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Beethoven - Herbert Kegel / Dresdner Philharmonie - Symphonies 3 & 1 (2003, 1982 & 1983) {Hybrid-SACD // ISO & HiRes FLAC}

Posted By: luckburz
Beethoven - Herbert Kegel / Dresdner Philharmonie - Symphonies 3 & 1 (2003, 1982 & 1983) {Hybrid-SACD // ISO & HiRes FLAC}

Ludwig van Beethoven - Symphonies 3 & 1
Herbert Kegel / Dresdner Philharmonie
SACD ISO (2.0/MCH): 4,35 GB | 24B/88,2kHz Stereo FLAC: 1,20 GB | Full Artwork
Label/Cat#: Capriccio # SACD 71 008 | Country/Year: Germany 2003 | 5% Recovery Info
Genre: Classical | Style: Viennese School

MD5 [X] CUE [ ] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip [ ]

Beethoven - Herbert Kegel / Dresdner Philharmonie - Symphonies 3 & 1 (2003, 1982 & 1983) {Hybrid-SACD // ISO & HiRes FLAC}


16908362[0x102004a]: SACD-Ripper Version 0.36
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16908362[0x102004a]: disc inserted..
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16908362[0x102004a]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
16908362[0x102004a]: Album Title: LUDWIG VAN BEETHOVEN - Symphonies No. 3 - Eroica &
16908362[0x102004a]: Album Artist: HERBERT KEGEL
16908362[0x102004a]: Disc Version: 01.20
16908362[0x102004a]: config: 00 00 00 0c 00 00 00 10 ff 41 01 04 00 00 00 00
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16908362[0x102004a]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
16908362[0x102004a]: succeeded. raw_spu number is 0
16908362[0x102004a]: succeeded. entry d0
16908362[0x102004a]: Establishing the interrupt tag on the interrupt PPU thread.
16908362[0x102004a]: ioctl_report_key1[45023901] 0
16908362[0x102004a]: sac_exec_generate_key 0 c9 0
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16908362[0x102004a]: sac_exec_validate_key_1[0]
16908362[0x102004a]: sac_exec_generate_key_2[ae] 0
16908362[0x102004a]: ioctl_send_key[3] ae 0
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16908362[0x102004a]: Queuing raw: /dev_usb006/HERBERT KEGEL - LUDWIG VAN BEETHOVEN - Symphonies No. 3 - Eroica & No. 1.iso.001, start_lsn: 0, length_lsn: 2090000
16908362[0x102004a]: Queuing raw: /dev_usb006/HERBERT KEGEL - LUDWIG VAN BEETHOVEN - Symphonies No. 3 - Eroica & No. 1.iso.002, start_lsn: 2090000, length_lsn: 194880
16908362[0x102004a]: disc ejected..
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Herbert Kegel - [2003] Ludwig Van Beethoven - Symphonies No. 3 - Eroica And No. 1 [2.0] (SACD[PS3] - 24bit88.2kHz)
======================================================================================
SACD[PS3]ISO to flac conversion using SACD_Conversion_script version 0.5

Track list
–––––

01 Allegro Con Brio - Symphony No. 3 In E Flat Major Op. 55 - Eroica 15:17.65
02 Marcia Funebre (Adagio Assai) - Symphony No. 3 In E Flat Major Op. 55 - Eroica 16:56.19
03 Scherzo (Allegro Vivace) - Symphony No. 3 In E Flat Major Op. 55 - Eroica 06:11.40
04 Finale (Allegro Molto) - Symphony No. 3 In E Flat Major Op. 55 - Eroica 12:39.12
05 Adagio Molto. Allegro Con Brio - Symphony No. 1 In C Major Op. 21 07:39.23
06 Andante Cantabile Con Moto - Symphony No. 1 In C Major Op. 21 05:51.20
07 Menuetto (Allegro Molto E Vivace) - Symphony No. 1 In C Major Op. 21 04:05.16
08 Finale (Adagio. Allegro Molto E Vivace) - Symphony No. 1 In C Major Op. 21 04:51.83

