Su	Mo	Tu	We	Th	Fr	Sa
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J.S. Bach - Easter & Ascension Oratorios (Masaaki Suzuki) [2005] (PS3 SACD rip)

Date: 17 Mar 2012 07:58:30

J.S. Bach - Easter & Ascension Oratorios (Masaaki Suzuki) [2005] (PS3 SACD rip)
SACD ISO image: 3.22 GB | Scans PDF (800 dpi): 28.8 MB | 5% Recovery Record
Classical | Label: BIS Records | Catalog Number: BIS-SACD-1561 | Direction: Masaaki Suzuki, Orchestra: Bach Collegium Japan

Eccezionale 5 Stelle Musica April 2006Hard on the heels of Volume 29 in the Bach Cantata series and their recording of the Orchestral Suites comes this new disc from Bach Collegium Japan. Genre-wise the present two works balance between oratorios and cantatas. Though their format is not far removed from that of the longer cantatas, some differences are obvious: for instance, in its earliest version the soloists in the Easter Oratorio were assigned roles (such as Mary Magdalene and Peter), while the Ascension Oratorio features an Evangelist, filling the same function as in the more monumental Passions. Both works - like the Christmas Oratorio - are, at least in part, so-called parodies: reworkings of secular occasional pieces as sacred compositions by adapting their texts. Such origins may to some extent explain the festive note of these two celebrations of the resurrection of Christ, and his ascension to heaven. The opening instrumental movement of the Easter Oratorio, which uses the theme from 'Erschallet, ihr Lieder' of Cantata BWV 172, resounds with jubilant trumpets and timpani, and the Ascension Oratorio begins with a chorus in which choir and orchestra "praise God in His kingdoms" with the splendour worthy of a great prince. Recent reviews have described Bach Collegium Japan's offerings as 'Bach to an unbelievable perfection' (the Suites) and 'musical beyond belief' (Volume 29), and here is more from the seemingly indefatigable Masaaki Suzuki. On the present disc, Cantata cycle veterans Yukari Nonoshita and Chiyuki Urano are joined by Jan Kobow, whose participation on Volume 22 (BIS-CD-1322) received much praise, and counter-tenor Patrick van Goethem, making his BIS début.

Track listing

KOMMT, EILET UND LAUFET, BWV 249
ORATORIUM FESTO PASCHALI/OSTERORATORIUM/EASTER ORATORIO, final version (6th April 1749)

1. 1. Sinfonia 4:07
2. 2. Adagio 3:28
3. 3. Chorus. Kommt, eilet und laufet, ihr fluchtigen Füße… 4:57
4. 4. Recitativo (Soprano, Alto, Tenore, Basso). O kalter Manner Sinn!… 0:57
5. 5. Aria (Soprano). Seele, deine Spezereien… 11:27
6. 6. Recitativo (Alto, Tenore, Basso). Hier ist die Gruft… 0:40
7. 7. Aria (Tenore). Sanfte soll mein Todeskummer… 6:15
8. 8. Recitativo (Soprano, Alto) Indessen seufzen wir… 0:54
9. 9. Aria (Alto). Saget, saget mir geschwinde… 5:55
10. 10. Recitativo (Basso). Wir sind erfreut… 0:35
11. 11. Chorus. Preis und Dank… 2:16

LOBET GOTT IN SEINEN REICHEN, BWV 11
ORATORIUM FESTO ASCENSIONIS CHRISTI/HIMMELFAHRTSORATORIUM/ASCENSION ORATORIO (19th May 1735)

12. 1. Chorus. Lobet Gott in seinen Reichen… 4:35
13. 2. Recitativo (Tenore). Der Herr Jesus hub seine Hande auf… 0:29
14. 3. Recitativo (Basso). Ach, Jesu, ist dein Abschied schon so nah?… 1:01
15. 4. Aria (Alto). Ach, bleibe doch, mein liebstes Leben… 7:13
16. 5. Recitativo (Tenore). Und ward aufgehaben zusehends… 0:28
17. 6. Choral. Nun liget alles unter dir… 1:09
18. 7a. Recitativo (Tenore, Basso). Und da sie ihm nachsahen… 2:12
7b. Recitativo (Alto). Ach ja! so komme …
7c. Recitativo (Tenore). Sie aber beteten ihn an…

19. 8. Aria (soprano). Jesu, deine Gnadenblicke… 6:27
20. 9. Choral. Wenn soll es doch geschehen… 3:52

Dynamic

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-02-14 00:18:12

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Analyzed: BIS Records AB / Bach - Oratorios
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -9.95 dB -28.95 dB 4:10 01-Easter Oratorio: 1. Sinfonia
DR12 -17.17 dB -32.93 dB 3:29 02-2. Adagio
DR14 -8.21 dB -26.80 dB 4:59 03-3. Chorus
DR13 -11.62 dB -32.22 dB 0:58 04-4. Recitativo
DR16 -14.09 dB -34.73 dB 11:28 05-5. Aria
DR12 -12.05 dB -33.82 dB 0:43 06-6. Recitativo
DR13 -16.91 dB -34.99 dB 6:18 07-7. Aria
DR14 -11.21 dB -32.17 dB 0:56 08-8. Recitativo
DR14 -12.99 dB -31.70 dB 5:56 09-9. Aria
DR12 -18.80 dB -34.41 dB 0:35 10-10. Recitativo
DR12 -9.49 dB -26.13 dB 2:32 11-11. Coro
DR14 -6.18 dB -24.48 dB 4:39 12-Ascension Oratorio: 1. Coro
DR12 -18.68 dB -35.56 dB 0:31 13-2. Recitativo
DR13 -19.36 dB -35.02 dB 1:03 14-3. Recitativo
DR15 -13.99 dB -33.97 dB 7:15 15-4. Aria
DR10 -14.98 dB -33.59 dB 0:28 16-5. Recitativo
DR13 -10.57 dB -29.22 dB 1:11 17-6. Choral
DR13 -15.27 dB -32.96 dB 2:12 18-7. Recitativo
DR16 -9.94 dB -31.16 dB 6:28 19-8. Aria
DR12 -7.29 dB -24.27 dB 4:37 20-9. Choral
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 20
Official DR value: DR13

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD
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