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Anton Bruckner - Frankfurt Radio Symphony Orchestra / Paavo Järvi - 7th Symphony (2009) {Hybrid-SACD // ISO & FLAC}

Posted By: luckburz

Date: 4 Aug 2013 11:54:14

Anton Bruckner - Frankfurt Radio Symphony Orchestra / Paavo Järvi - 7th Symphony (2009) {Hybrid-SACD // ISO & FLAC}

Anton Bruckner - 7th Symphony
Frankfurt Radio Symphony Orchestra / Paavo Järvi
SACD ISO (2.0/MCH): 3,30 GB | 24B/88,2kHz Stereo FLAC: 1,15 GB | Partial Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal # 88697389972 | Country/Year: Europe 2009
Genre: Classical | Style: Romantic

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [] not my rip [X]

SACD

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17039460[0x1040064]: disc inserted..
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17039460[0x1040064]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
17039460[0x1040064]: Album Title: Bruckner:Symphony No.7
17039460[0x1040064]: Album Artist: Paavo Jarvi & Frankfurt Radio Symphony Orchestra
17039460[0x1040064]: Disc Version: 01.20
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17039460[0x1040064]: succeeded. raw_spu number is 0
17039460[0x1040064]: succeeded. entry d0
17039460[0x1040064]: Establishing the interrupt tag on the interrupt PPU thread.
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17039460[0x1040064]: sac_exec_validate_key_3[0]
17039460[0x1040064]: ioctl_report_finish [0xff] 0
17039460[0x1040064]: Queuing raw: /dev_usb002/Paavo Jarvi & Frankfurt Radio Symphony Orchestra - Bruckner Symphony No.7.iso, start_lsn: 0, length_lsn: 1732552

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-08-04 13:50:39

––––––––––––––––––––––––––––––––––––––––
Analyzed: Paavo Jarvi & Frankfurt Radio Symphony Orchestra / Bruckner:Symphony No.7
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -5.24 dB -25.56 dB 21:59 01-I.Allegro moderato
DR13 -5.21 dB -24.82 dB 22:51 02-II.Adagio.Sehr feierlich und sehr langsam
DR13 -6.13 dB -24.95 dB 9:55 03-III.Scherzo.Sehr schnell
DR10 -5.26 dB -21.61 dB 12:43 04-IV.Finale.Bewegt,doch nicht schnell
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 4
Official DR value: DR13

Samplerate: 2822400 Hz / PCM Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64
================================================================================

SACD Info:

Anton Bruckner - 7th Symphony

Frankfurt Radio Symphony Orchestra / Paavo Järvi

Label: RCA Red Seal
Catalog#: 88697389972
Format: Hybrid-SACD, Album, Stereo, Multichannel
Country: Europe
Released: 2009
Genre: Classical
Style: Romantic

Tracklist:

Symphony No.7 in E Major

1. Allegro moderato
2. Adagio. Sehr feierlich und sehr langsam
3. Scherzo. Sehr schnell
4. Finale. Bewegt, doch nicht schnell

Paavo Järvi comes to the 1883 Bruckner Seventh Symphony in E Major [recorded November 22-24, 2006] by way of the Leopold Nowak edition. More to the point, however, he extends the tradition of the original founder of the Frankfurt ensemble, Hans Rosbaud, by his willingness to approach the E Major as a constant work-in-progress whose thematic periods can be approached in a variety of organically wrought means. Järvi’s streamlined style in the first movement—its emphasis on the lyric bases of the three thematic groups in hymnal syntax and Wagnerian harmony—resembles the kind of bright radiance that Gunter Wand achieved without the burden of piety that weighs down much of Sergiu Celibidache’s legacy in Bruckner.

Even given Järvi’s basic propulsion in the rhythmic surface, the tendency of the orchestra to build upon an organ diapason creates an internal tension between monumentality and bucolic transparency of texture. The colors in Järvi’s orchestra ring with extremely etched contours, the flutes moving into the low strings with a deliberate shading of the Old Masters, say Rembrandt. The sonic mix—courtesy of Ruediger Orth—captures the alternately vehement and serene ecstasies of this mighty score, whose first movement certainly echoes motives from Valhalla. The leisure of the transition to the recapitulation, on the other hand, shimmers with the kind of internal, fluid patience that we ascribe to the noble Furtwängler readings of this score. The coda ushers in that Elysian sweep and grandeur that utters “Himmel hoch!” in every bar.

The Adagio, of course, does pay direct homage to the memory of Richard Wagner, a warmly radiant valedictory, which culminates at bar 177 and whose inflamed stretti will eventually recede into an ethereal pianissimo. Järvi manages to maintain a taut pulsation within the vast or vaulted architecture of this expansive movement, though for me the weight of the first two movements tends to make even the most lyric outpouring top-heavy. Still, we seem to move through a number of Wagnerian labyrinths, and declamations from Daland or Kundry seem immanent. The Valkyries ride in their idiosyncratic march-waltz in the Scherzo, the fourths and fifths chirping or fox-hunting as is their wont. The passion swells in mock demonic fury, only to relent in Schubertian hues for the trio section. The da capo features some splendid trumpet work in syncopation. The Finale—in the manner of the ouroboros—recycles materials in the first movement in an energetic, concise manner. Collaboration between principal flute, strings, and French horns floats seamlessly toward the ultimate peroration in which Wagner’s mortality his epic posterity converge. Has the whole progress been a Rhine Journey? A vast and rewarding enterprise from first to last this Järvi Seventh. ♫

—Gary R. Lemco classicalmusicguide.com

With kind permission by ManWhoCan. Thanks a lot!

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