Technical Details
––––––––-

01) ISO image created using sacd-ripper for PS3

02) Edited Master Dff file extracted using SACD_Extract

03) Edited Master Dff file analysed using foobar + foo_input_sacd and DR Meter plugins to find peak track(s)

04) Dff files for loudest tracks extracted from the ISO using SACD_Extract and converted using Weiss Saracon 1.61-27 at 24bit/88.2kHz with -6.00dB gain

05) Non-clipping gain calculated using SoX

06) Final pass conversion using Weiss Saracon 1.61-27 at 24bit/88.2kHz with 6.00dB gain as calculated above

07) Final pass PCM file split into individual tracks (discarding first 41 samples) using track lengths calculated from cue file generated by SACD_Extract

08) Spikes at beginning of first/end of last tracks eliminated by deleting 24 samples and replacing with the adjacent 24 samples using SoX to give the correct track length

09) Finalised tracks converted to flac [level 8] and tagged using tag.exe

10) Dynamic Range measured using Foobar DR Meter plugin

foobar2000 1.1.11 / Dynamic Range Meter 1.1.1
log date: 2014-10-29 16:42:22

––––––––––––––––––––––––––––––––––––––––
Analyzed: Herbert Kegel / Ludwig Van Beethoven - Symphonies No. 3 - Eroica And No. 1
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.53 dB -20.28 dB 15:18 01-Allegro Con Brio - Symphony No. 3 In E Flat Major Op. 55 - Eroica
DR12 -5.53 dB -24.27 dB 16:56 02-Marcia Funebre (Adagio Assai) - Symphony No. 3 In E Flat Major Op. 55 - Eroica
DR13 -0.81 dB -21.78 dB 6:11 03-Scherzo (Allegro Vivace) - Symphony No. 3 In E Flat Major Op. 55 - Eroica
DR13 -0.27 dB -20.45 dB 12:39 04-Finale (Allegro Molto) - Symphony No. 3 In E Flat Major Op. 55 - Eroica
DR14 -0.54 dB -19.86 dB 7:39 05-Adagio Molto. Allegro Con Brio - Symphony No. 1 In C Major Op. 21
DR14 -5.44 dB -25.40 dB 5:51 06-Andante Cantabile Con Moto - Symphony No. 1 In C Major Op. 21
DR14 -1.56 dB -21.10 dB 4:05 07-Menuetto (Allegro Molto E Vivace) - Symphony No. 1 In C Major Op. 21
DR13 -1.29 dB -20.25 dB 4:52 08-Finale (Adagio. Allegro Molto E Vivace) - Symphony No. 1 In C Major Op. 21
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR13

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2411 kbps
Codec: FLAC
================================================================================


foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2014-10-29 20:02:46

––––––––––––––––––––––––––––––––––––––––
Analyzed: Herbert Kegel / Ludwig Van Beethoven - Symphonies No. 3 - Eroica And No. 1
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.53 dB -20.28 dB 15:18 01-Allegro Con Brio - Symphony No. 3 In E Flat Major Op. 55 - Eroica
DR12 -5.53 dB -24.27 dB 16:56 02-Marcia Funebre (Adagio Assai) - Symphony No. 3 In E Flat Major Op. 55 - Eroica
DR13 -0.81 dB -21.78 dB 6:11 03-Scherzo (Allegro Vivace) - Symphony No. 3 In E Flat Major Op. 55 - Eroica
DR13 -0.27 dB -20.45 dB 12:39 04-Finale (Allegro Molto) - Symphony No. 3 In E Flat Major Op. 55 - Eroica
DR14 -0.54 dB -19.86 dB 7:39 05-Adagio Molto. Allegro Con Brio - Symphony No. 1 In C Major Op. 21
DR14 -5.44 dB -25.40 dB 5:51 06-Andante Cantabile Con Moto - Symphony No. 1 In C Major Op. 21
DR14 -1.56 dB -21.10 dB 4:05 07-Menuetto (Allegro Molto E Vivace) - Symphony No. 1 In C Major Op. 21
DR13 -1.29 dB -20.25 dB 4:52 08-Finale (Adagio. Allegro Molto E Vivace) - Symphony No. 1 In C Major Op. 21
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR13

