The Word and the Void Trilogy (3 eBooks) - Terry Brooks

Terry Brooks is the New York Times bestselling author of more than twenty-five books, including the Genesis of Shannara novels Armageddon's Children and The Elves of Cintra; The Sword of Shannara; the Voyage of the Jerle Shannara trilogy: Ilse Witch, Antrax, and Morgawr; the High Druid of Shannara trilogy: Jarka Ruus, Tanequil, and Straken; the nonfiction book Sometimes the Magic Works: Lessons from a Writing Life; and the novel based upon the screenplay and story by George Lucas, Star Wars(R): Episode I The Phantom Menace.™ His novels Running with the Demon and A Knight of the Word were selected by the Rocky Mountain News as two of the best science fiction/fantasy novels of the twentieth century. The author was a practicing attorney for many years but now writes full-time. He lives with his wife, Judine, in the Pacific Northwest.

Terry Brooks's Running with the Demon is billed as "A Novel of Good and Evil," but he could've called it "A Novel of Here and Now." The fantasy master behind the Shannara series switches his focus from neo-Tolkien jungles to the woebegone steel town of Hopewell, Illinois. Though Illinois teenager Nest Freemark (where does he get these names?) looks like your average kid, she spends her free time in the woods asking her 6-inch pal Pick for advice in dodging the Demon and his creepy Feeders, spirits who gobble the souls of humans. Nest is also being tailed by John Ross, a shining Knight of the Word who wants to keep her from the Feeders' jaws.
Meanwhile, in the real world that dominates the novel, Nest Freemark is being stalked by a handsome, evil classmate who she has rejected, and a pack of surly, insurgent striking steelworkers plot a bombing at the company's Fourth of July picnic. The boy and the bombers are unaware that they're being subconsciously manipulated by the Demon. The book's matter-of-fact take on the uncanny is a bit like The X-Files. (And if you want to compare the two, check out Ted Edwards's X-Files Confidential: The Unauthorized X-Philes Compendium.)

Brooks's plot has more strands than a plate of pasta, yet his mind is logical to a fault–he used to be a lawyer. There's something for everyone: gory monster attacks, a dread family secret, magical mind-game duels, even a (rather flat) teen-romance subplot. The setting has real grit and the countdown to the Independence Day bombing peps up the tale. Brooks sometimes prosaically explains things a better literary stylist would dramatize, and his minatory visions of environmental apocalypse are more fun than the obvious, nagging, don't-be-a-litterbug message they exist to convey. Brooks will never be as deep as Tolkien, and many readers will find him less awesome as their adolescence recedes. Still, he's the genuine article, and with this book, he raises the stakes he's playing for.

John Ross, the tortured, conflicted Knight of the Word from Terry Brooks's Running with the Demon, finally gets a good night's sleep in the sequel. He buys this moment's peace at the cost of his sacred oath to be a champion of the Word, renouncing that pledge after failing to prevent the slaughter of a group of schoolchildren. Duty and destiny are difficult to elude, though, and soon his former charge Nest Freemark, now a college student and Olympic hopeful, arrives to warn him of his imminent destruction, or, worse, his unwitting fall into the service of the Void.

The story winds lazily through sleepy, wet Seattle like a tour bus, steadily building. Everything eventually converges on the homeless shelter where John works with his new sweetie Stefanie Winslow for über-activist Simon Lawrence, a man his dreams tell him he is fated to kill. A thin mystery clouds the identity of the demon conspiring to deliver John unto evil, but the book's real focus is John's fitful, foot-dragging attempts to fulfill his destiny. Knight doesn't provide the suspenseful energy of Running, a book that followed Nest through the dramatic loss of her childhood, but it rejoins her as she assumes the responsibilities of young adulthood and–like that period in life–still manages to deliver satisfying, if more subtle, rewards.

