Two Viols No. 7 in G Major
DR13 -6.08 dB -23.98 dB 2:54 11-Thomas Baltzar (c. 1631-1663) Prelude
DR14 -5.41 dB -22.93 dB 5:04 12-Solomon Eccles (1649-1710) A Division On a Ground By Mr. John Eckles
DR11 -7.85 dB -22.33 dB 2:18 13-Christopher Simpson - Division for Two Viols No. 1 in C Major
DR11 -2.32 dB -17.15 dB 2:03 14-John Jenkins - Lyra Consort in D minor: I. Aire
DR12 -1.54 dB -16.74 dB 1:50 15-II. Almaine
DR12 -2.55 dB -17.60 dB 1:15 16-III. Coranto
DR11 -2.70 dB -16.96 dB 1:17 17-IV. Coranto
DR11 -4.46 dB -22.48 dB 5:04 18-Christopher Simpson - Division for Two Viols No. 5 in F major
DR12 -4.28 dB -19.64 dB 2:42 19-John Banister (c. 1624-1679) A Division on a Ground by Mr. Banister
DR12 -1.70 dB -17.69 dB 2:59 20-John Jenkins - Lyra Consort in D minor: I. Almaine
DR11 -0.87 dB -17.03 dB 2:06 21-II. Coranto
DR12 -1.58 dB -17.37 dB 2:25 22-III. Saraband
DR12 -1.78 dB -17.89 dB 2:54 23-IV. The Pleasing Slumber
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 23
Official DR value: DR12

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2544 kbps
Codec: FLAC
================================================================================



Release Info:

Musicke & Mirth - Division-Musick: The Art Of Diminution In England In The 17th Century

Works by John Jenkins, William Lawes, Christopher Simpson, Thomas Baltzar, Solomon Eccles

Label: Ramée
Catalog#: RAM 1204
Format: Studio Master FLAC Stereo 88,2kHz/24bit, Album
Source: Qobuz
Country: France
Released: 2012
Genre: Classical
Style: Baroque

Tracklist:

John Jenkins (1592-1678)
Lyra Consort in D major

William Lawes (1602-1645)
Suite for two Division Viols and Organ in G minor

Christopher Simpson (c. 1605-1669)
Division for Two Viols No. 7 in G major

Thomas Baltzar (c. 1631-1663)
Prelude

Solomon Eccles (1649-1710)
A Division on a Ground by Mr. John Eckles

Christopher Simpson (c. 1605-1669)
Division for Two Viols No. 1 in C major

John Jenkins (1592-1678)
Lyra Consort in D minor

Christopher Simpson (c. 1605-1669)
Division for Two Viols No. 5 in F major

John Banister (c. 1624-1679)
A Division on a Ground by Mr. Banister

John Jenkins (1592-1678)
Lyra Consort in D minor

Personnel:

Musicke & Mirth
Irene Klein & Jane Achtman (Viola da Gamba & Lyra Viol)
Amandine Beyer (Violine)
Johannes Strobl (Virginal und Orgel)

”Division-Musick“ is a term used by Christopher Simpson during the 17th century to describe a typically English improvisatory style of diminution. Musicians generally used short bass melodies called grounds as the basis for intricate and virtuoso diminutions, beginning with simple and slow melodies over a bass melody, and ending with very fast and virtuosic diminutions after a varying number of repetitions of the melody. Both singers and instrumentalists practiced this art of diminution, but the preferred instrument for divisions was the so-called ”division viol“. This CD aims to give some audible insight into English virtuosity in the Baroque era.

Thanks to pr3ss!

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Pt. 1 | Pt. 2 | Pt. 3

Pt. 4 | Pt. 5

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