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2411 kbps
Codec: FLAC
================================================================================



SACD Info:

Ludwig van Beethoven - Symphonies 3 & 1

Herbert Kegel / Dresdner Philharmonie

Label: Capriccio
Catalog#: SACD 71 008
Format: Hybrid-SACD, Album
Country: Germany
Released: 2003
Recorded: 1982/1983
Genre: Classical
Style: Viennese School

Tracklist:

1 Symphony No.3 in E flat major, op.55 'Eroica' - I. Allegro con brio 15:15
2 Symphony No.3 in E flat major, op.55 'Eroica' - II. Marcia funebre: Adagio assai 16:57
3 Symphony No.3 in E flat major, op.55 'Eroica' - III. Scherzo: Allegro vivace 6:12
4 Symphony No.3 in E flat major, op.55 'Eroica' - IV. Finale: Allegro molto 12:39
5 Symphony No.1 in C major, op.21 - I. Adagio molto - Allegro con brio 7:39
6 Symphony No.1 in C major, op.21 - II. Andante cantabile con moto 5:51
7 Symphony No.1 in C major, op.21 - III. Menuetto: Allegro molto e vivace 4:05
8 Symphony No.1 in C major, op.21 - IV. Finale: Adagio - Allegro molto e vivace 4:49

Artist Biography by Adrian Corleonis

Known in the United States primarily as the conductor of a surefire recording of Orff's Carmina Burana, Herbert Kegel was respected in Europe as a pivotal figure in establishing the works of such individual Modernists as Blacher, Dallapiccola, Dessau, Penderecki, and Nono in the concert hall and on discs. He was one of the first to champion Britten's War Requiem, while his recording of Schoenberg's Moses und Aron was instrumental in keeping this difficult and challenging work before the public. His involvement with Orff's music typifies the duality of a distinguished career whose impact is not yet fully appreciated and whose legacy remains to be assimilated, for beside the ever-popular Carmina Burana, Kegel also recorded – superbly – the remaining cantatas, Catulli Carmina and Trionfo di Afrodite, speech-inflected works the composer regarded as parts of a single cycle of Trionfi and that look ahead to the uncompromising utterance of his Antigonae and Oedipus der Tyrann. Kegel studied at the Dresden Conservatory, where Karl Böhm was one of his teachers, from 1935 to 1940, beginning his career, after serving as a conscript during the war in 1946, as kapellmeister of the Volkstheater Rostock. From 1949 to 1978 he was associated with the Leipzig Radio Orchestra & Choir, becoming choirmaster, music director, and principal conductor of the Great Radio Orchestra and Radio Choir in 1953. He became principal conductor of the Leipzig Symphony Orchestra & Choir in 1960. In 1977 he was named principal conductor of the Dresden Philharmonic, a post he held until 1985. From 1985 until his death he frequently appeared as guest conductor at the Dresden and Leipzig opera houses, the Staatsoper Berlin, and the NHK Orchestra, Tokyo. Teaching engagements included a professorship with the Mendelssohn Bartholdy Hochschule für Musik in Leipzig from 1975 until 1978, and a Dresden master class in 1980. Kegel's grasp extended over the standard repertoire, from Bach to Stravinsky, though his center of interest revolved around the German Romantics, Bruckner and Mahler in particular, and the Modernists, great and minor – Hartmann, Honegger, or Theodorakis no less than Bartók, Berg, and Hindemith – with a smattering of such audience pleasers as Carmen and Margarethe (that is, Gounod's Faust for German audiences). Several recordings – including Carmina Burana and Mahler's Symphony No. 4 – feature distinguished solo work by Kegel's second wife, soprano Celestina Casapietra. His manner was without affectation or grandiosity, rhythmically alert and lyrically poised, always efficient and often inspired. He committed suicide in Dresden on November 20, 1990. ~allmusicguide

Beethoven - Herbert Kegel / Dresdner Philharmonie - Symphonies 3 & 1 (2003, 1982 & 1983) {Hybrid-SACD // ISO & HiRes FLAC}


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