From Publishers Weekly
Brooks continues his vacation from his trademark Tolkienesque adventures (the Shannara and Magic Kingdom novels) with this urban dark fantasy, a sharp and satisfying follow-up to last year's Running with the Demon. It has been five years since mortal John Ross was anointed a Knight of the Word, and in that time he has suffered a serious crisis of faith. Unable to prevent the death of innocents in senseless acts of violence engineered by demons of the Void, he has fallen from his calling and drifted to Seattle to work with saintly Simon Lawrence and the Fresh Start program for homeless women and children. Nagged by recurring nightmares of a possible future in which he murders his mentor and dismantles the program, John is guilt-ridden, uncertain and vulnerable to a shape-shifting demon who has infiltrated his circle of associates. His only hope is Nest Freemark, the teenage heroine of his previous adventure, who applies her own grasp of the Word to smoke out the demon before John's dreams?which include her death?can come true. The identity of John's demonic manipulator and the meaning of his dreams are carefully crafted mysteries that build to a climax filled with surprising twists and turns. Brooks's real achievement, however, is his orchestration of the tale's social issues and personal dramas into a scenario with the resonance of myth. Both a sprightly entertainment and a thoughtful allegory of the forces of Good and Evil at large in the modern world, this novel is sure to increase its author's already vast readership. Author tour.

Angel Fire East marks the close of Terry Brooks's Nest Freemark-John Ross saga, which began with 1997's Running with the Demon. After a long layover in Seattle for the middle book, Knight of the Word, the fantasy-meets-modernity action returns to Nest's native Hopewell, where once again Nest and John must face off against the Void, this time in the form of ancient demon Findo Gask, who favors a black-clad evil preacher getup for his menacing needs.

Brooks's well-realized and likable cast from the previous books is back, from Nest (now 29) to Ross (haggard as ever) to Pick (still just a few inches tall) and even grown-up versions of Nest's childhood friends from Running, including Bennett, now a junkie with child. Of course, Findo Gask has assembled a creepy little Legion of Doom to harry these nice folks: a giant albino demon; a formless, flesh-eating ur'droch; and a knife-wielding Orphan-Annie-gone-bad named Penny Dreadful. And Angel Fire's main plot thread is even compelling: John Ross has caught a shape-changing, wild-magic creature of enormous power, a gypsy morph, that he and Nest must discover how to turn to the Word before Gask and his crew can capture it for the Void.

But as with Knight of the Word, wooden pacing and unconvincing transitions keep this tale from rising to the level of Brooks's previous masterworks, such as the excellent Shannara and Landover series. If you've read the first two books, it's certainly worth seeing off your old friends in Angel Fire East. But if you're–heaven forbid–new to Terry Brooks, check out his earlier work, or even his very capable novelization of Star Wars Episode I: The Phantom Menace. –Paul Hughes –

From Publishers Weekly
Fighting supernatural evil is taxing work, and Brooks's third novel of humanity's stand against the demons of the Void shows hints of battle fatigue. Fifteen years have passed since the events chronicled in Running with the Demon (1997), but neither Knight of the Word John Ross nor former Olympic runner Nest Freemark seem much changed by their encounters with predatory devils who incarnate modern social ills: he is still the reluctant hero tasked with preventing the Void's incursion into human affairs, and she remains the righteous heroine suppressing her demon-tainted powers. The plot follows a pattern similar to A Knight of the Word (1998), beginning with Ross's tormenting vision of the future that will occur if he fails to keep a gypsy morphAa shapeshifting bundle of "wild magics" with potential to become a weapon for good or evilAfrom falling into demon hands. Ross seeks Nest's help in Hopewell, Ill., a hometown of Norman Rockwell blissfulness primed for demonic devastation. There the morph changes into a young boy, which makes him vulnerable to the schemes of avuncular fiend Findo Gask and provides Brooks with a focus for exploring the importance of parental responsibility and mother love. This predictable dark fantasy springs a few surprises at its end, but the long parade of characters from the earlier installments gives it the feel of a family reunion one endures out of obligation rather than enthusiasm. Like Nest, this novel keeps pace, but a change of direction is in order for the series. (Oct.)